European Works of Art & Clocks Tuesday, 21 March 2017

Transcription

1 European Works of Art & Clocks Tuesday, 21 March 2017 Lot No Description Hammer incl. Buyer's Premium 301 A 19TH CENTURY GERMAN LIMEWOOD CORPUS CHRISTI Cristo Morto with head turned to dexter, with rope tied perizonium, 77cm high AN 18TH CENTURY NEAPOLITAN CRECHE-TYPE CARVED WOOD AND POLYCHROME DECORATED FIGURE OF SAINT ANTHONY OF PADUA WITH THE CHRIST CHILD the standing saint supporting the animated Christ Child on his right arm, both with realistically painted skin tones and glass eyes, wearing silk robes with gold and silver thread, the Christ Child with a linen undergarment, 56cm high A 17TH CENTURY GERMAN BOXWOOD RELIEF CARVED PANEL DEPICTING THE MOCKING OF CHRIST Christ seated with hands bound, surrounded by four figures applying the crown of thorns, flanked by brick built arches, later mounted in a velvet covered, faux tortoiseshell frame, the panel 17.5cm high AN 18TH CENTURY RUSSIAN CARVED AND PARCEL GILT WOOD BAS RELIEF DEPICTING THE DEATH OF SAINT JOSEPH the bearded saint depicting lying on a bed surrounded by Jesus and the Virgin and other robed figures, in a panelled room setting with tiled floor, carved with an integral foliate frame, inscribed to the reverse indistinctly in Cyrillic, 41cm high

2 306 AN USUAL GERMAN, UPPER RHINE CARVED LIMEWOOD FIGURE OF THE CHRIST CHILD WITH A BIRD, PROBABLY EARLY 16TH CENTURY the crouching figure seated on a draped base with a bird eating a walnut beside, his right hand in benediction and with finely carved hair in stylised ringlets, 29cm high The present depiction of Christ beside a bird that is pecking a walnut from its shell is an unusual composition in Renaissance sculpture, however the Christ Child is often depicted holding a dove to signify chastity and humility and the split nut can represents the Passion. The stylised, finely carved tendrils of hair, the heavily lidded eyes, large head and delicate hands in gesticulation are all features of carvings produced in the Upper Rhine in the early 16th century. 307 A 15TH CENTURY GILT BRONZE CORPUS CHRISTI ON LATER CROSS the figure of Christ cast in low relief and with hollowed out back, with perizonium to the waist, nailed to the 19th century, velvet covered cross with gilt metal cross terminals cast in low relief as the symbols of the four evangelists, probably Italian 16th century, the Christ 16cm high, 43cm high overall Provenance: From a private London collection. The simplified lines used to delineate both the ribs and the folds in the perizonium are typical of casts from this period. For example, there is a 15th century gilt Corpus Christi dating to the 15th century in the Victoria and Albert Museum ( inv. M ) which displays similar characteristics, with short but deep incised lines used to depict the beard, ribs and perizonium, and simplified, pared down physique. 309 AN 18TH CENTURY SPANISH TORTOISESHELL AND WHITE METAL MOUNTED CASKET of domed form, with scrolling foliate hinges and conforming ring handles, the escutcheon depicting a winged heart with stylised crown above, on four ivory bun feet, the interior later velvet lined, 28.5cm wide 3, AN 18TH CENTURY INDO-PORTUGUESE TORTOISESHELL AND IVORY WRITING BOX of rectangular form, with swing handles to the sides, decorated with various ivory borders with stylised floral and foliate motifs, the sandalwood interior void, 27.5cm wide 2,074.00

3 311 A 17TH / 18TH CENTURY SPANISH COLONIAL / SOUTH AMERICAN PUNCHED LEATHER COVERED TRUNK of domed form, the leather decorated throughout with punched, stylised motifs, with an iron clasp and swing handles to the sides, the interior papered including some papers with pen inscriptions, 86cm wide x 48cm deep x 41cm high 1, A 19TH CENTURY FRENCH KINGWOOD AND ROSEWOOD PARQUETRY INLAID CHEST / TRUNK of rectangular form, inlaid with a trellis pattern, with a pair of brass handles to the sides cast as spirally twisted vines, the interior void, 55cm wide x 35cm deep x 24cm high A 17TH CENTURY LIMOGES ENAMEL DEPICTING SAINT GALLIOTA DE VAILLAC TOGETHER WITH A MINIATURE ON IVORY DEPICTING A NOBLEMAN the Saint depicted with a rosary beside a skull, in an 18th century gilt bronze architectural frame with Corinthian columns, the ivory panel painted with a nobleman wearing white robes and an ermine cloak at a window, probably late 18th / early 19th century, in a gilt metal frame with ribbon crest, 15cm high and 11cm high overall respectively, (2) A 17TH / 18TH CENTURY ITALIAN BAROQUE CARVED WOOD FLOOR STANDING SOLOMONIC COLUMN the ionic capital over acanthus leaves and the spirally turned shaft carved ornately with scrolling acanthus leaves and various flowers, 200cm high 1, A A LATE 17TH / EARLY 18TH CENTURY INDO-PORTUGUESE ROSEWOOD AND IVORY MOUNTED TABLE CABINET of rectangular form with fall front, raised on four stepped square feet, the sides with knopped, swing brass handles, decorated throughout with ivory flowerheads within stylised trellis type borders, the interior with one long drawer over three short drawers, the drawer fronts with trellis type carving and finely turned handles, 26cm wide x 14.5cm high 3,660.00

4 318 AFTER GIAMBOLOGNA (ITALIAN, ): A 19TH CENTURY BRONZE FIGURE OF MARS the standing, bearded figure looking to sinister, holding a sword in his right hand and the head of a bearded man in his left, dark brown patination, raised on a rectangular stone plinth, 43cm high 1, The present statuette is derived from Giambologna's famous figure of Mars holding a dagger. It differs from the original version in that his left hand is empty and his fingers outstretched. The original was first modelled in 1587, and a 16th century cast is now in the Victoria and Albert Museum, London, Inv. No. A A LATE 17TH CENTURY ENGLISH BRASS LANTERN CLOCK WITH ALARM BY DANIEL ROBINSON, NOTTINGHAM the strapped bell with finial over four further turned finials and scrolling dolphin frets, on four ball feet, with hoop and spurs to the back to attach to the wall, with Roman chapter ring, the centre with engraved acanthus leaves and signed 'Dan Robinson Nottingham' and with Arabic alarm setting disk and single handle, the single weight driven movement with verge escapement and pendulum, with large weight to drive main spring and small weight for alarm, and later wooden wall bracket, 36cm high 4, Daniel Robinson is recorded as working circa in C.H. Baillie, Vol 1 and is recorded in Brian Loomes 'The Early Clockmakers of Great Britain' as born in London in 1667 and apprenticed to William Arthur but not freed. It is likely he moved to Nottingham after this period to set up his own firm. 324 A RARE 16TH CENTURY ENGLISH EMBROIDERED PANEL WORKED IN COLOURED SILKS AND GOLD THREAD DECORATED WITH THE TUDOR ROSE Possibly from a tester bed worked in red, green, yellow, blue, white and peach silk thread, with applied gold thread, on a linen ground, depicting flowers including the Tudor rose, scrolling foliage, vases and other stylised motifs, 182cm wide x 32cm high AN 18TH CENTURY VELVET EMBROIDERED PANEL OF LONG LENGTH worked in brown, red and white stitches, depicting stylised flowers amongst scrolling acanthus leaves, 310cm long x 37cm wide A LONG PANEL OF 17TH CENTURY MILANESE BOBBIN LACE DECORATED WITH 67.10

5 A LONG PANEL OF 17TH CENTURY MILANESE BOBBIN LACE DECORATED WITH DRAGONS the open mouthed dragons in pairs and flanking floral and foliate motifs with C scrolls, later mounted on a beige velvet panel, the lace 190cm long x 23cm high, the panel 33cm high 328 A 17TH CENTURY CRIMSON VELVET AND GOLD AND SILVER THREAD RAISED WORK EMBROIDERED PANEL DEPICTING TWO STAGS flanked by two trees with a bird flying above, with in a border of scrolling foliage, later mounted on a late 19th century mahogany screen, the panel 67cm wide x 45cm high, 64cm high overall A LARGE 17TH / 18TH CENTURY ITALIAN RED VELVET, SILK AND GOLD AND SILVER THREAD DUCAL BANNER the velvet on a linen ground worked in coloured silks and applied gold and silver thread, with a scrolling border enclosing stylised, scrolling foliage and centred by a Ducal crown, the five points set with coloured paste cabouchons, above a cartouche centred by a pair of lions rampant wearing crowns, 168cm high x 103cm wide A RARE LATE 15TH CENTURY EMBROIDERED LINEN, SILK AND APPLIED GOLD AND SILVER THREAD ORPHREY PANEL the first panel depicting Christ in blessing holding an orb and with halo, above a further panel depicting Saint Paul holding a sword, below a decorative cupola and arch, the final panel depicting a male martyr saint holding a palm frond, beneath a similar cupola, flanked by a border of entwined raised threads, 120cm long A 15TH CENTURY EMBROIDERED PANEL DEPICTING SAINT DENIS HOLDING HIS HEAD PROBABLY ENGLISH worked in coloured silks on linen ground and with applied gold thread, later mounted in a gilt gesso rectangular frame, the panel 46cm high, the frame 56cm high A 15TH CENTURY EMBROIDERED PANEL DEPICTING THE VIRGIN AND CHILD POSSIBLY ITALIAN probably a fragment of a cope, the Virgin and Child worked in silks on linen ground, on a red backing applied with gold thread, with gold thread fringe, later mounted in a gilt and gesso frame, the panel 49cm high, the frame 58cm high 97.60

6 335 AN 18TH CENTURY SPANISH COLONIAL SOUTH AMERICAN PAINTED LINEN PANEL DEPICTING THE VIRGIN AND CHILD the Virgin enthroned and flanked by a pair of crimson curtains, with urns of flowers at her feet, 68cm high A 17TH CENTURY ITALIAN EMBROIDERED CRIMSON VELVET, SILK AND GOLD AND SILVER THREAD COPE HOOD TOGETHER WITH ANOTHER AND A PANEL DEPICTING A MONSTRANCE the cope hood with a circular cartouche previously depicting the Virgin and Child, flanked by stylised scrolling foliage, the second cope hood also 17th century and depicting the Virgin and Child, on a red silk ground with scrolling strapwork border, the third panel 17th / 18th century and worked in gold and silver thread on a cream silk ground, 51cm high, 58cm high and 39cm high respectively (3) AN EARLY 19TH CENTURY OTTOMAN LINEN, SILK, AND GOLD AND SILVER THREAD PURSE / BAG decorated similarly on both sides with sprigs of flowers, cherries, scrolling vines and grapes and other scrolling foliage on a linen ground, the seams sewn with coloured silks and silver thread, lined with cream silk, later turned into a bag. 24cm high This description has been amended. 338 A 16TH / 17TH CENTURY EMBROIDERED SILK AND APPLIED GOLD AND SILVER THREAD LONG HANGING PANEL worked in red, yellow, beige and white silk, decorated with stylised floral and foliate motifs, on a linen ground, later applied at each end with a 19th century gilt bronze mount modelled as a ribbon tied in a bow, stamped 'BF' to the reverse, 420cm long x 20cm wide A STAINED GLASS PANEL DEPICTING THE PELICAN IN HER PIETY, POSSIBLY 17TH CENTURY of quatrefoil form, the pelican piercing her own breast with three chicks below in a nest, 43cm high A STAINED GLASS PANEL DEPICTING THE LAMB OF GOD the lamb depicted with flag and raised on a four colour arch surrounded by stars, within a decorative sunburst border, 49cm high

7 342 A 15TH CENTURY STAINED GLASS PANEL DEPICTING A KNEELING SAINT IN PRAYER with blonde free-flowing hair beneath a halo, wearing white and red robes with a flowerhead design, 44cm high 1, A 15TH CENTURY ENGLISH STAINED GLASS PANEL DEPICTING A FEMALE SAINT wearing a headdress of daisies and holding a book in her right hand and keys in her left, later framed in a leaded clear glass panel, the 15th century panel 50cm high, 58cm high overall 1, A PANEL OF 19TH CENTURY STAINED GLASS WITH STYLISED FLORAL MOTIFS of circular form with demi-lune shape to the base, decorated in greens, yellows, reds and blues, 36cm wide A A 19TH CENTURY STAINED GLASS PANEL DEPICTING A SAINT of rectangular form, the saint with a long beard, wearing traditional ecclesiastical gab including a Bishop's mitre and a red floral robe, against a blue background with formal border, 46cm high 1, A MAGNIFICENT SECOND QUARTER 19TH CENTURY BRONZE EQUESTRIAN STATUE OF LOUIS XIV AFTER THE MONUMENT BY LOUIS PETITOT (FRENCH, ) AND PIERRE CARTELLIER (FRENCH, ) POSSIBLY CAST BY CHARLES CROZATIER ( ) depicting the Sun King with plumed hat astride a large stallion, raised on a rectangular plinth, mid to dark brown patination, 74cm high x 61cm wide 24,400.00

8 349 A FINE EARLY 19TH CENTURY FRENCH TERRACOTTA FIGURE OF HERMINIE CUTTING HER HAIR the seated figure holding a length of her hair in her left hand and a dagger in her right, on an integral circular naturalistic base, 24.5cm high 1, The scene depicted by the sculptor of this fine terracotta statuette comes from 'Jerusalem Delivered', a poem written in 1581 by the Italian Tasso, which tells of a fictional account of the First Crusade. 354 A THIRD QUARTER 19TH CENTURY FRENCH GILT BRONZE FIGURAL MANTEL CLOCK BY RAINGO FRERES, PARIS the case modelled as a pair of volute scrolls supporting the drum case flanked by a pair of putti and surmounted by a ribbon-tied laurel wreath, the base cast with a pair of doves and a nest, with scrolling acanthus leaves throughout, the white enamelled dial signed 'RAINGO FRES A PARIS', with Roman numerals and Arabic five minute markers, the twin train movement stamped 'RAINGO FRERES Paris', with outside countwheel striking on a bell (now lacking), with pendulum and winder, 40cm high x 56cm wide 2, The movement is currently ticking and striking but not fully tested or guaranteed. 355 A PAIR OF LATE 19TH CENTURY FRENCH GILT BRONZE ROCOCO STYLE CANDELABRA each with four acanthus leaf cast, scrolling branches centred by a fifth, with flaming urn snuffer above, with foliate drip pans and urn shaped nozzles, raised on a asymmetric stems wrapped with scrolling foliage, on shaped bases cast with rocailles and C scrolls, 54cm high (2) A PAIR OF LATE 19TH CENTURY FRENCH GILT BRONZE FIGURAL CANDELABRA DEPICTING ALLEGORIES OF PAINTING AND MUSIC each modelled as a putto holding a painters pallet and lyre respectively, each holding aloft five acanthus cast, scrolling arms terminating in leafy nozzles, raised on asymmetric, pierced bases cast with C scrolls and rocailles, one arm detached but present, 50cm high (2) Provenance: Purchased from Hallidays Fine Antiques, Wallingford in December 1994.

9 361 A LATE 19TH CENTURY FRENCH GILT METAL AND ALABASTER MANTEL CLOCK DECORATED WITH A MARLY HORSE the rectangular, plinth case surmounted by the gilt metal model of horse and tamer, the white enamelled dial with Arabic numerals, the single train, timepiece movement with pendulum, currently running, but not guaranteed to be in full working order, with winder, raised on a giltwood and red velvet plinth over an ebonised stand with glass dome above, the clock 43cm high, 54cm high overall A MID 19TH CENTURY FRENCH GILT AND PATINATED BRONZE FIGURAL MANTEL CLOCK DECORATED WITH AN OTTOMAN WARRIOR the figure with sword and riding an Arab stallion, on a rocky naturalistic base set with the silver, Roman dial, over a plinth base with foliate and scrolling mounts, the twin train movement with outside countwheel striking on a bell, 46cm high 1, The movement is currently ticking and striking but not fully tested or guaranteed. 364 A MID 19TH CENTURY FRENCH LOUIS PHILIPPE PERIOD GILT BRONZE MANTEL CLOCK, THE MOVEMENT SIGNED 'SILVANI A PARIS' the case of plinth form surmounted by a lobed, twin handled urn, with lion mask crest to the centre and green man crest below, profusely decorated with floral garands, foliage and C scrolls, the gilt dial with Roman numerals, the the twin train movement signed 'SILVANI B A PARIS', with silk suspension and outside count wheel striking on a bell, 46cm high The movement is ticking and striking but pendulum lacking. 365 AN EARLY 19TH CENTURY FRENCH GILT BRONZE FIGURAL MANTEL CLOCK IN THE ORIENTALIST TASTE BY VICTOR CACHEUX the case surmounted by a courting couple in Chinese dress, reclining on a rocky mound over a naturalistic base, the plinth case cast in relief with a river scene depicting figures on a boat beneath a pagoda, the base decorated with birds and butterflies interspersed with bells, the silvered dial with Roman numerals, the twin train movement with outside countwheel striking on a bell, stamped 'Cacheux', with pendulum, 51cm high 1, Victor Cacheux is recorded in Paris at Rue du Temple in 1830 and Rue Charlot in 1840 (see Tardy, p. 105).

10 366 AN EARLY 18TH CENTURY FRENCH 'BOULLE' STYLE TORTOISESHELL, CUT BRASS AND GILT BRONZE MOUNTED BRACKET CLOCK BY DARVILLE, PARIS the waisted case with caddy top surmounted by a gilt bronze figure of Chinese man below a trellis arch, with C scroll, rocaille and foliate mounts, the sides with glazed panels, the hinged front door with an applied mount depicting a semi-clad maiden seated on a rocky mound, the twenty four piece enamelled dial with Roman numerals and Arabic five minute markers, signed to the centre 'DARVILLE A PARIS', the twin train movement with rectangular plates and four knopped pillars, with five pointed star, numbered outside countwheel, signed 'Darville A Paris', striking on a bell, the pendulum with applied sun mask, the tapering bracket with lappet border, the front angles with classical mask and trailing husk mounts, the boss with C scroll and acanthus leaves, the clock 87cm high, 121cm high overall 3, The clock is currently ticking and striking but not tested for any length of time or guaranteed. 368 AN EARLY 18TH CENTURY FRENCH CUT BRASS, TORTOISESHELL, GILT BRONZE, STAINED HORN, SILVERED METAL AND MOTHER OF PEARL INLAID BRACKET CLOCK BY LEROY A PARIS the case of waisted form with a caddy top surmounted by a bronze figure of Mercury and floral garlands, the sides of the case with female caryatids terminating in acanthus leaves, with further scrolling acanthus leaves throughout, with glazed sides, the hinged front door with a relief of Orpheus with a lyre beside a bird and a lion, over a floral roundel, the interior with chequered inlaid floor, the twelve piece enamelled dial with Roman numerals, the centre with relief decoration of a cockerel amongst scrolling foliage, with an enamel name plate below signed 'LEROY A PARIS', the large flat bottomed, circular movement with large five pointed star, outside countwheel, striking on a bell, with pendulum, together with a tapering bracket with foliate, mask mounts to the front angles, terminating in a fruiting boss, the clock 84cm high 115cm high overall 3, The clock is currently ticking and striking but not tested for any length of time or guaranteed. 369 A SECOND QUARTER 19TH CENTURY FRENCH SIENNA MARBLE AND PATINATED BRONZE MANTEL CLOCK the plinth case surmounted by a bust of a bearded philosopher, with anthemion cast cornice over the foliate base, on bracket feet, the silvered dial enclosed by a bronze serpent bezel, with Roman numerals and blued steel moon hands, the substantial twin train movement with silk suspension, outside countwheel striking on a bell, with pendulum, 56cm high

11 370 AN EARLY 19TH CENTURY FRENCH GILT AND PATINATED BRONZE MANTEL CLOCK BY ANDRE A PARIS modelled as a swan with outstretched wings supporting the gilt bezel and case above, raised on a globular finial over a reeded and acanthus case stem and triform base with lion paw feet, the signed, white enamelled dial with Roman numerals, the twin train movement with silk suspension and outside countwheel striking on a bell, the backplate also signed 'ANDRE A PARIS', with pendulum and winder, 41cm high The movement is currently running and striking but not tested for any length of time or guaranteed. 372 A LATE 19TH CENTURY FRENCH BRONZE FIGURE OR AN ORATOR the seated, classical male figure with a headdress of vines, holding a scroll in his left hand, 29cm high A PAIR OF LATE 19TH CENTURY LOUIS XV STYLE FLEUR DE PECHE MARBLE AND GILT BRONZE MOUNTED URNS of baluster form with domed, fixed covers, with acanthus scrolling handles, floral mounts and scrolling, foliate finial above, raised on a trellis-work base over a spreading, cylindrical foot, raised on re-entrant cut, square plinths, 52cm high (2) 4, AN 18TH ITALIAN CARVED AND SILVERED TORTOISESHELL, PAINTED SILK AND SILVER THREAD FAN the pierced and carved sticks depicting flowers, urns and an oval with a pair of figures, the guard with a female figure beneath an urn of flowers, the painted silk fan with a central cartouche depicting a noblewoman rising to greet a small child carried by a further woman and two attendants, flanked by a pair of oval portraits of a man and woman and a pair of roundels with lake scenes, decorated throughout with silver thread and sequin borders, mounted in a 19th century gilt and glazed frame, 60cm wide overall AN 18TH CENTURY ITALIAN IVORY, PARCEL SILVER AND GILT DECORATED AND POLYCHROME PAINTED FAN the pierced and carved ivory sticks with gilt and silver decoration depicting various types of column, the guard decorated with a figure raised on a further column with an urn above, the handle set with a paste cabochon, the painted vellum fan with various pastoral scenes within rectangular fields, including a courting couple with a shepherdess, flanked by trailing roses and C scroll and acanthus borders on a pink ground, later mounted within a shaped gilt and glazed frame, the fan 27cm high For a similar fan sold at auction see Sotheby's, Works of Art from the Castle of Po, Turin, London, 21 March 2007, lot 182.

12 380 A MID 19TH CENTURY FRENCH GILT BRONZE MANTEL CLOCK BY STAUFFER, PARIS in the Rococo Revival style, the case decorated with flowers, foliage, trelliswork and C scrolls, the signed white enamel dial with Roman numerals, the twin train movement with silk suspension and outside countwheel striking on a bell, signed 'T CROOK STAUFFER PARIS 851' and 'T. CROOK', 26cm high The movement is ticking and striking when hands are turned but not tested for any length of time or guaranteed, lacking pendulum. 381 A LATE 19TH CENTURY GILT BRONZE AND WHITE MARBLE FIGURAL MANTEL CLOCK THE DIAL SIGNED 'DENISART PARIS' modelled as a putto on a cloud base over an oval plinth and four feet, the putto holding a drum stick ready to beat the drum shaped clock case beside him, fitted with a white enamelled dial with Arabic numerals, the twin train movement stamped 'JAPY FRERES MED D'HONNEUR', and 'A1', striking on a bell and with pendulum, 29cm high A LATE 19TH CENTURY FRENCH GILT BRONZE ROCOCO REVIVAL CLOCK GARNITURE the ornate case cast with C scrolls, floral garlands and acanthus leaves, surmounted by an urn of flowers and flanked by a pair of putti, the white enamelled dial with Roman numerals and Arabic five minute markers, signed 'Bte Ancely a Toulouse', the twin train movement striking on a bell, the garniture candelabra each modelled as a putto seated on a naturalistic base, holding aloft five scrolling, acanthus wrapped branches terminating in urn shaped nozzles, with a further central short branch, the clock 49cm high, the candelabra 54cm high (3) 5, The movement winding and striking when the hands are turned but not fully tested or guaranteed. 386 A LATE 19TH CENTURY GILT BRONZE AND GLASS DECANTER BOX WITH CUT GLASS DECANTERS AND GLASSES, LABELLED 'BACCARAT' of rectangular form, with bevelled glass sides and top and acanthus wrapped feet, the hinged lid rising to access the interior, with removable stand with gilt bronze scrolling supports enclosing four baluster shaped decanters (two with stoppers) and numerous matching glasses, with a paper label to the reverse inscribed 'BACCARAT', 30cm high x 33cm wide A PAIR OF MID 19TH CENTURY FRENCH GILT BRONZE ROCOCO STYLE CANDLESTICKS each modelled as a putto standing on a naturalistic base modelled with a tree trunk, over a Rocaille and C scroll foot, each supporting a single candle nozzle with leafy collar and asymmetric drip pan, later drilled for electricity, 22cm high (2)

13 390 A LATE 19TH CENTURY FRENCH BRONZE AND BRASS FOLDING FIRE SCREEN IN THE LOUIS XVI MANNER the main frame of surmounted by an urn finial and with a profile relief portrait of Bacchus, on a scrolling base, the pierced leaves unfolding when in use, 66cm high 1, A PAIR OF LATE 19TH / EARLY 20TH CENTURY FRENCH SEVRES STYLE AND GILT BRONZE MOUNTED URNS the baluster by domed bodies surmounted by domed lids with spire finials, on spreading socles over square plinth bases, painted with harbour scenes on a pink ground with gilt highlights, 31.5cm high (2) A LATE 19TH CENTURY FRENCH GILT BRONZE ADJUSTABLE FIRE FENDER IN THE LOUIS XVI MANNER the ends surmounted by twin handled urns with laurel garland and lion masks, the supports with balustrades hung with garlands, each with a further urn to the end, in three separate parts, 34cm high, 116 fully extended A MID 19TH CENTURY FRENCH GILT BRONZE MANTEL CLOCK BY JULIEN LE ROY A PARIS the case modelled as a fluted pedestal surmounted by a figure of Cupid holding a floral wreath seated on a cloud, over a shaped base with guilloche border and four toupie feet, the signed white enamelled dial with Roman numerals and Arabic five minute markers, the twin train movement with silk suspension and outside countwheel striking on a bell, the backplate signed 'Julien Le Roy a Paris', 44cm high AN 18TH CENTURY SWISS VERNIS MArTIN, ENAMEL AND GOLD MOUNTED SNUFF BOX DEPICTING A GAMING SCENE of circular form, the vernis matin with trellis pattern, with gilt foliate border, the cover with an oval enamel depicting four gentleman and a lady playing cards, with gold rim and tortoiseshell interior, 7.5cm diameter AN 18TH CENTURY SWISS TORTOISESHELL, ENAMEL AND SILVER MOUNTED SNUFF BOX DEPICTING A PORTRAIT OF MINERVA of circular form, the cover mounted with an oval portrait depicting Minerva wearing a helmet with plume within a silver mount, 7cm diameter

14 411 A PAIR OF 19TH CENTURY CHINESE FAMILLE VERT PORCELAIN, CUT GLASS AND GILT BRONZE MOUNTED WALL LIGHTS the porcelain possibly 18th century, the fluted vases decorated with foliage and flowers, mounted with gilt flowers to the top and an acanthus cast boss, each with a pair of scrolling branches with glass drip pans hung with prismatic drops, later fitted for electricity, 33cm high (2) 1, A GEORGE II WALNUT FUSEE BRACKET / TABLE CLOCK SIGNED 'W. JACKSON LONDON' the caddy top surmounted by a brass swing handle, the sides with brass reticulated frets, raised on a plinth base, the later square brass dial signed 'W. JACKSON, LONDON', with gilt scrolling spandrels, matted centre and silvered Roman chapter ring, the twin fusee movement with finely engraved backplate depicting acanthus leaves, also signed 'W. JACKSON, LONDON', striking on a bell, with pendulum, 36.5cm high 2, Movement - the clock is ticking and striking but not fully tested for any length of time or guaranteed. 415 A MID 19TH CENTURY ENGLISH ROSEWOOD FUSEE TABLE CLOCK THE DIAL SIGNED KEELING the gadrooned pad top surmounted by a finial, over a dentil cornice and fan mouldings to the top corners, on bun feet, the painted dial signed 'KEELING Weber St Blackfriars Rd.', with Roman numerals, the single chain fusee timepiece movement with four pillars and anchor escapement, with pendulum and pendulum lock and winder, 31cm high Keeling of London is recorded as working between The movement is currently ticking but not tested for any length of time or guaranteed. 417 A GEORGE II IRISH MAHOGANY SIDE TABLE with cabriole legs with scallop shell tops and pointed hoof feet, the gallery with re-entrant corners and carved scallop shell to the centre, with later removable oak top, 76cm high x 86cm wide x 53cm deep 7, AN EARLY 20TH CENTURY GEORGE III STYLE MAHOGANY, SATINWOOD AND BOXWOOD INLAID PARQUETRY KNIFE URN the domed and outswept top inlaid with boxwood stringing, with borders of lozenges in various woods over a spreading, cylindrical socle and square foot, the top rising to reveal a later green baize lined fitted interior for knives, 46cm high

15 419 A SMALL REGENCY ROSEWOOD AND ORMOLU MOUNTED GAMES IN TABLE IN THE STYLE OF JOHN MACLEAN CIRCA 1810 the central sliding top with chess board reverse opening to reveal a leather interior for backgammon etc. with two small side drawers, with ormolu beadwook to the edges and fluted corner on a square leg base mounted with plain ormolu decoration terminating in brass castors, 92cm x 59cm x 72cm 4, A REGENCY MAHOGANY AND BRASS INLAID TABLE FUSEE CLOCK THE DIAL SIGNED 'READ LONDON' WITH PULL REPEAT the drum case with triple pad top surmounted by a foliate and ball finial, raised on an architectural base with a pair of volute scrolls over a plinth with glazed pendulum aperture, on six brass ball feet, the painted dial 8 inch painted dial with Roman numerals, the twin fusee movement with circular plates striking on a bell, the backplate finely engraved to the outer edge with trailing leaves, the pendulum bob with similar decoration, with case key and winder, 54cm high 1, From a private collection. Possibly by George Read of London who is recorded in Baillie as a clockmaker from The movement is currently running, both barrels are winding and the pull repeat is functioning, but not fully tested or guaranteed. 423 A GEORGE IV ROSEWOOD AND BRASS INLAID FUSEE BRACKET CLOCK WITH PULL REPEAT BY RICHARD GANTHONY, LONDON, WITH BRACKET the pad top carved with stylised leaves and with lobed urn finial, the sides with brass ring handles over reticulated brass sound frets, the painted dial signed 'R. GANTHONY 83 CHEAPSIDE LONDON' with Roman numerals, the twin fusee movement with five knopped pillars and anchor escapement, striking on a bell, the backplate signed 'R. GANTHONY 83 CHEAPSIDE LONDON', with heavy brass bob pendulum and pendulum lock, with winder, the bracket with foliate carved support, the clock 49cm high, 69cm high overall (2) The movement is ticking and striking and the pull repeat is working, but not fully tested for any length of time. Richard Ganthony was first recorded at Chepside in 1821, he was made Master of the Clockmakers Company in 1845, the same year that he died. His father was also a clockmaker named Richard Ganthony, and was working at Lombard Street. See C.H. Baillie, 'Watchmakers and Clockmakers of the World Vol 1'. 424 A 19TH CENTURY GEORGE III STYLE MAHOGANY SILVER TABLE with galleried top of turned balustrade form (now damaged), of shaped outline on four canted legs, with scalloped border and pierced, scrolling X frame stretcher, 91cm wide x 60cm deep x 71cm high 5,978.00

16 91cm wide x 60cm deep x 71cm high Provenance: Property of the late Sir Nicholas John Harington, 14th Baronet of Ridlington ( ). 426 A REGENCY TORTOISESHELL, IVORY AND WHITE METAL STRUNG TEA CADDY TOGETHER WITH A 19TH CENTURY CARD CASE the tea caddy of pagoda form, raised on four ivory bun feet, the interior with traces of foil linings and two compartments, the tortoiseshell card case with silvered metal inlay, 13cm and 13.5cm high respectively, (2) A 19TH CENTURY VIZAGAPATAM (SOUTHERN INDIA) SANDALWOOD, IVORY AND TORTOISESHELL SEWING / WORK BOX MADE FOR THE ENGLISH MARKET decorated throughout with pierced ivory scrolling arabesques, the top centred by an ivory and penwork crest with a blank shield flanked by a lion and a unicorn, with typical floral decorated strapwork throughout, on four paw feet, the fitted interior with a removable tray of various lidded and unlidded compartments, 24cm wide A GEORGE III MAHOGANY AND BRASS BOUND WINE COOLER ON STAND the oval mahogany cooler or jardiniere bound with two brass rings with loop handles, the base possibly of later date, 61cm x 44cm x 59cm A AN EARLY 19TH CENTURY ANGLO-INDIAN VIZAGAPATAM SANDALWOOD AND ENGRAVED IVORY WORK BOX the lobed, raised top surmounted by a reeded circular ivory finial, the reeded sides with borders of engraved ivory and black shellac inlay, on four ivory lobed feet, the interior of the lid with hinged, covered compartment, the fitted interior with a lift out tray and numerous compartments, 31cm wide x 18cm high A very similar work box with hinged folding cover to the interior of the lid with ivory carved boss below small silvered handle revealing a compartment within was sold at Christie's, London, 20 November 2012, lot A MID 19TH CENTURY ENGLISH FUSEE MAHOGANY MANTEL CLOCK BY WEBSTER OF LONDON the case with pagoda top on volute base, with canted front angles, the painted dial signed 'L.B. & S.C.R. 536', the single fusee movement with re-entrant cut corners, the backplate signed 'Webster, Cornhill, London', with pendulum, 32cm high The movement is currently ticking but not tested for any length of time or guaranteed.

17 432 A GEORGE IV TOLE WARE AND CAST IRON COAL BUCKET TOGETHER WITH ANOTHER the body of tapering oval form, with domed lid and cast iron scrolling foliate handles, on four stylised paw feet, the second bucket of similar date and form, with a metal liner and lion mask ring handles, 46cm high (2) A FINE AND EXCEPTIONAL EARLY 18TH CENTURY EBONISED BRACKET / TABLE CLOCK WITH PULL QUARTER REPEAT ON SIX BELLS BY JOSEPH WINDMILLS, LONDON the inverted bell top surmounted by a brass knopped swing handle, over four turned finials and moulded cornice, each side with an arched fretwork panel, raised on a plinth base and bracket feet, the 7 inch brass break arch dial with scrolling acanthus and mask spandrels, the signed silvered Roman and Arabic chapter ring with fleur-de-lys five minute markers, the gilt matted centre with mock pendulum aperture and blued steel hands, with chamfered date aperture below, the arch with subsidiary silvered dial for strike / silent, engraved with floral motifs, the signed twin fusee movement with verge escapement, striking on a nest of six bells and the hours on a single large bell, the rectangular plates united by four knopped pillars, the backplate engraved with scrolling acanthus leaves and ho ho birds, centred by an oval cartouche with wheatear border, inscribed Windmills London, with pendulum, 52cm high 24, A FINE AND RARE WILLIAM III MONTH GOING OLIVEWOOD AND MARQUETRY LONGCASE CLOCK BY JOHN WILLIAMSON, LEEDS, CIRCA of one month duration the sliding hood with floral marquetry panels and spirally turned three quarter columns surmounted by a later carved wood crest depicting two putti centred by a crown, the convex throat moulding over the trunk with fine marquetry depicting various birds amongst foliage and flowers, with oval lenticle, over a plinth base with conforming marquetry and later bracket feet, the 12 inch square brass dial with gilt winged putto mask spandrels, interspersed with foliate engraving to the brass dial, signed below the silvered Roman chapter ring 'John Williamson in Leeds Fecit', the gilt matted centre with engraved Tudor rose to the centre, with chamfered date aperture flanked by scrolling decoration below and subsidiary silvered dial above for seconds, with ringed winding squares, the twin train weight driven movement with five knopped and finned pillars, striking on a bell, with outside countwheel mounted on the backplate and anchor escapement, with pendulum and two weights, 221cm high 9, AN EARLY 19TH CENTURY IRISH MAHOGANY LONGCASE CLOCK SIGNED 'EDWARD SMITH DUBLIN' the breakarch hood with gadrooned moulding over a brass bezel, the concave throat moulding over the arched door inlaid with a medallion over a plinth base, the 12 inch circular painted dial signed 'EDWD SMITH Dublin', the movement with four knopped and ringed pillars, anchor escapement striking on a bell, with pendulum and two weights, 195cm high

18 437 A MID 19TH CENTURY ENGLISH MAHOGANY FUSEE CLOCK SIGNED 'JOHN DRESCHER 66 MYTON GATE, HULL' the arched case of plain form over four bun feet, the glazed front door enclosing the mirrored back with brass scale at the base, the 11 inch painted, signed dial with Roman numerals, the twin fusee movement with four, knopped pillars and shaped upper corners to the plates, with anchor escapement striking on a coiled steel gong fitted to the back of the case, with pendulum, 77cm high John Drescher is listed in C.H. Baillie as working in Hull between A LATE 19TH CENTURY CARVED OAK 'CONTRA' TYPE GLYCERINE AND MERCURY BAROMETER BY NEGRETTI & ZAMBRA, LONDON the case with scrolling broken arch pediment and carved with a foliate panel below the signed, painted metal scale, 124cm high A LATE 19TH CENTURY BRASS SHIP'S CLOCK WITH FUSEE MOVEMENT the painted dial with Roman numerals and subsidiary seconds dial, the single fusee chain movement with maintaining power, with vertical balance wheel escapement, 22cm diameter The movement is in working order but not guaranteed. 440 A MID 18TH CENTURY WALNUT AND MARQUETRY INLAID LONGCASE CLOCK WITH LATE 19TH CENTURY TRIPLE TRAIN MUSICAL MOVEMENT the case with break-arch hood over a blind fret frieze to the front and sides, with three quarter columns flanking the glazed door, the concave throat moulding over the break-arch door fitted with a lenticle, the front and sides decorated in marquetry with vases of flowers and birds to the front and with a figure of a man amongst acanthus leaves to the sides, the late 19th century 12 inch brass break-arch dial with moonphase to the arch, with gilt angel spandrels and silvered Roman chapter ring with Arabic five minute markers, the centre with name plate bearing the signature 'Willm Bramer Amsterdam' centred by the silver subsidiary seconds dial, with calendar aperture below, the triple train, four pillar movement with anchor escapement, with musical cylinder striking the quarters on a nest of four bells, striking the hours on a coiled gong, with three weights and pendulum, part of one hand and the brass escutcheon detached but present, 224cm high 2, Provenance: This clock has been in the same English family for generations. 442 AN EARLY 20TH CENTURY FRENCH BRASS AND ONYX DESK CLOCK COMPENDIUM OF MARITIME THEME modelled as a barrel fitted with the silvered dial with Roman numerals, with an anchor leaning against fitted with a mercury thermometer, and a ships wheel with compass, 16cm high

19 443 A 20TH CENTURY GERMAN SILVERED METAL DESK ALARM CLOCK MODELLED AS A LARGE STOP WATCH with gilt winding crown decoration and swing handle over, the white enamelled dial with Roman numerals and subsidiary alarm dial, the back opening to reveal the easel stand, 22cm high A LATE 19TH CENTURY SWISS BLACK FOREST CARVED WOOD TRUMPETER AUTOMATON CLOCK the architectural case with an arched top over pilasters and a plinth base, the dial with applied Roman numerals over a pair of doors opening to reveal the guardsman soldier playing a trumpet on the half hour and the hour, the twin barrel movement with outside countwheel, with pendulum, 69cm high 1, The movement is in working order but not fully tested or guaranteed. 447 A FINE EARLY 19TH CENTURY MAHOGANY DROP DIAL WALL TIMEPIECE BY THE ROYAL CLOCK MAKER, BENJAMIN LEWIS VULLIAMY, LONDON, NO the 12 inch later painted dial with Roman numerals and outer minute track, painted directly on to the wooden surface, within a brass bezel locking on the left hand side, and a moulded frame, secured to the slim trunk with four narrow metal pegs, the trunk with a hinged door to either side secured via catches, over a chiselled base with fall front, lockable door, the single gut fusee movement with substantial plates and four pillars, with deadbeat type escapement, signed and numbered on the backplate 'VULLIAMY LONDON 1062', the original steel and heavy brass bob pendulum also numbered '1062', the movement also secured to the case with a brass headed screw attached to the bottom of each plate, with winder, 61cm high 3, Provenance: This clock was acquired by the current owner; an eminent horologist, over fifty years ago and has been maintained and running for this period. 448 A LARGE THIRD QUARTER 19TH CENTURY FRENCH GILT BRONZE AND ROUGE GRIOTTE MARBLE FIGURAL CLOCK GARNITURE BY FERDINAND BARBEDIENNE the marble plinth case surmounted by a figure of a maiden playing the pipes, holding the hand of a putto draped in a floral garland, on a naturalistic base, raised on four tapering toupie feet, the dial signed 'F. BARBEDIENNE PARIS' with gilt numerals, the twin train movement stamped 'J.E. DUPONT PARIS', striking on a bell, the garniture candleabra modelled as Bacchic terms on tapering stems and circular feet, signed 'F. BARBEDIENNE', over spreading, square bases, with four scrolling branches centred by a fifth, the clock 71cm high, the candelabra 57cm high (3) 6, The movement is ticking, winding and striking when the hands are turned but not fully tested or guaranteed for any length of time.

20 449 A MID 19TH CENTURY FRENCH GILT BRONZE FOUR GLASS REGULATOR CLOCK BY GAUZARD A PARIS the break-arch case with laurel and berry border over the four bevelled edge, glazed sides and foliate cast plinth base, the signed, white enamelled dial with Roman numerals and Arabic five minute markers, the twin train movement with outside countwheel striking on a bell, the backplate also signed 'GAUZARD A PARIS VA' and numbered 289, with bi-metallic compensated pendulum, 35cm high A LARGE PAIR OF FRENCH LOUIS PHILIPPE PERIOD GILT BRONZE AND ROUGE GRIOTTE MARBLE CANDELABRA each with a marble stem supporting a colza oil receiver with anthemion decoration and three trumpet shaped arms, with later plain candle nozzles, the central section with a stiff leaf cast collar and further urn nozzle, raised on scrolling foliate, triform bases over triform plinths with leaf and berry cast borders, 71cm high (2) 2, A LARGE 19TH CENTURY FRENCH 'BOULLE' STYLE TORTOISESHELL, CUT BRASS AND GILT BRONZE MOUNTED BRACKET CLOCK WITH BRACKET the caddy top surmounted by a figure of a winged classical god blowing a horn, over the waisted, glazed sides, the hinged, shaped front door with a relief depicting Venus beside a stork, raised on four foliate scrolling feet terminating in female caryatid busts, the twelve piece enamelled dial with Roman numerals with Arabic minute outer track, the centre cast with sunburst mask and floral vases, the twin train movement with outside countwheel striking on a bell fitted within the caddy top, numbered ' ', with sunburst mask pendulum, the tapering bracket with cherub mask and trellis work mounts, over a foliate and C scroll terminal, the clock 98cm high, overall 131cm high 3, The movement is running and striking but not fully tested or guaranteed. 459 AN EARLY 20TH CENTURY FRENCH TORTOISESHELL AND IVORY MANTEL CLOCK within an arched case on plinth base, the white enamelled dial with Arabic numerals, the single train timepiece movement with vertically mounted lever platform escapement, inscribed 'H 1124 MADE IN FRANCE', 20cm high The movement is currently running but not fully tested for any length of time or guaranteed.

21 461 A PAIR OF 19TH CENTURY ITALIAN CANTAGALLI MAJOLICA WALL FIGURAL WALL BRACKETS each modelled as a putto riding on the neck of an open-mouthed dragon and supporting a shaped shelf with volute scrolls and foliate decoration above, with the Cantagalli rooster mark to the reverse, 43cm high (2) A PAIR OF LATE 19TH CENTURY PORCELAIN AND GILT BRONZE MOUNTED CANDELABRA MODELLED AS DOGS OF FOE In the Chinese taste, each seated beast raised on a rectangular pedestal over a gilt bronze plinth, issuing a pair of scrolling branches terminating in nozzles cast as leaves, later drilled for electricity, 34cm high (2) A LARGE LATE 19TH / EARLY 20TH CENTURY GILT BRONZE WALL CLOCK AND MATCHING BAROMETER in the Louis XVI style, the square cases with trellis pattern decoration, scrolling acanthus mounts and a classical mask boss, both surmounted by cartouches cast with portraits of Louis XIV flanked by a pair of putti, with a ribbon tied crest above, the black dial with Roman enamelled numerals with gilt bronze borders, the twin train movement striking on a bell, with pendulum, the barometer with similar enamelled plaquettes inscribed with the types of weather, with a further plaque inscribed 'Barometre Selon Torricelli', barometer works no longer attached to indicator hand, 104cm high (2) A LARGE THIRD QUARTER 19TH CENTURY FRENCH GILT AND PATINATED BRONZE FIGURAL CLOCK GARNITURE the clock case fitted into a Rococo style plinth, with an 18th century style nobleman reclining against it, a lyre to the other side, on a shaped plinth base decorated with acanthus leaves and C scrolls, the white enamelled dial with Roman numerals and Arabic five minute markers, the twin train movement stamped 'VINCENTI & CIE MEDAILLE D'ARGENT', with outside countwheel (lacking bell and pendulum), the garniture candelabra with bronze figures of classical maidens raised on square plinth bases with scrolling acanthus feet, each with a stem behind issuing four scrolling and one further central branch all terminating in urn shaped nozzles, the clock 44cm high, the candelabra 61cm high (3) 3,050.00

22 468 A LATE 19TH CENTURY FRENCH PATINATED METAL AND MARBLE FIGURAL CLOCK GARNITURE THE DIAL SIGNED 'LEDUC, BOULOGNE SUR MER' modelled as a young maiden playing the violin beside a winged putto playing the harp, the white enamelled dial with Arabic numerals and floral garlands, the twin train movement striking on a bell, with pendulum, with matching garniture urns, 41cm high (3) A LATE 19TH CENTURY FRENCH TORTOISESHELL AND CUT BRASS INLAID 'BOULLE' STYLE MANTEL CLOCK of typical balloon form with scrolling foliate finial and feet, the gilt repousse mask with twelve piece, Roman enamelled dial, the single train timepiece movement with pendulum, 30cm high A LATE 19TH CENTURY FRENCH GILT BRONZE AND CHAMPLEVE ENAMEL FIGURAL INKSTAND IN THE MANNER OF BARBEDIENNE modelled as a pair of putti, one holding an oval tablet the other a lyre, centred by a lidded inkpot with twin handles, on a spreading plinth base, over a shaped recessed tray and raised on four toupie feet, 27cm wide A SET OF FOUR 19TH CENTURY GILTWOOD AND GILT BRONZE TWIN LIGHT GIRONDOLES ELEMENTS PROBABLY 18TH CENTURY In the Louis XVI style, the oval mirror frame surmounted by a flaming urn crest hung with ribbontied laurel leaves, with a pair of laurel garlands below mounted with gilt bronze twin branch lights, probably 18th century, with female herms, guilloche border and a pair of acanthus cast branches terminating in plain urn shaped nozzles, later fitted for electricity, 69cm high (4) 1, A 20TH CENTURY MAHOGANY CASED QUARTZ MARINE CHRONOMETER BY SEIKO the case with brass recessed handles and bevelled glass top, the silvered dial with Arabic numerals and seconds outer track, with a plaquette to the case inscribed 'MARINE QUARTZ CHRONOMETER QM ', 20cm wide

23 AIMÉ-JULES DALOU (FRENCH, ): A BRONZE REDUCTION OF THE NUDE FIGURE 'LA PAIX', FROM THE 'LE TRIOMPHE DE LA REPUBLIQUE' MONUMENT the nude female figure looking upwards and in mid step, dark brown patination, signed 'DALOU' and stamped 'CIRE PERDUE A. A. HÉBRARD', 51cm high 476 This bronze figure is a reduction of the figure of Peace 'La Paix' that adorns the important bronze monument 'Le Triomphe de la Republique' that Dalou was commissioned to create in the Place de la Nation square. Dalou originally devised the composition for a competition that was created to commemorate the French Republic in 1878 with a monument in the Place de la Republique by the Parisian municipality. Unfortunately Dalou did not win the competition, that prize went to the sculptors Leopold and Francois Charles Morice, however the judging panel were so impressed by Dalou's design that they commissioned the monument for the Place de la Nation. The original plaster maquette for the monument is now in the Petit Palais, Paris. The final monument proved to be a colossal undertaking; Dalou spent twenty years completing the bronze, it is twelve meters high and each of the figures is around four and a half meters in height. The full scale plaster model was inaugurated on September 21st 1889 and the final piece was finished in , This study for the final figure of Peace represents a more pared down and simplified nude, in the same pose at the final full size figure, but without the flowers that she distributes around the monument. 477 EUGENE WAGNER (GERMAN, ): A BRONZE FIGURE OF A FEMALE NUDE the standing figure with left foot behind and right hand resting on her right hip, light brown patination, on a circular base, signed 'E. Wagner', raised on a grey marble octagonal plinth, 45cm high HENRI LOUIS LEVASSEUR (FRENCH, ): A GILT AND PATINATED BRONZE FIGURE OF A MEDIEVAL QUEEN the standing figure wearing a crown with fleur de lys decoration over a hooded cloak, looking to sinister with head slightly raised, on an integral square base, signed 'H. LEVASSEUR', 52cm high PAUL DUBOY (FRENCH, ): A BRONZE FIGURE OF A GIRL the standing figure wearing a long dress and with a pair of plaits in her hair, raised on a square base signed 'P Duboy', 32cm high

24 480 A VICTORIAN WAX RELIEF 'GREAT SEAL OF THE REALM' the obverse depicting Queen Victoria horseback crowned and holding a sceptre, inscribed around the outside 'VICTORIA DEI GRATIA BRITANNIARUM REGINA FIDEI DEFENSOR', the reverse depicting the young queen on a throne, with allegorical figures of Justice and Religion seated either side, the Royal Arms and crown below, in a a later gilt circular frame, the wax seal 14.5cm high RAYMOND SUDRE (FRENCH, ): A LARGE BRONZE FIGURE OF MERCURY 'DEPART DE MERCURE' CAST BY PINEDO, PARIS bending down to adjust his winged sandal, raised on a naturalistic base modelled with a unsheathed dagger and a set of pipes, holding aloft a three branch light centred by a flame, fitted for electricity, the bronze signed 'SUDRE PARIS', mid brown patination, stamped 'PINEDO PARIS' twice, 120cm high 5, A comparable bronze without the Pinedo foundry stamp was sold at Bonhams, London, 9 December 2010, lot A LARGE LATE 19TH CENTURY FRENCH BRONZE FIGURE OF PIERROT SIGNED 'CACCIA 1895' the standing figure emptying out the pockets of his pantaloons, raised on a base modelled as the top of a barrel over a Rouge Breccia marble plinth, mid to dark brown patination, 70cm high RENÉ DE SAINT-MARCEAUX (FRENCH, ): A LARGE BRONZE FIGURE OF A HARLEQUIN CAST BY BARBEDIENNE the standing figure wearing a typical mask and hat and with arms crossed, on a naturalistic base modelled as floor boards, signed 'ST. MARCEAUX' and with 'REDUCTION MECHANIQUE A. COLLAS BREVETE' pastille mark, signed to the side 'F. BARBEDIENNE Fondeur', mid to dark brown patination, 67cm high 2, A similar example cast by Barbedienne was sold at Christie's, London, 20 May 2010, lot ADRIEN ETIENNE GAUDEZ (FRENCH, ): A BRONZE FIGURE OF DAVID WITH THE HEAD OF GOLIATH the figure of David nude except for a loin cloth, holding a sword in his left hand, his left foot resting on the head of Goliath, on an waisted, circular base with a cartouche inscribed 'DAVID PAR A. GAUDEZ HORS - CONCOURS', mid brown patination, 45.5cm high