Bibliography Abacha, Sani (1993), General Abacha s Speech After Resignation of Shonekan, accessed 15 August (

Size: px

Start display at page:

Download "Bibliography Abacha, Sani (1993), General Abacha s Speech After Resignation of Shonekan, accessed 15 August ("

Loraine Malone
5 years ago
Views:

1 Bibliography Abacha, Sani (1993), General Abacha s Speech After Resignation of Shonekan, accessed 15 August (1996) accessed 15 August Abimbola, Wande (2000) Continuity and Change in the Verbal, Artistic, Ritualistic, and Performance Traditions of Ifa Divination, Insight and Artistry in African Divination, ed. John Pemberton III (Washington, DC: Smithsonian Institution Press), pp Abiodun, Rowland (1994) Understanding Yoruba Art and Aesthetics: The Concept of Ase, African Arts Abodunrin, Femi, Olu Obafemi, and Wole Ogundele (2001) Character Is Beauty: Redefining Yoruba Culture and Identity Iwalewa-Haus, (Trenton, NJ: African World Press). Action Group (AG) (1957) NCNC: Their Black Record (Nigeria: Publisher Unknown). Adedeji, Joel (1969) The Alarinjo Theatre: The Study of a Yoruba Theatrical Art Form from its Earliest Beginnings to the Present Times (unpublished dissertation). Adéëkô, Adélékè (1998) Proverbs, Textuality, and Nativism in African Literature (Miami: University Press of Florida). Agbakoba, Joseph C.A. (2009) Personal Values and Democratic Ethics, The Developmental Philosophy of Emmanuel Onyechere Osigwe Anyiam-Osigwe: Personal Values, Personal Awareness and Self-Mastery, eds Olusegun Oladipo and Adebola B. Ekanola (Ibadan: Hope Publications). Agbese, Pita Ogaba (2002) The Civil War and the Transformation of Nigerian Politics, The Nigerian Civil War and Its Aftermath, eds Eghosa E. Osaghae, Ebere Onwudiwe, and Rotimi T. Suberu (Ibadan: John Archers). Agbola, Tunde (1997) The Architecture of Fear (Ibadan: IFRA). Ajayi, Omofolabo S. (1998) Yoruba Dance: The Semiotics of Movement and Body Attitude in a Nigerian Culture (Trenton, NJ: Africa World Press). (2002) Tess Onwueme: Who Can Silence Her Drums?, African Theatre Women, eds Martin Banham, James Gibbs, and Femi Osofisan (Oxford: James Currey). Akintola, Akinbowale (1999) Yoruba Ethics and Metaphysics: Being Basic Philosophy Underlying the Ifá System of Thought of the Yoruba (Ibadan: Valour Ventures). Akiwowo, Akinsola (1980) Ajobi and Ajogbe: Variations on the Theme of Sociation (Ile-Ife: University of Ife Press). Apter, Andrew (1992) Black Critics and Kings: The Hermeneutics of Power in Yoruba Society (Chicago: University of Chicago Press). (2013) Yoruba Identity from Within, Comparative Studies in Society and History 55.2, Artaud, Antonin (2001) Artaud on Theatre, eds Claude Schumacher and Brian Singleton (London: Methuen Drama). Awolowo, Chief Obafemi (1960) Awo: The Autobiography of Chief Obafemi Awolowo (Cambridge: Cambridge University Press). 155

2 156 Bibliography Azikiwe, Nnamdi (1957) The Development of Political Parties in Nigeria (London: Office of the Commissioner in the United Kingdom for the Eastern Region of Nigeria). (1962) Footprints on the Sands of Time (ABA: International Press). (1970) My Odyssey (Westport: Praeger). Balme, Christopher (1999) Decolonizing the Stage: Theatrical Syncretism and Post- Colonial Drama (Oxford: Clarendon Press). Barba, Eugenio (2002) Negotiating Cultures (Manchester: Manchester University Press). Barber, Karin (1989) Interpreting Oríkì as History and as Literature, Discourse and Its Disguises: The Interpretation of African Oral Texts, eds Karin Barber and P.F. de Moraes Farias (Birmingham: Birmingham University African Studies Series), pp (1991) I Could Speak Until Tomorrow: Oríkì, Women, and the Past in a Yoruba Town (Washington, DC: Smithsonian Institution Press). (2003) The Generation of Plays. Yoruba Popular Life in Theater (Bloomington: Indiana University Press). Barber, Karin, and Bayo Ogundijo (1994) Yorùbá Popular Theatre: Three Plays by the Oyin Adejobi Company (New York: African Studies Association Press). Batra, Kanika (2007) Daughters who Know the Languages of Power : Community, Sexuality, and Postcolonial Development in Tess Onwueme s Tell It to Women, Interventions: International Journal of Postcolonial Studies 9.1. Bello, Alhaji Sir Ahmadu (1962) My Life (Cambridge: Cambridge University Press). Bhabha, Homi K. (1994) DissemiNation: Time, Narrative and the Margins of the Modern Nation, Location of Culture (New York: Routledge). Bjorkman, Ingrid (1989) Mother Sing for Me!: People s Theatre in Kenya (New York: Zed Books). Boon, Richard, and Jane Plastow (1998) Theatre Matters: Performance on the World Stage (Cambridge: Cambridge University Press). Bradley, Matthew Todd (2005) The Other : Precursory African Conceptions of Democracy, International Studies Review 7, Brecht, Bertolt (1964) Brecht on Theatre: The Development of an Aesthetic, ed. and trans. John Willet (New York: Hill and Wang). Chabal, Patrick (1992) Power in Africa (New York: St Martin s Press). Coker, Niyi (2005) Ola Rotimi s African Theatre: The Development of an Indigenous Aesthetic (Lewiston, NY: Studies in Theatre Arts). Cole, Catherine M. (2001) Ghana s Concert Party Theatre (Bloomington: Indiana University Press). Doris, David T. (2005) Symptoms and Strangeness in Yorùbá Anti-aesthetics, African Art Drewal, Margaret (1992) Yoruba Ritual: Performers, Play, Agency (Bloomington: Indiana University Press). Ebewo, Patrick J. (2005) History and Dramatic Fiction: Rotimi s Kurunmi and the Nineteenth Century Ijaye War, Yoruba Creativity: Fiction, Language, Life and Songs, eds Toyin Falola and Ann Genova (Trenton, NJ: African World Press), pp Eboh, St Marie Pauline (2001) Dialogue, Democracy and Morality: President Obasanjo s Moral Foundations for Our Polity and Other Nigerian Ethical Policies Revisited (Imo State, Nigeria: Springfield Publishers).

3 Bibliography 157 Eghagha, Hope O. (2009) A Wasted Breed and A Grasshopper s Oríkì: Interrogating Ideological Concerns and Character Metastasis in Selected Plays of Femi Osofisan, Emerging Perspectives on Femi Osofisan, eds Tunde Akinyemi and Toyin Falola (Trenton, NJ: African World Press). Ellis, A.B. (1894) The Yoruba-speaking Peoples of the Slave Coast of West Africa (Chicago: Benin Press). European Union (2007) EU Election Observation Mission, Nigeria 2007: Final Report: Presidential, National Assembly, Gubernatorial and State House of Assembly Elections, eu_election_ass_observ/nigeria/report_final_annex_ _en.pdf, accessed 2 July Eze, Emmanuel (1993) Truth and Ethics in African Thought, Quest: Philosophical Discussions: An International African Journal of Philosophy 8.1. Falola, Toyin (2006) The Yorùbá Nation, Yorùbá Identity and Power Politics, eds Toyin Falola and Ann Genova (Rochester: Rochester University Press). Garuba, Harry (2006) The Poetics of Possibility: A Study of Femi Osofisan s The Chattering and the Song and Morountodun, Portraits for an Eagle, ed. Sola Adeyemi (Bayreuth, Germany: Bayreuth African Studies). Gbadegesin, Segun (2003) Ènìyàn: The Yoruba Concept of a Person, The African Philosophy Reader, eds P.H. Coetzee and A.P.J Roux, (New York: Routledge). Gbilekaa, Saint (1997) Radical Theatre in Nigeria (Ibadan: Calpot). Gilroy, Paul (1995) The Black Atlantic (Cambridge: Harvard University Press). Gowon, Yakubu (1967) Birth of a New Nigeria (Lagos: Ministry of Information). (1970) Unity, Stability, and Progress (Lagos: Lagos Federal Ministry of Information). (1971) Faith in Unity (Lagos: Lagos Federal Ministry of Information). Hallen, Barry (2000) The Good, the Bad, and the Beautiful: Discourse about Values in Yoruba Culture (Bloomington: Indiana University Press). Hallgren, Roland (1988) The Good Things in Life: A Study of the Traditional Religious Culture of the Yoruba People (Loberod: Plus Ultra). Harding, Frances (2002) The Performance Arts in Africa ( New York: Routledge). Harneit-Sievers, Axel, Jones O. Ahazuem, and Sydney Emezue (1997) A Social History of the Nigerian Civil War (Hamburg: Lit Verlag). Hodes, Robin (2004) Global Corruption Report (London: Transparency International). Hutchinson, Yvette (2001) The Seductive Dance between History and Literature: The Moremi Legend by Historian Samuel Johnson and Playwrights Duro Ladipo and Femi Osofisan in History and Theatre in Africa (Bayreuth, Germany: Bayreuth African Studies). Jameson, Fredric (1981) Political Unconscious: Narrative as a Socially Symbolic Act (Ithaca: Cornell University Press). Jeyifo, Biodun (2004) Wole Soyinka: Politics, Poetics, and Postcolonialism (Cambridge: Cambridge University Press). Johnson, Samuel (reissue 2010) The History of the Yorubas: From the Earliest Times to the Beginning of the British Protectorate, ed. Obadiah Johnson (Cambridge: Cambridge University Press). Jones, Eldred (1973) Wole Soyinka (New York: Twayne Publishers). LaPin, Deirdre (1977) Story, Medium and Masque: The Idea and Art of Yorùbá Storytelling (unpublished dissertation).

4 158 Bibliography Lawal, Babatunde (1996) The Gëlëdê Spectacle: Art, Gender, and Social Harmony in an African Culture (Seattle: University of Washington Press). Lawuyi, O.B., and O. Taiwo (1990) Towards an African Sociological Tradition: A Rejoinder to Akiwowo and Makinde, International Sociology 5.1, Lazarus, Neil (2011) The Postcolonial Unconscious (Cambridge: Cambridge University Press). Lehmann, Hans-Thies (2006) Postdramatic Theatre (New York: Routledge). Looser, Diana (2012) Moving Islands: Mapping the Samoan Diaspora in Contemporary Transnational Theatre from the South Pacific, Contemporary Theatre Review 22.4, Makinde, M. Akin (1988) Asuwada Principle: An Analysis of Akiwowo s Contributions to the Sociology of Knowledge from an African Perspective, International Sociology 3.10, Man O War Training Centre (unknown date) Man O War Bay Training Centre: This Report Covers the Activities of the Centre from (London: Edgar Dunstan and Company). Msiska, Mpalive (1999) The Dialectic of Myth and History in the Post-colonial Contemporary: Soyinka s A Dance of the Forests, Literature and the Contemporary, eds Roger Luckhurst and Peter Marks (New York: Longman). Obafemi, Olu (1994) Towards Feminist Aesthetics in Nigerian Drama: The Plays of Tess Onwueme, Critical Theory and African Literature Today, ed. Eldred Durosimi Jones (Trenton, NJ: Africa World Press). (2008) Public Discourse on the Humanities (Ibadan: Ibadan University Press). Obafemi, Olu, and Abdullah S. Abubakar (2006) Fabulous Theatre: A Re-Assessment of Osofisan s Revolutionary Dialectics, Portraits for an Eagle, ed. Sola Adeyemi (Bayreuth, Germany: Bayreuth African Studies). Obaro, Ikime (2006) History, the Historian and the Nation: The Voice of a Nigerian Historian (Abeokuta, Nigeria: Heinemann Educational Books). Obasanjo, Olusegun (1978) A March of Progress: Collected Speeches of His Excellency Lt General Olusegun Obasanjo (Lagos: Federal Ministry of Information/Third Press International). (1993) Hope for Africa: Selected Speeches of Olusegun Obasanjo (Ibadan: ALF Publications). Odom, Glenn (2008) The End of Nigerian History : Wole Soyinka and Yorùbá Historiography, Comparative Drama Ògúndèjí, Philip A. (1997) The Communicative and Semiotic Contexts of Aroko among the Yoruba Symbol Communication Systems, African Language Culture 10.2, Oladipo, Olusegun (1992) The Yoruba Conception of a Person: An Analytico- Philosophical Study, International Studies in Philosophy 24.3, pp Olajubu, Oludare, and J.R.O. Ojo (1977) Some Aspects of Oyo Yoruba Masquerades, Africa 47:3, Olaogun, Modupe O. (1988) Parables in the Theatre: A Brief Study of Femi Osofisan s Plays, Okike 27. Oluwole, Sophie (1994) The Labyrinth Conception of Time as Basis of Yoruba View of Development, Time and Development in the Thought of Subsaharan Africa, eds S. Bachir Diagene and H. Kimmerle (Atlanta, GA: Rodopi). Onwueme, Tess (2005) No Vacancy (Trenton, NJ: African World Press).

5 Bibliography 159 Osaghae, Eghosa E. (2006) Ethnicity and the State in Africa (Kyoto: Afrasian Centre for Peace and Development Studies), research, accessed 2 March Osaghae, Eghosa E., and Rotimi T. Suberu (2005) A History of Identities, Violence and Stability in Nigeria, Centre for Research on Inequality, Human Security and Ethnicity, CRISE Working Paper No. 6. Osofisan, Femi (1982) Ritual and the Revolutionary Ethos, Okike 22, (1995) The Oríkì of a Grasshopper and Other Plays (Washington, DC: Howard University Press). (1998) The Revolution as Muse : Drama as Surreptitious Insurrection in a Post-colonial Military State, Theatre Matters, eds Richard Boon and Jane Plastow (Cambridge: Cambridge University Press), pp (1999) Theatre and the Rites of Post-Negritude Remembering, Research in African Literatures (n.d.) Beyond Translation: (A Comparatist Look at Tragic Paradigms and the Dramaturgy of Wole Soyinka and Ola Rotimi) No publication information available. Harvard University Library. Over, William (2010) Redefining Political Drama: Onwueme and Nigerian Society, Contemporary Justice Review 13.2, Oyedepo, Stella Dia (1997) Doom of the Dimes (Ibadan, Nigeria: Caltop Publications). Oyeshile, Olatunji A. (2003) Traditional Yoruba Social-Ethical Values and Governance in Modern Africa, Philosophia Africana. 6.2, Peel, J.D.Y. (1984) Making History: The Past in the Iljesha Present, Man Richards, Sandra L. (1996) Ancient Songs Set Ablaze: The Theatre of Femi Osofisan (Washington DC: Howard University Press). Rotimi, Ola (1971) Kurunmi (Ibadan: Oxford University Press). (2001) Akassa You Mi (Port Harcourt: University of Port Harcourt Press). Shagari, Alhaji (1979) Inaugural Address, accessed 30 August Soyinka, Wole (1973) Collected Plays (Oxford: Oxford University Press). (1988) The Fourth Stage: Through the Mysteries of Ogun to the Origin of Yoruba Tragedy, Art, Dialogue, and Outrage (New York: Pantheon Books). (1990) Myth, Literature and the African World (Cambridge: Cambridge University Press). (1993) The Blackman and the Veil (Accra: Sedco Publishing). (1994) Between Self and System, Art, Dialogue, and Outrage (New York: Pantheon Books). (1997) The Last Despot and the End of Nigerian History?, An Embarrassment of Tyrannies, eds W.L. Webb and Rose Bell (London: V. Gollancz). Staewen, Christoph (1996) Ifá, African Gods Speak: The Oracle of the Yoruba in Nigeria (Hamburg: Lit Verlag). Tsaaior, James Tar (2009) The Postcolonial State and Its Texts of Meanings: Femi Osofisan s Dramaturgy as Paradigm, Emerging Perspectives on Femi Osofisan, eds Tunde Akinyemi and Toyin Falola (Trenton, NJ: African World Press), pp Uchendu, Victor C. (1965) The Igbo of Southeast Nigeria (New York: Holt, Rinehart and Winston).

6 160 Bibliography Ukala, Sam (2000) Tradition, Rotimi, and His Audience, Goatskin Bags and Wisdom: New Critical Perspectives on African Literature, ed. Ernest N. Emenyonu (Trenton, NJ: African World Press). Ukpokolo, Isaac E. (2009) Personal Values, Self-Mastery and Development, The Developmental Philosophy of Emmanuel Onyechere Osigwe Anyiam-Osigwe: Personal Values, Personal Awareness and Self-Mastery, eds Olusegun Oladipo and Adebola B. Ekanola (Ibadan: Hope Publications).

7 Index Ààlè, x, 32 Abacha, Sani, 24, 78, 82 3, 89, 90, 93 5, 96, 99, 102, , 121, 122, 123, 139, 155 Abiodun, Rowland, 31, 32, 50, 155 Adéëkô, Adélékè, 84, 101, 155 Alárìnjó, x, 61 3, 69, 79 Apter, Andrew, 27, 28, 33, 34, 50, 80, 81, 155 Artaud, Antonin, 5, 15, 17, 18 19, 22, 25, 155 À«, x, 22, 27 49, 53, 77, 100, 109, 115, 134 Awolowo, Chief Obafemi, 63, 64, 66, 67, 80, 155 Azikiwe, Nnamdi, 64 8, 80, 91, 102, 156 Barber, Karin, 3, 4, 14, 25, 28, 58, 61, 79, 112, 114, 131, 132, 156 Bello, Ahmadu, 65 6, 67, 80, 156 Boal, Augusto, 5, 15, 17, 19 20, 22, 49, 132 Brecht, Bertolt, 3, 5, 15, 17, 20 1, 22, 26, 49, 51, 52, 156 Cole, Catherine, 15 16, 25, 156 Doris, David, 31, 50, 156 Eze, Emmanuel, 33, 50, 81, 157 Gëlëdê, viii, ix, x, 11, 12, 28 31, 34 8, 50, 56, 58, 59 60, 61, 67, 69, 72, 73, 83, 104, 105, , 116, 117, 119, 140, 143 Gowon, Yakubu, 24, 82, 89 93, 95, 102, 138, 157 Hallen, Barry, 54 5, 78, 84, 85, 101, 107, 108, 131, 157 Hallgren, Roland, 75, 81, 157 Ifá, x, xi, 23, 33, 61, 82, 83, 88 9, 90, 95, 98, 99, 104, 105, 109, 111, 112, , 117, 131 ìfægbôntáayé«e, x, 1, 4 13, 18 19, 24, 27, 28, 30, 34, 37, 44, 47, 50, 53, 58, 70, 82, 83, 95, 104, 106 7, 110, 129, 130, 136, 146 Iluti, xi, 32, 33, 49 Irubæ, xi, 56, 59 61, 62, 63, 67, 69, 143 Itàn, viii, xi, 42, 82, 83, 85 8, 90, 95, 98, 99, 100 Ìwà, xi, 31, 32, 40, 53, 55, 63 Lawal, Babatunde, viii, ix, 34, 36, 50, 158 Lehmann, Hans-Thies, 17, 25, 158 Msiska, Mpalive, 74, 81, 158 Obasanjo, Olusegun, 22, 29 30, 37 42, 45 6, 50, 92, 105, , 121, 122, 131, 134, 158 Ohun, xi, 32, 33, 49 Onwueme, Tess, 5, 24, 25, 104 7, 110, 117, 122 4, 126, , 132, 133, 135, 137, 142, 145, 146, 158 Oríkì, viii, xi, 11, 23, 34, 41, 51, 52, 53, 54, 56 63, 67, 69, 70, 72, 79, 83, 84, 85, 86, 87, 112, 116, 143 Osofisan, Femi, vii, 2, 5, 14, 16, 18 19, 21 3, 25, 29 30, 37 8, 42, 44 52, 77, 95, 100, 101, 103, 130, 131, 132, 134, 135, 139, 140, 142, 159 Morountodun, viii, 22, 29, 37, 41 8, 100, 131, 134, 135 Oyedepo, Stella Dia, 5, 104 7, 117, 122 3, 131, 132, 135, 159 proverbs, 61, 82, 83 4, 88, 90,

8 162 Index Rotimi, Ola, 2, 3, 5, 8, 24, 82 3, , 102, 103, 134 5, 137, 141, 143 4, 159 Kurunmi, 82, 83, , 103, 135, 159»er, xi, 56, 58, 59, 60, 61, 62, 63, 67, 143 Soyinka, Wole, vi, 1, 2, 5, 11, 13, 14, 20 2, 23, 26, 28, 38, 40, 54, 69 70, 72 8, 80, 81, 88, 93 4, 102, 103, 130, 134, 135, 139, 140 1, 142, 153, 159 traveling theatre, 11, 14, 105, , 116, 123, 148

Introduction. The nineteenth century in Yoruba history

Introduction. The nineteenth century in Yoruba history Introduction from M.R. Doortmont, Recapturing the Past: Samuel Johnson and the History of the Yoruba (Ph.D. dissertation; Erasmus University Rotterdam, 1994) 1-8. Introduction This book is about writing