COMMUNICATION AND PARTNERSHIPS DEPARTMENT PRESS KIT LES VILLES, LA RUE, L'AUTRE 20 JUNE - 15 OCTOBER 2018 SABINE WEISS.

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1 COMMUNICATION AND PARTNERSHIPS DEPARTMENT PRESS KIT SABINE WEISS LES VILLES, LA RUE, L'AUTRE 20 JUNE - 15 OCTOBER 2018 SABINE WEISS #SabineWeiss

2 SABINE WEISS LES VILLES, LA RUE, L'AUTRE 20 JUIN - 15 OCTOBRE 2018 GALERIE DE PHOTOGRAPHIES, FORUM -1 May 2018 communication and partnerships department Paris cedex 04 Director Benoît Parayre telephone (0) benoit.parayre@centrepompidou.fr Press officer Elodie Vincent telephone (0) elodie.vincent@centrepompidou.fr PRESS OPENING MONDAY 18 JUNE 11 AM - 1 PM IN PRESENCE OF THE ARTIST SOMMAIRE 1. PRESS RELEASE PAGE 3 2. EXHIBITION MAP PAGE 5 3. EXHIBITED CIRCUIT PAGE 6 4. EXHIBITED WORKS PAGE 8 5. BIOGRAPHY OF SABINE WEISS PAGE BIOGRAPHIES OF OTHER EXHIBITED ARTISTS PAGE PUBLICATIONS PAGE PRESS VISUALS PAGE PRACTICAL INFORMATION PAGE 26 #SabineWeiss

3 May 2018 communication and partnerships department Paris cedex 04 directeur Benoît Parayre téléphone (0) courriel attachée de presse Élodie Vincent téléphone (0) courriel PRESS RELEASE SABINE WEISS LES VILLES, LA RUE, L AUTRE 20 JUNE - 15 OCTOBER 2018 GALERIE DE PHOTOGRAPHIES, FORUM-1 The exhibition staged in the Galerie de Photographies features nearly 80 vintage photographs by Sabine Weiss, mostly unpublished, on the theme of the street. Dating from 1945 to 1960, they come from a group purchased by the Musée National d Art Moderne and a recent donation by the photographer, who decided to entrust a large selection of her works to the Centre Pompidou. #ExpoSabineWeiss Sabine Weiss Place de la Concorde, Paris, France 1953 Centre Pompidou, MNAM-CCI/P.Migeat/ Dist. RMN-GP Avec le soutien de En partenariat média avec Sabine Weiss is now the last representative of the great «Humanist» photography movement. The images produced within this typically French movement have often misguidedly been seen as sentimentalist. French humanist photographers, who mostly worked with the Rapho agency (Edouard Boubat, Robert Doisneau, Jeanine Niepce and Willy Ronis, among others), provided a record of their times through their sociological, non-critical observations. Like her colleagues, Sabine Weiss was interested in everyday life. In these photographs taken for herself in her spare time, she provides a gentle, sympathetic view of residents in her town, seeking out simple scenes of beauty in suspended moments of rest or reverie, without concealing the poverty of daily life in post-war Europe. Her works are full of light, making play with shadows and blurred areas, and above all illustrate her committed reconciliation with reality. The exhibition takes a fresh look at her rich and varied output, which goes well beyond the context of Humanist photography alone. This new interpretation of her work is achieved by comparing her personal archives with her own works and those of four contemporary artists Viktoria Binschtok, Paul Graham, Lise Sarfati and Paola Yacoub, who also worked on the theme of the street and the contemporary city. Their approaches are radically different, but echo the photographer s in many ways.

4 SOuS LA DIREcTION DE KAROLINA ZIEBINSKA-LEWANDOWSKA collection DE photographies Du centre pompidou ÉDITIONS Du centre pompidou ÉDITIONS xavier BARRAL 4 EXHIBITION SEQUENCES: THE CITY OF LIST AND LIGHT THE LIFE OF CITIES SEQUENCE THE DYNAMIC ENERGY OF SITUATIONS MOSCOW THE HIDDEN REALITY OF THINGS NEW YORK A METROPOLIS PHOTOGRAPHED Born in 1924, in Switzerland, Sabine Weiss became interested in photography very early on, and decided to make her passion her career. During the war, she worked as an apprentice at the Boissonnas Studio in Geneva, and moved to Paris after the Armistice. She worked for several years with the photographer Willy Maywald, who introduced her to the world of fashion and Paris high society. Shortly afterwards she set up as an independent photographer and was frequently published in the illustrated press, including Paris Match, the New York Times, Life, Picture Post and Die Woche. She published her first photo report at the age of 21 in At 28, she took part in the exhibition «Post-War European Photography» at the MoMA New York and joined the Rapho agency. In 1954, the Art Institute of Chicago devoted a solo exhibition to her, which toured the USA. The following year,, three of her pictures featured in the MOMA s exhibition «The Family of Man». She also worked for the French edition of Vogue throughout the 1950s, producing foreign reports and advertisements for leading communication agencies. At the same time, she devoted herself to more personal work, photographing children playing in the wasteland of her neighbourhood, Porte de Saint-Cloud, as well as Paris and its daily life, Metro, fleamarkets and so on. CATALOGUE Under the guidance of Karolina Ziebinska-Lewandowska A catalogue is being co-published for the occasion by the Centre Pompidou and Xavier Barral. This richly-illustrated work contains little-known pictures by Weiss, taken between 1946 and In a long interview, the photographer talks about her career, professional affiliations and the way her work has been received. SABINE WEISS LES VILLES L A RuE L AuTRE SABINE WEISS LES VILLES LA RuE L AuTRE ÉDITIONS xavier BARRAL ExB CURATOR Karolina Ziebinska-Lewandowska Curator of the photography department, musée national d art moderne. In collaboration with Florian Ebner and Emmanuelle Etchecopar-Etchart, attachée de conservation

5 5 2. EXHIBITION MAP GALERIE DE PHOTOGRAPHIES, FORUM NIVEAU -1 SCENOGRAPHY : LAURENCE FONTAINE Sequences Cities of mist and light Introduction Entrance Exit Moscow New York Cities of mist and light New York The life of cities

6 6 3. EXHIBITED CIRCUIT INTRODUCTION Sabine Weiss published her first photoreportage at the age of 21 in Eight years later, she took part in the exhibition "Post-War European Photography" at the New York Museum of Modern Art, and joined the Rapho Agency. In 1954, the Art Institute of Chicago gave her a solo exhibition, which toured the US. The following year,, three of her pictures featured in the MOMA exhibition "The Family of Man" in New York. Weiss is now the last representative of the great "Humanist photography movement. Through this exhibition ranging from 1945 to 1960 a reflection of the confused, precarious post-war years, the Centre Pompidou takes a fresh look at Weiss's photographs. This new interpretation of her work is based on her own archives, and reveals a rich and varied output full of her typical spontaneity. Sabine Weiss's pictures, which come from a donation and a recent acquisition, dialogue with the works of four contemporary artists (Viktoria Binschtok, Paul Graham, Liz Sarfati and Paola Yacoub) who work on the theme of the street and the contemporary city. Their radically different approaches help to cast a new light on the work of the Humanist photographer. CITIES OF MIST AND LIGHT Cities Paris in particular flitter and scintillate through Weiss lens. The photographer wasn t afraid of trembling reflections or blurred outlines, nor of mist dimming the foreground of her images. She indeed embodied the Humanist photography movement, but part of her formal approach was also characteristic of subjective photography. In her photographic wanderings throughout the city, Weiss freed herself of technical constraints and produced surprising images where the din of the city seems to fade away. These unconstrained times in a tranquil Paris, camera in hand, were calm and tender moments. THE LIFE OF CITIES Sabine Weiss photographed Paris, her adopted city, for nearly twenty years. She approached its residents with a natural humility and an intuition for scenes of the ordinary and day-to-day. She loved the sounds and colours of urban life, and took pleasure in crisscrossing suburban wastelands full of mischievous children at play. The human being was central to her photographs, which never judged, analyzed, or criticized. This personal work was almost entirely devoted to the everyday lives of people from every background, in their local streets. MOSCOW Sabine Weiss went to Moscow in 1961 to photograph Les Ballets Russes. This was the period of Nikita Krushchev, when the Cold War was at its height and Stalin s terror far behind. Weiss assignment, a commission from Vogue magazine, had nothing political about it. During the day, she wandered through the city and by chance came upon a national celebration. Here she photographed the parades typical of totalitarian regimes, staged to demonstrate the people s unity; she was also keen to show scenes of dispassionate observers on the fringes of these celebrations.

7 7 NEW YORK Sabine Weiss regularly visited New York with her American husband, Hugh Weiss. There, she rapidly made professional contacts and her work was acclaimed by the press and various institutions. On two trips, in and 1962, she took a large number of photographs of the city, first for herself, and then for a commission from the New York Times Magazine. A long way from her gentle Paris scenes, these pictures vibrate with speed and life, conveying the city s manic energy. New York s fast pace required a different eye. SEQUENCES Sabine Weiss archives contain several scenes captured in sequence. These series of photographs feature minor details, like the scene at the racecourse, or take a close-up look at her subject, like the series of children in the wasteland. This approach, simultaneously spontaneous and methodical, was adopted in different ways by various contemporary artists. TEXTS DEVELOPED IN RELATION WITH OTHER ARTISTS ON DISPLAY "Men and sometimes children carry bunches of red roses in the streets of Beirut [ ]. With these flowers they introduce unusual ornaments to the streets of Beirut. But nobody speaks to them, nor do they buy their flowers. And yet, every morning, they return to the same place with bunches of red roses. In fact, in 2002, everyone feared these florists because they were strongly suspected of being members of the Syrian secret services." Paula Yacoub talking about her series «Les fleurs de Damas» I ve been traveling around the States for a while now, and wanted to do something looser and freer, to take pictures of people at the most ordinary, everyday moments - cutting the grass or waiting for the bus, smoking cigarettes or traveling to and from the supermarket. For his series "A Shimmer of Possibilities", Paul Graham developed a form of sequential narrative linking the fixed image of photography with a cinematographic vision. The banality of everyday life is transformed into something symptomatic of the social condition. In World of Details, I connect the two: the digital image world with reality as I found it in the streets of New York. (.) I first travelled to New York virtually and picked out certain street scenes from the gigantic Google Street View Archive. I was interested in the pedestrians who were photographed by chance, who looked into the lens of an apparatus that then took their picture. (.) In a second step, I travelled physically to the locations I had selected with my reference photographs, to make a further image for myself in the real world. I wanted to find out what I might newly discover in the scenes I knew from the media pictures. (.)" Viktoria Binschtok talking about her series "Worlds of Details". "I worked on distance to create an ambiguous view of a man's relationship with the landscape. My photographs are large format; through their balance, they give the observer an extreme freedom: that of focusing on the landscape or the human figure." Talking about "Oh Man", a series of 17 photographs taken in Los Angeles in 2012 and 2013, Lise Sarfati reveals her metaphorical vision of the urban space.

8 8 4. LIST OF EXHIBITED WORKS Unless otherwise specified, works are of Sabine Weiss and belong to the collection of the Centre Pompidou. All works of Sabine Weiss are gelatin silver prints. LISE SARFATI oh man.phg7_07, 2013 from the series Oh Man 2003 Pigment inkjet print Courtesy Galerie Particulière, Paris, en cours d acquisition PAOLA YACOUB Flowers of Damas 2002 C-prints PAUL GRAHAM San Francisco from the series A Shimmer of Possibility C-prints SABINE WEISS The man who runs, Paris 1953 Paris Paris Paris VIKTORIA BINSCHTOK Cop #2, Garbage from the series World of Details 2012 C-prints Centre Pompidou MNAM, AM VIKTORIA BINSCHTOK Coats, couple from the series World of Details 2011 C-prints Paris Paris 1951 Flea market, rue Soufflot, Paris 1948 Paris Rue des Terres au curé 1954

9 9 Avenue de Versailles, Paris 1953 Docker, port of Marseille 1946 Races at Longchamp, Paris 1951 Dun-sur-Auron, France 1950 Paris 1950 Paris 1952 Banks of the Seine, Paris 1952 Paris c Banks of the Seine, Paris 1952 Flea market rue Soufflot, Paris c Child, Paris 1952 Jardin du Luxembourg, Paris 1952 Marchande de frites, Paris Vers Misty morning, Lyon 1950 Boulevard Murat, Paris 1950 Child, Paris 1952 Children in a vacant lot, Porte de Saint-Cloud, Paris 1953 Children in a vacant lot, Porte de Saint-Cloud, Paris 1953 Children in a vacant lot, Porte de Saint-Cloud, Paris 1950 Children in a vacant lot, Porte de Saint-Cloud, Paris 1950 Children in a vacant lot, Porte de Saint-Cloud, Paris 1950 Paris 1953 Paris 1954 Place de la Concorde, Paris 1953 Paris 1954 Children in a vacant lot, Porte de Saint-Cloud, Paris 1950 Children in a vacant lot, Porte de Saint-Cloud, Paris 1950 Flea market, Paris 1954 The washwomen, Bretagne 1954 London 1954

10 10 Vienna Subway, New York 1961 New York Times Square, New York 1961 New York Times Square, New York 1961 Coney Island, New York Moscow 1961 Coney Island, New York Moscow 1961 New York Moscow 1961 New York Moscow 1961 Demonstration, New York Moscow 1961 Employee on strike, New York Moscow 1961 New York New York New York New York Floods, Paris Marseille 1956 Champs Elysées, Paris 1957 Subway, New York 1961

11 11 5. BIOGRAPHY OF SABINE WEISS Sabine Weiss Patrice Delatouche 1924 Born Weber on 23 July in Saint-Gingolph, Switzerland (becomes a French citizen in 1995) Becomes an apprentice photographer at Paul Boissonnas s studio in Geneva Becomes Willy Maywald s assistant in Paris Embarks on a career as an independent photographer Meets Robert Doisneau in the offices of Vogue. The latter puts her in contact with Raymond Grosset Contract with Vogue Joins the Rapho agency. Numerous features in Newsweek, Picture Post, Du, Votre santé, Votre enfant, Ihre Freundin, Sunday Graphic, Paris Match. Her work is featured in the exhibition "Post-War European Photography", Museum of Modern Art, New York Solo exhibition of 55 photographs at the Art Institute of Chicago. Exhibition at the Walker Art Institute, Minneapolis. Exhibition at Bard College, New York. Exhibition at the Nebraska Art Center, Lincoln. Invited by Otto Steinert to participate in Subjektive Fotografie, Saarbru cken.

12 12 From 1954 until the late 1960s, she is featured in the following annual photography publications (Photography Year Book, US Camera, Photography Annual) and her work features regularly in The New York Times Magazine, Le Ore, Zondagsvriend, Se og Hør, France illustration, Plaisir de France, Art d aujourd hui, L Œil, Arts, Life, Die Woche, Elle, Réalités, Point de vue-images du monde, Arts ménagers, Esquire, Leica Fotofrafie, Photography, Du, Camera, Le Leicaïste, Time, Amateur Photographer, Photography Collaborates on a regular basis with the magazine Holiday. Three of her photographs are included in the exhibition "The Family of Man" at the Museum of Modern Art, New York Exhibition at the Limelight Gallery, New York From 1960 onward, she works on a more regular basis in advertising and fashion Publication of the book "J aime le théâtre" by Denoël et Rencontre Publication of the book A Week in Daniel s World: France by Crowell-Collier Press From the 1970s until the 1990s, collaborates regularly with the following magazines: Margriet, Town & Country, European Travel and Life First retrospective exhibition at the Centre Culturel Noroit, Arras. Exhibition "En passant at the Centre culturel de Châtillon". Publication of En passant by Contrejour Travelling exhibition of Sabine s work organized as part of the cultural remit of the French Ministry of Foreign Affairs (held at the French Cultural Centres of New York, Athens, Helsinki, etc.). Exhibition Sabine Weiss. Photographs at the Galerie Viviane Esders, as part of the first edition of the Mois de la Photo event in Paris Exhibition at the Museum of Photography, Oslo Exhibition at the Musée Nicéphore-Nièpce, Chalon-sur-Saône 1983 Recipient of a bursary award for her project on the Egyptian Copts Exhibition at the Galerie Municipale du Château d eau, Toulouse. Exhibition catalogue features a text by Jean Dieuzaide.

13 Les Habitants du Val-de-Marne, a commission by the Fonds Départemental d Art Contemporain (Departmental Contemporary Art Collection), Créteil. Made a Chevalier des Arts et des Lettres (French Knight of Arts and Letters). Exhibition at the Musée de l Élysée, Lausanne, Switzerland Exhibition at the Fondation Nationale de la Photographie, Lyon. Publication of Intimes convictions by Contrejour, with a preface by Frédéric Mitterrand and an essay by Sabine Weiss Exhibition at the musée Arthur-Batut, Labruguière. Exhibition at the musée Tavet, Pontoise. Catalogue of the exhibition "Sabine Weiss. Vu à Pontoise". Education grant in Reunion, delivered by Ministry of Cultural Affairs Exhibition at Forum de l image, Blagnac. Exhibition at Howard Greenberg Gallery, New York Exhibition «Visages de la Passion religieuse», Visa pour l Image festival, Perpignan Exhibition "Sabine Weiss. Photographe de lumière et de tendresse", Espace Photographique de Paris Named Officier des Arts et des Lettres (French Officer of Arts and Letters) Exhibitions "Portraits d artistes", Galerie Lefort Openo, Paris, and "Poussettes, charrettes et roulettes", Musée de Bièvres Exhibition "Les Hommes et leurs croyances", Festival Transphotographiques, église Saint-Maurice, Lille Publication of Sabine Weiss by La Martinière, with an essay by Jean Vautrin Retrospective exhibition Chroniques nomades, Honfleur Exhibition at the Musée d Art moderne de la Ville de Paris. Participates in the exhibition "La photographie humaniste. Autour d Izis, Boubat, Brassaï, Doisneau", Bibliothèque Nationale de France, Paris. Publication of Sabine Weiss, musiciens des villes et des campagnes, by Filigranes / Musée

14 14 de l Hôtel-Dieu de Mantes-la-Jolie, texts: Ingrid Jurzak and Gabriel Bauret Exhibition "Les années 50", Galerie Camera Obscura, Paris. Participates in the exhibition "See and Feel", Espace ABP, Heerlem. Exhibition catalogue. Publication of "100 photos de Sabine Weiss pour la liberté de la presse", Reporters sans frontières Retrospective "Sabine Weiss. Un demi-siècle de photographies", Maison Européenne de la Photographie, Paris. Exhibition "Les vitrines du Printemps dans les années 1950", Rencontres d Arles. Film by Jean-Pierre Franey, "Un regard sur le temps", 54 minutes, Regards Production Exhibition "Elles. Les Pionnières", Musée National d Art Moderne, Centre Pompidou, Paris Retrospective "Un demi-siècle de photographies", The Ekaterina Cultural Foundation, Moscow, Russia. Receives the Ordre National du Mérite (French National Order of Merit) Exhibition "La Photographie en France ", Maison Européenne de la Photographie, Paris. Film by Frank Landron, Une vie de photographe, 52 minutes, Les Films en hiver Exhibition "L Amour pour la vie", Alliance Française, Rio de Janeiro. Publication of "Sabine Weiss " with two DVDs, éditions de l Œil. Exhibition Instants fugaces, Bordeaux Submarine Base Retrospective "Chère Sabine", Salon de la Photo, Paris. Film by Stéphanie Grosjean, "Mon métier de photographe", 11 minutes, Salon de la Photo. Publication of "Sabine Weiss. L Œil intime", ed. Sabine Weiss «Nuit des Images», Musée de l Elysée, Lausanne 2016 Exhibition at the Jeu de Paume Château de Tours. Exhibition catalogue. Exhibition "Le Monde de Sabine Weiss", Les Douches la Galerie, Paris 2017 Sabine Weiss chooses the Musée de l Elysée in Lausanne, to keep her work and her archives.

15 15 6. BIOGRAPHIES OF OTHER EXHIBITED ARTISTS VIKTORIA BINSCHTOK Born in 1972, Moscow, Viktoria Binschtok lives and works in Berlin. She studied Photography and New Media Arts at the Academy of Visual Arts Leipzig, with the professors Timm Rautert and Helmut Mark. Since twenty years Viktoria Binschtok is working on the impact of the digital turn on photography and our visual culture. Recent monographic exhibitions include in 2016 Golden horn/golden Case at Kunstmuseum Bonn, Pumps and Globes at Museum Folkwang, Essen, and the group show L image volée at Fondazione Prada, Milano in 2016, the solo show Marriage is a Lie / Fried Chicken at C/O Berlin. Viktoria Binschtok s work is represented in several collections as the Mnam-Centre Pompidou, Paris, Bundeskunstsammlung Bonn, Berlinische Galerie, Berlin, Museum Folkwang Essen, de Bont-Collection, Los Angeles, The Albright-Knox, Buffalo, Colleccion Helga de Alvear, Madrid and other collections PAUL GRAHAM Born in 1956, Stafford, United Kingdom, Paul Graham studied microbiology and received a BS from Bristol University, UK in Graham is credited with bringing about a revolution in British documentary photography. Based firmly in the observable world and never staged, Graham s photographs of everyday people, places, and events challenge the viewer to ponder the human condition, as well as the language of the medium itself. Graham s photography has been the focus of numerous solo and group exhibitions in the United States and abroad. Recent exhibitions include a shimmer of possibility at the Museum of Modern Art, New York (2009) and a mid-career retrospective, Paul Graham: Photographs , originating at the Folkwang Museum, Essen (2009) and travelling to the Deichtorhallen, Hamburg ( ) and Whitechapel Gallery, London (2011). Graham is the recipient of the 2009 Deutsche Börse Photography Prize, which included an exhibition at The Photographer s Gallery, London that same year. LISE SARFATI Lise Sarfati, French artist, born in Oran in 1958, has lived between Paris and the United States since She has produced various series set in the American context. After The New Life, SHE and On Hollywood, his work finds a new intensity in the densely built landscape of the city. Tension balances, the complex play of the bodies in the light: in Oh Man, a series created in Los Angeles where she has lived essentially since 2012, the eye follows the man alone, fixes his movement, delicate translation, free choreography, empty grace. The sensitive spectrum finds its strength in intense formal deprivation. Ascetic dilation that also inhabits the compositions, as if heated to be rid of anecdotal slag. Her work has included numerous collections including MoMA S.F., LACMA, Pier 24, De Young Museum, Brooklyn Museum and Centre Pompidou.

16 16 DONOVAN WYLIE Donovan Wylie was born in 1971 in Belfast. As a young photographer, he embarked on a journey through Ireland at the age of 16, which gave rise to a documentary photographic work that led to his first book. Part of his work will be devoted to the political and social landscape of Northern Ireland. In the 90's he collaborated with Magnum and became a member in In his reports, he is interested in the social and political signs revealed by the architecture of places. The Estonia series is an exception to his photographic documentary work, which has been the subject of numerous exhibitions in parallel with the publication of several books and the making of films. PAOLA YACOUB Born in 1966, Beirut, Lebanon Paola Yacoub is a Lebanese artist based in Berlin and Beirut. She studied at the Academy of Fine Arts in Beirut and graduated from the Architectural Association in London in From 1995 to 1999, she worked at the Institut Français d Archéologie du Proche-Orient where she was in charge of the excavation s drawings in downtown Beirut. In 2000 she began to collaborate with French artist Michel Lasserre, noting the variations of aspects of Lebanese territories in war and post-war situations through photographic and performative works. Paola Yacoub and Michel Lasserre exhibited their work at the 2001 and 2003 Venice Biennales, Kunst-Werke Berlin 2000, Witte de With Rotterdam 2003, among others.

17 ÉDITIONS xavier BARRAL SOuS LA DIREcTION DE KAROLINA ZIEBINSKA-LEWANDOWSKA collection DE photographies Du centre pompidou ÉDITIONS Du centre pompidou ÉDITIONS xavier BARRAL PUBLICATIONS SABINE WEISS LES VILLES L A RuE L AuTRE ExB SABINE WEISS LES VILLES LA RuE L AuTRE CATALOGUE OF THE EXHIBITION : SABINE WEISS. LES VILLES, LA RUE, L'AUTRE Coedition Éditions du Centre Pompidou / Xavier Barral 176 pages, 110 illustrations 42 Under the guidance of Karolina Ziebinska-Lewandowska TABLE OF CONTENTS Foreword Karolina Ziebinska-Lewandowska Conversation with Sabine Weiss and Karolina Ziebinska-Lewandowska NEWSPAPER OF THE EXHIBITION : LA RUE PHOTOGRAPHS : LISE SARFATI, PAOLA YACOUB, PAUL GRAHAM, DONOVAN WYLIE, VIKTORIA BINSCHTOK 24 x 34 cm 32 pages, 34 images Free of charge Under the guidance of Karolina Ziebinska-Lewandowska

18 18 8. PRESS VISUALS PLEASE NOTE FOR PUBLISHING IMAGES THE IMAGES MUST NOT BE CROPPED OR OVERPRINTED WITH A TEXT. 01.SABINE WEISS Dun-sur-Auron, France, 1950 Gelatin silver print 30,2 x 23,8 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/Dist. RMN-GP 02.SABINE WEISS Jardin du Luxembourg, Paris, France, 1952 Gelatin silver print 30,2 x 19,8 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/Dist. RMN-GP

19 SABINE WEISS Place de la Concorde, Paris, France, 1953 Gelatin silver print 30,4 x 20,1 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/Dist. RMN-GP 04. SABINE WEISS Paris, France, 1953 Gelatin silver print 29,9 x 20,2 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/Dist. RMN-GP 05. SABINE WEISS Paris, France, 1954 Gelatin silver print 21 x 30,3 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/Dist. RMN-GP

20 SABINE WEISS Paris, SABINE WEISS Misty morning, Lyon, France, 1950 Gelatin silver print 30,5 x 24,1 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/ Dist. RMN-GP 08. SABINE WEISS Paris, France, 1952 Gelatin silver print 21 x 27,4 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/ Dist. RMN-GP

21 SABINE WEISS Marchande de frites, Paris, France, vers Gelatin silver print 30,7 x 24,8 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/ Dist. RMN-GP 10. SABINE WEISS Paris, Gelatin silver print 30,5 x 24 cm 41 x 30 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/ Dist. RMN-GP 11. SABINE WEISS Banks of the Seine, Paris, France, 1952 Gelatin silver print 27 x 39,9 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/ Dist. RMN-GP

22 SABINE WEISS Moscow, URSS, 1961 Gelatin silver print 23,8 x 29 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/ Dist. RMN-GP 13. SABINE WEISS Demonstration, New York, United States, Gelatin silver print 24 x 30,5 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/ Dist. RMN-GP 14. SABINE WEISS New York, United States, Gelatin silver print 23,3 x 30,3 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/ Dist. RMN-GP

23 SABINE WEISS Children in a vacant lot, Porte de Saint-Cloud, Paris, France, 1950 Gelatin silver print, 29,5 x 18,4 cm Centre Pompidou, MNAM-CCI/Philippe Migeat/ Dist. RMN-GP 16. SABINE WEISS Children in a vacant lot, Porte de Saint-Cloud, Paris, France, 1950 Gelatin silver print, 30,7 x 20,6 cm Centre Pompidou, MNAM-CCI/ Philippe Migeat/Dist. RMN-GP 17. SABINE WEISS Madrid, Spain, 1950 Gelatin silver print, 30,4 x 24 cm Centre Pompidou, MNAM-CCI/ Philippe Migeat/Dist. RMN-GP

24 SABINE WEISS Paris, France, 1953 Gelatin silver print, 29,9 x 20,2 cm Centre Pompidou, MNAM-CCI/ Philippe Migeat/Dist. RMN-GP 19. SABINE WEISS Child, Paris, France, 1952 Gelatin silver print, 30,2 x 23,6 cm Centre Pompidou, MNAM-CCI/ Philippe Migeat/Dist. RMN-GP 20. SABINE WEISS New York, United States,, Gelatin silver print, Centre Pompidou, MNAM-CCI/ Philippe Migeat/Dist. RMN-GP

25 25 POSTER OF THE EXHIBITION Centre Pompidou SABINE WEISS LES VILLES, LA RUE, L AUTRE 20 JUIN - 15 OCTOBRE 2018 Sabine Weiss : New York, États-Unis, (détail), - Centre Pompidou, direction de la communication et des partenariats, conception graphique : Ch. Beneyton, imp : Print and Display, 2018 SABINE WEISS En partenariat média avec COVER OF THE CATALOGUE SABINE WEISS LES VILLES LA RuE L AuTRE OF THE EXHIBITION Coedition éditions du Centre SABINE WEISS LES VILLES LA RuE L AuTRE ExB 176 pages, 110 illustrations, 42 SOuS LA DIREcTION DE KAROLINA ZIEBINSKA-LEWANDOWSKA ÉDITIONS xavier BARRAL Pompidou / Xavier Barral collection DE photographies Du centre pompidou ÉDITIONS Du centre pompidou ÉDITIONS xavier BARRAL PORTRAIT OF SABINE WEISS Patrice Delatouche

26 PRACTICAL INFORMATION CURATOR Karolina Ziebinska-Lewandowska Curator of the photography department, musée national d art moderne. In collaboration with Florian Ebner and Emmanuelle Etchecopar-Etchart PRACTICAL INFORMATION AT THE SAME TIME AT THE CENTRE POMPIDOU Centre Pompidou Paris cedex 04 telephone (0) subway Hôtel de Ville, Rambuteau Opening hours Exposition open from 11am to 9pm every day except tuesday Price Free entrance Retrouvez l ensemble du programme sur CHAGALL, LISSITZKY, MALEVITCH L AVANT-GARDE RUSSE À VITEBSK ( ) 28 MARCH - 16 JULY 2018 press officer Anne-Marie Pereira anne-marie.pereira@centrepompidou.fr U.A.M UNE AVENTURE MODERNE 30 MAY - 27 AUGUST press officer Dorothée Mireux dorothee.mireux@centrepompidou.fr JEAN-JACQUES LEBEL L OUTREPASSEUR 30 MAY - 3 SEPTEMBER 2018 press officer Timothée Nicot timothée.nicot@centrepompidou.fr ACUISITIONS RÉCENTES DU CABINET D ART GRAPHIQUE 30 MAY - 3 SEPTEMBER 2018 press officer Elodie Vincent elodie.vincent@centrepompidou.fr MUTATIONS / CRÉATIONS 2 CODER LE MONDE 15 JUNE - 27 AUGUST 2018 press officer Timothée Nicot timothée.nicot@centrepompidou.fr MUTATIONS / CRÉATIONS 2 RYOJI IKEDA 15 JUNE - 27 AUGUST 2018 press officer Timothée Nicot timothée.nicot@centrepompidou.fr