amt_project Bratislava Milano Tamás St.Turba

Transcription

1 amt_project Bratislava Milano Tamás St.Turba

2 Tamás St.Turba (alias: Tamas Oliver Staub, Szentjóby Tamás, Stjauby, Mentjobi, St.Auby, Szenytyóbi, Tamach Staubski, St.Ruby, Emmi Grant, Emily Grant, etc., if I remember well all my names) Trust.ee in bankruptcy of IPUT /International Parallel Union of Telecommunications/), Agent of NETRAF /Neo-Socialist. Realist. IPUT's Global Counter Arthist.ory-Falsifiers Front/ Born in 1944, Fót (Hungary) Swiss/Hungarian double-nationality in a class enemy family as defined later by the Stalinist state : study of musical instruments. Late : Automatic Poetry for the Drawer and Spontaneous Selbstdarstellungs for My Family, Schoolmates, Teachers, Friends and Strangers (being informed only later about the methods of the Surrealists and Wilhelm Reich); Early 1960: Tendencionist Manifesto metaphysical-ontological tendencies from particulars towards universals as evolutionary-divination processes in writings and images. (Shocking note: now, when I wrote this in this portfolio here, I googled the word Tendencionism, I found this: ome.0.69i j0j1&sourceid=chrome&ie=utf-8# I never heard about it until now. Brahmahaha!) 1965/66: due to my unsolvable linguistic/semantic problems, giving up art. 1965/66: Tabula Rasa turning toward Happening&Environment, Fluxus, Concrete and Visual Poetry, Objects, Mail Art, Conceptual Art, Project Art, Process Art, etc.

3 The Lunch (Happening) managed by Gabor Altorjay & Tamas Szenytyobi, Budapest, Water cooling down ready made glass vessel, warm water (when it is cooled down it should be changed to warm water again), mixed technic, cc. 12 x 6 cm, size variable, unlimited multiple, 1965.

4 7 dg of Ground Objective ready made mortar, glass, size variable, unlimited multiple; above: Magnet Baricade Mockup ready made magnets, size variable, unlimited multiple, middle: New Unit of Measure ready made led tube, cc. 60 cm., unlimited multiple, below: Stolen Object ready made cigarette case; 1965.

5 Bloody Film ready made, 16 mm film with blood on it, metal case, size variable, unlimited multiple, 1968.

6 Czechoslovakian Radio 1968 ready mades, brick, sulfur plate, glue, cc. 28 x 14 x 5 cm, size variable, unlimited multiple; 1969.

7 Portable Trench for Three People ready mades, aluminium tube, wooden frame, reed, sulfur powder, glue; cc. 140 x 90 x 45 cm; 1969.

8 Slip magnet cubes with or without text and signs on police pistols! ready mades, pistol, magnet cubes, letters, signs, leather socket, 13 x 10 x 15 cm, size variable, unlimited multiple; 1969.

9 1966: foundation of the Parallel-Course / Study Track as cover-organization of the International Parallel Union of Telecommunications (IPUT), the Big Sister institution, with the aim of counterbalancing the International Telecommunications Union (ITU), the Big Brother institution. Moon Landing Object (action-object made during the first Moon Landing) ready mades, towel hanger, film, wooden box, 1969.

10 1972: starting the St.Rike Plot. Prohibited To Switch On! ready made, metal, enamel, cc. 14 x 20 cm; 1972.

11 St.Rike Bow ready made, fiddle bow, cc. 60 x 30 cm, size variable, unlimited multiple, : starting the Subsist.ence Level St.andard Project 1984 W (/SLSP1984W/ - Direct Democracy & Subsistence Minimum). Being accused by the Hungarian authority with subversive Non-Art-Art activity and participation in the Samizdat Movement, imprisoned and expelled from Hungary.

12 1975: public lecture about the SLSP1984W: and Retrospective exhibition at the Young Artists Club of Hungary:

13 Going to exile (at the airport of Budapest): (A pillow is hidden in the pants against being kicked by the border guard.) 1976: settling in Geneva. Using the real name: IPUT, the development of the SLSP1984W continued. Establishing the Near-East-European Free University for West-European Jobless People (Ast.Ronomy-, R n R- and St.Rike Departments). 1977: lecture about the SLSP1984W at Free International University, Documenta 6, Kassel:

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15 (The blackboard is included in the environment Das Kapital by Joseph Beuys in Schaffhausen):

16 1977: TOWARD THE SUBSISTENCE MINIMUM FOR EVERYBODY! (installation in the show-window of Galerie Gaetan in Geneva, 1977): : post-graduate studies at Ecole Supérieure d Art Visuel of Geneva.

17 : the realization of the first Four Phases of the SLSP1984W 1 st Phase: The Mutant (video + 23 polaroid photos about the actions in the ITU-s laboratory, the Museum of Natural History and the Museum of Ethnography, Geneva, 1980). The Mutant (Mlle Richter Scale at the laboratory of ITU,1980.)

18 2 nd Phase: The Mutant Class Art St.Rike Tape (about the Subsistence Minimum for the artists financed by the military budget; video + one drawing - Galerie Apartment, Geneva, 1981): 3 rd Phase: The Foundation of the 24 th Canton - at Chapel St.Bartolomée, Fribourg (about the Subsistence Minimum for those who have less, financed by the military budget; video + 5 photos, 1981): 4 th Phase: Katabasis Soteriologike (3334 Baddrawings for baptizing Lucifer, that is, eliminating the Hell from our Myth, etc ):

19 Katabasis Soteriologike STRIKE/SWITA, sepia ink on paper, Katabasis Soteriologike Marcel Duchamp Being Surprised, sepia ink on paper, 1984.

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21 Katabasis Soteriologike - The Rose sepia ink on paper, : world tour during 365 days as a honorary member of the International Flat Earth Society.

22 1991: following the putsches in the so-called East-European socialist block and the collapse of the Iron Curtain, resettling to Hungary. 2001: establishing NETRAF (Neo-Socialist. Realist. IPUT's Global Counter-Arthist.ory-Falsifiers Front). 2003: NETRAF makes the Portable Intelligence Increase Museum (Pop Art, Actionism, Conceptual Art in Hungary during the 1960s / / more than 1100 Hungarian art pieces outcast by the authority (paintings, sculptures, photos, objects, poems, films, music, documents, etc., presented at the Ernst Museum / Dorottya Gallery, Budapest, 2003; BAWAG, Vienna, 2004; Collegium Hungaricum, Berlin, 2008; MAMCO, Geneva, 2005; MG+SMUM, Ljubljana, 2012; Institute of Contemporary Art, Dunaújváros, 2008, H; Ludwig Museum, Budapest, 2011). NETRAF: Portable Intelligence Increase Museum, MAMCO, Geneva, th Phase: Heterarchy (Direct Democratic Voting manual or computerized voting about different subjects like NEWNEEFLUGREEZ /Neutral Weaponfree Near East European Fluxus Green Zone on the streets of Budapest and in the countryside, 2003; Ostracism STREIK MACHT FREI!, Szentendre, 2005; Mutating Bad to Good, Hamburg, 2007; The Basic Income financed by the military budget Galerie van Gelder, Amsterdam, 2004; Kunstbunker, Nürnberg, 2006; Galeria Umenia, Nové Zamky, 2007; Zachenta, Warsaw, 2008; Viennafair, Vienna, 2011; Moma, Warsaw, 2011; tranzitdisplay, Prague, 2011; N&N Gallery, Budapest; gbagency, Paris, 2011; Badische Kunstverein, Karlsruhe, 2010; Karneval-

23 Karneval, Hamburg, 2007; Akademy der Künste, Berlin, 2012; Ludwig Museum, Budapest, 2103; amt_project, Milano, 2016; etc ) Vote Booth, Galeria Umenia, Nové Zámky, 2007.

24 Vote Booth, MoMA, Warsaw, Voting, Viennafair, 2011.

25 The first Three Phases of SLSP1984W presented at Musée Rath, Geneva, 1984: and Kunshalle, Luzern, 1984; Bartók 32 Gallery, Budapest, The 4 th Phase at Kunshalle, Budapest, 1996: and Musée Rath, Geneva, ; Ruine, Geneva, 2015.

26 The first Three and the 5 th Phases at Bunker, Nuremberg, 2006; The first Five Phases at Badische Kunstverein, Karlsruhe, 2010; and tranzitdisplay, Prague, 2011; Ludwig Museum, Budapest, : lecturing at the newly established Intermedia Crèche of the Hungarian Mercantile-Military Penalty University of Fine Arts, but kicked out for failing fulfilling the prescribed obligations: preached in vain during 21 years equal rights for the students and the teachers and for not being able to make accept a precise definition of Intermedia and Interactivity instead of the pretentious gibberish of the student-torturer masters of art. Voting at the Intermedia Crèche of the Hungarian Mercantile-Military Penalty University of Fine Arts, Budapest, 1997.

27 : making and distributing non-art-art which doesn t need any talent, practice, study, skill, virtuosity, mastership at the bottom of the qualification by the state- and church- and art-mafia, to catalyze the selfliberating autonomy of the disabled and despised people toward Hedonism in worshipping EA (Esthetic Absolut) by the constitutionally established right for the Unconditional Basic Income financed by the military budget. I m responsible for the result of the voting about the Unconditional Basic Income on the 5 th of June 2016 in Switzerland. IPUT was not able to explain effectively the reasons of the UBI since the first announcement of it in CH (Galerie Gaetan, Geneva, 1977) to the majority.

28 I am responsible for all&everything! sepia ink on paper, 2013.

29 (Poster-plan, )