ELEONORA PIPPO / Theatre Director

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1 ELEONORA PIPPO / Theatre Director PORTFOLIO eleonora.pippo@gmail.com

2 ELEONORA PIPPO / Bio (Pordenone 1976) Italian theatre director active since the early noughties, focuses her work on the staging of comic books. She merges cartoon temperature, music and theater in a hybrid that retains traces of the original languages by creating something autonomous, an imperfect musical self-defined by the director "musical lo-fi". The stage space is almost empty, the music is performed by the interpreters with a few acoustic instruments, there are no microphones, the lights are always switched on artists and spectators attending the representation surrounding the action. Lo-fi, as a condition of existence of discourse, a need to say that is before the care package that prefers and seeks empathic relationship between performers and spectators. Eleonora Pippo shows in her work experiences and training in classical theater with the great Italian masters ( School of Teatro Stabile di Torino ), and in the international contemporary ( ViaNegativa Company, Thomas Ostermeier, Agrupación Señor Serrano, Richard Maxwell/New York City Players ), focusing on the issues and the feelings of adolescence as a metaphor of every individual's evolutionary process. The lo-fi musical project began in 2014 with the staging of Five Happy Dead Boys, the horror-romantic comic saga by Davide Toffolo with the Tre allegri ragazzi morti songs ( Three Happy Dead Boys ), the famous Italian indie band wearing skull masks. Five Happy Dead Boys conquered in a short time the most prestigious Italian stages, from its debut to date were presented three episodes: The alternative (2014), The Feast of the Dead (2015) and #tuttonuovo (2016). Passionate about gardening, psychoanalysis and make-up tutorials, no cats living in Rome. She won the Scintille Prize in Asti Theater Festival (2010) with How was that in Italy the revolution broke out, but no one noticed by Davide Carnevali (Riccione Prize) and in 2012 she founded the company Pubblico Teatro and won the invitation of artistic residence at Theatre Spaziooff of Trento with the collective performance Save your wish. For the exhibition In Altre Parole 2013 (In Other Words 2013) she directed the mise en espace of Marburg by Catalan Guillem Clua which was presented to the Hall Squarzina in the Teatro Argentina in Rome. In 2017/2018 Eleonora Pippo will present The girls are losing control. The society is concerned. The end is blue. from the teen drama by Ratigher (Micheluzzi Prize in 2015 for Best Comics to Napoli Comicon) for performers under 15 year old.

3 Works by Eleonora 2014/2015/2016 Five Happy Dead Boys THE LO-FI MUSICAL - The alternative (2014), The Feast of the Dead (2015), #tuttonuovo (2016) (Musical Lo-fi) Written and directed by Eleonora Pippo Adapted from Davide Toffolo s comic saga Songs by Tre Allegri Ragazzi Morti adapted by Eleonora Pippo A production by Pubblico Teatro / Elena Arcuri & Eleonora Pippo + Centro Culturale Mobilità delle Arti / Corrado Russo + La Tempesta Dischi / Fondazione Piemonte dal Vivo With the support of Casa dei Teatri and Drammaturgia Contemporanea (Rome) creative residency in cooperation with Il Gran Teatro di Roma and the residency at Teatro Bellaria Igea Marina, in cooperation with Santarcangelo dei Teatri Most important venues: Teatro India (RM), Teatro Elfo Puccini (MI), Teatro della Tosse (GE), Teatro Vascello (RM), Teatro Litta / Stagione APACHE (MI) and tour. - Repubblica.it Repubblica TV - video Low fidelity musical based on the horror-romantic comic saga by Davide Toffolo with the songs of Tre Allegri Ragazzi Morti, the popular indie band with the skull masks. Teenage zombies are condemned to eat only human flesh - unable to grow, love and die. Played and sung live and unplugged by young performers consecrated on the journey of love and death on the road. Corriere Mercantile - Diego Curcio One intense hour, suspended between tales of teenager-werewolves and zombie boys, broken hearts and a thrilling soundtrack. teatroecritica.net- Andrea Pocosgnich Eleonora Pippo is the director and deus ex machina of a unique initiative in the Italian theatre scenario, not only for the transposition from graphic work, but also for the formal choice that rests on an open container, a musical that she calls LO-FI, with a structure free from any bridle that could result from the genre. - Marianna Norese The situation is intimate and the involvement is unavoidable. It seems like you re attending a show of research, a kind of grotowskian musical.he A MILANO Teatro Elfo Puccini 28 OTTOBRE_2 NOVEMBRE 2014 Sara Mataloni - close-up.it The emotional aspect is the backbone of the show... To enjoy 'Cinque Allegri Ragazzi Morti' you must let yourself wrapped up in it, with no conventions and preconceptions, free from the idea of a traditional theatre show. Click to read COMPLETE PRESS REVIEW FOTO on flickr

5 2012 SAVE YOUR WISH (Collective performance) written by Elena Arcuri directed by Eleonora Pippo Production: Pubblico Teatro / Elena Arcuri & Eleonora Pippo + La Tempesta Dischi in collaboration with Spazio OFF di Trento Venues: CAGLIARI, ExPop Teatro BOLOGNA, Trenoff Festival TRENTO, Spazio Off MILANO, Teatro Litta CATANIA, Teatro Machiavelli e Brassjazzclub La Cartiera MARGHERA (VE), LA TEMPESTA LA RIVOLTA CS Rivolta PVC Save your wish al Teatro Litta (MI) - Photo e video Save your wish su Facebook S.Y.W. - Video promo A COLLECTIVE PERFORMANCE ON THE CHILDISH AND CONSUMERIST SOCIETY Save your wish, created and performed by Eleonora Pippo and Elena Arcuri, is shocking experience. In the most positive that we can give the adjective shocking: a text that deliberately ignores the traditional communicative grammar between actor and spectator. Two hostesses welcome the public entrance, and since then nothing of what will happen belongs to the theater as we have known (or rather, as he is made known): chairs scattered in the middle of the room, and the two hostesses involving unfortunate spectators in an original reflection on culture of consumerism. A very special experiment. From the interview by Francesco Mattana with Eleonora & Elena Maurizio Strano A sentence. My coffin was open. I made an ass of myself. Because!. Because it faces the matter with an inventiveness out of every logic and from every scheme, using with good intentions the same weapons of the enemy: an effective communication. PRESS REVIEW

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7 2011 HOW IT WAS THAT IN ITALY THE REVOLUTION BROKE OUT BUT NO ONE NOTICED (Satire political fiction) by Davide Carnevali directed by Eleonora Pippo Winner show of the Scintille Prize '10 in ASTI THEATRE FESTIVAL 32 IV Borrello Prize to the new playwriting 2011 Production: Calibro2 / Eleonora Pippo Il Mulino di Amleto Asti Teatro Festival Venues: Festival ASTI TEATRO 32 (AT), Teatro Baretti (TO), Teatro Quirinetta (RM) e tournée. PHOTOS VIDEO PROMO: In a future Italy in 2161 it tells of a past very similar to the eternal condition of immobility in which this country is immersed. Many whisper that things did not always go well. Through an imaginary thesis, an imaginary students argues that in Italy occurred a revolution. but that has been forgotten or passed over in silence. Following the theme of an uncomfortable thesis on stage various guests report their testimony through memories, stories, newspaper clippings, video clips and documents from the period. How did it happen that an event as big as a revolution has gone unnoticed? It would be impossible in any country in the world. But not in Italy, a country where - according to the theory - it does not matter so much what happens, but how it is told. If it is true that the language creates the world, the manipulation of language allows then to create another reality. Where everything can be made to pass for true or false. Just know how to talk about it. " The text has been made very well by the young director Eleonora Pippo, who has come up with a barrage of inventions excellently interpreted by young actors" THE PRESS, March 1, 2011 "A climate of Far West, a group of 'mercenaries' actors... directed by Eleonora Pippo, they show very good in the company, taking the attention with pace and craft a stage... absolutely guessed. A good sign of vitality from the Italian theater. "- THE JOURNAL OF ASTI, February 2011 "... polished and fun work that enchants with continuous pearls" - DIARIO24NOTIZIE.COM, Open

9 Other works directed by Eleonora MARBURG (Mise en espace) 2013 by Guillem Clua Production: La Contemporanea + Regione Autonoma Catalana ( SPAIN ) + Accademia Nazionale d'arte Drammatica Silvio D'Amico Venues:Teatro Squarzina (RM) ULYSSES CHATS WITH THE GODS, AMLETO PLAYS PLAYSTATION, RASKOLNIKOV READS COMICS (Drama) 2010 by Villiam Klimàcek Produzione: Quartieri dell Arte Festival (Viterbo) + Gunagu (Bratislava) + Centro Sperimentale di Cinematografia di Roma Venues: Quartieri dell Arte Festival (VT), Teatro Olimpico (RM). FOTO: HOPSCOTCH & THE 75 (Drama) 2010 by Israel Horovitz Production: Calibro2 / Eleonora Pippo, Giorgio Lupano Venues: Teatro Testaccio (RM) FOTO: FB: BASEMENT (Drama) 2009 di J. M. Benet i Jornet Produzione: Quartieri dell Arte Festival (Viterbo) + Centro Sperimentale di Cinematografia di Roma e Sala Beckett di Barcellona Piazze: Quartieri dell Arte Festival (VT), Teatri Di Vetro (Teatro Palladium, RM) FOTO: FIVE WOMEN WEARING THE SAME DRESS (Commedy) by Alan Ball Production: Calibro2 / Eleonora Pippo & Giorgio Lupano Venues: Teatro Sociale (Bellinzona), ARMUNIA Festival (LI), Teatro Ambra Jovinelli (RM), Teatro della Contraddizione (MI). FB: PROMO VIDEO:

Eleonora by Francesca Martino 2012 www.eleonorapippo.

10 Eleonora by Francesca Martino

Notification to participate in the selection of the E45 Napoli Fringe Festival 2014/2015 and relevant Regulations.

Notification to participate in the selection of the E45 Napoli Fringe Festival 2014/2015 and relevant Regulations Considering that The Fondazione Campania dei Festival, a regional operative body dependent