Approaches to Contemporary Performance - Q Sara Jane Bailes

Transcription

1 Approaches to Contemporary Performance - Q Sara Jane Bailes View Online 1. Savran, D.: Breaking the rules: the Wooster Group. Theatre Communications Group, New York, N.Y. (1988). 2. Fuchs, E.: The death of character: perspectives on theater after modernism. Indiana University Press, Bloomington (1996). 3. Graham, Scott, Hoggett, Steven: The Frantic Assembly book of devising theatre. Routledge, London (2009). 4. Auslander, P.: From acting to performance : essays in modernism and postmodernism. Routledge, London (1997). 5. Sandford, M.R.: Happenings and other acts. Routledge, London (1994). 6. Sayre, H.M.: The object of performance: the American avant-garde since University of Chicago Press, Chicago (1992). 1/9

2 7. Carlson, M.A.: Performance: a critical introduction. Routledge, New York (2004). 8. Goldberg, R.: Performance art: from futurism to the present. Thames & Hudson, New York, N.Y. (2001). 9. Bial, H.: The performance studies reader. Routledge, London (2007). 10. Bailes, Sara Jane: Performance theatre and the poetics of failure: Forced Entertainment, Goat Island, Elevator Repair Service. Routledge, New York, N.Y. (2011). 11. Kaye, N.: Postmodernism and performance. Macmillan, Basingstoke (1994). 12. Gray, S.: Swimming to Cambodia. Theatre Communications Group Inc., New York (2005). 13. Etchells, T., Forced Entertainment (Theater company): Bloody mess, (2004). 14. Etchells, T., Forced Entertainment (Theater company): Club of no regrets, (1993). 2/9

3 15. Baker, B.: Drawing on a mother s experience, (2007). 16. Etchells, T., Forced Entertainment (Theater company): Emanuelle enchanted or a description of this world as if it were a beautiful place, (1992). 17. Etchells, T., Forced Entertainment (Theater company): First night, (2001). 18. Etchells, T., Forced Entertainment (Theater company): Hidden J, (1994). 19. Lamond, C., Baker, B.: Kitchen show, (2007). 20. Etchells, T., Forced Entertainment (Theater company): Pleasure, (1998). 21. Etchells, T., Forced Entertainment (Theater company): Quizoola!, (1999). 22. Etchells, T., Forced Entertainment (Theater company): Showtime, (1996). 3/9

4 23. Etchells, T., Forced Entertainment (Theater company): Speak bitterness, (1995). 24. Demme, J., Gray, S.: Swimming to Cambodia, (2002). 25. Godiwala, D.: Alternatives within the mainstream 2: Queer theatres in post-war Britain. Cambridge Scholars, Newcastle (2007). 26. Aronson, A.: American avant-garde theatre: a history. Routledge, London (2000). 27. Kaye, N.: Art into theatre: performance interviews and documents. Harwood Academic Publishers, Australia (1996). 28. White, Gareth: Audience participation in theatre: aesthetics of the invitation. Palgrave Macmillan, Basingstoke (2013). 29. Trevis, Di: Being a director: a life in theatre. Routledge, Abingdon, Oxon (2012). 30. Shank, T.: Beyond the boundaries: American alternative theatre. University of Michigan Press, Ann Arbor (2002). 4/9

5 31. Shank, T.: Contemporary British theatre. Macmillan; St. Martin s Press, London (1994). 32. Radosavljevic, Dus ka ed: The contemporary ensemble: interviews with theatre-makers. Routledge, London (2013). 33. Pavis, Patrice: Contemporary mise en sce ne: staging theatre today. Routledge, London (2013). 34. Kelleher, J., Ridout, N., MyiLibrary: Contemporary theatres in Europe a critical companion. Routledge, New York (2006). 35. Turner, Cathy, Behrndt, Synne K.: Dramaturgy and performance. Palgrave Macmillan, Basingstoke (2007). 36. Heddon, D., Milling, J.: Devising performance: a critical history. Palgrave Macmillan, Basingstoke (2006). 37. Go 5/9

6 mez-pen a, Guillermo, Sifuentes, Roberto: Exercises for rebel artists: radical performance pedagogy. Routledge, London (2011). 38. Aston, Elaine, Harris, Geraldine: A good night out for the girls: popular feminisms in contemporary theatre and performance. Palgrave Macmillan, Houndmills, Basingstoke, Hampshire (2013). 39. Harvie, Jen: Fair play: art, performance and neoliberalism. Palgrave Macmillan, Basingstoke (2013). 40. Syssoyeva, Kathryn Mederos, Proudfit, Scott eds: A history of collective creation. Palgrave Macmillan, New York, NY (2013). 41. Machon, Josephine: Immersive theatres: intimacy and immediacy in contemporary performance. Palgrave Macmillan, Basingstoke (2013). 42. Heathfield, A., Glendinning, H.: Live: art and performance. Routledge, New York, N.Y. (2004). 43. Phelan, Peggy: Live art in LA: performance in Southern California, Routledge, New York (2012). 6/9

7 44. Harvie, J., Lavender, A.: Making contemporary theatre: international rehearsal processes. A & C Black, Manchester (2010). 45. Bannerman, C., Sofaer, J., Watt, J.: Navigating the unknown: the creative process in contemporary performing arts. Middlesex University Press, London (2006). 46. Castagno, Paul C.: New playwriting strategies: language and media in the 21st century. Routledge, London (2011). 47. Carlson, M.A.: Performance: a critical introduction. Routledge, New York (2004). 48. Broadhurst, Susan, Machon, Josephine: Performance and technology: practices of virtual embodiment and interactivity. Palgrave Macmillan, Houndsmills, Basingstoke, Hampshire (2006). 49. Schechner, R., MyiLibrary: Performance theory. Routledge, London (2003). 50. Birch, Anna, Tompkins, Joanne: Performing site-specific theatre: politics, place, practice. Palgrave Macmillan, Basingstoke (2012). 51. Stern, Tom: Philosophy and theatre: an introduction. Routledge, Abingdon, Oxon (2013). 7/9

8 52. Lehmann, H.-T.: Postdramatic theatre. Routledge, London (2006). 53. DiGaetani, J.L.: A search for a postmodern theater: interviews with contemporary playwrights. Greenwood Press, New York (1991). 54. Elam, K.: The semiotics of theatre and drama. Routledge, London (2002). 55. Childs, N., Walwin, J.: A split second of paradise: live art, installation and performance. Rivers Oram P., London (1998). 56. Giesekam, Greg: Staging the screen: the use of film and video in theatre. Palgrave Macmillan, Basingstoke (2007). 57. Johnson, Dominic: Theatre & the visual. Palgrave Macmillan, Basingstoke (2012). 58. Aston, E., Savona, G.: Theatre as sign-system: a semiotics of text and performance. Routledge, London (1991) /9

9 Birringer, Johannes H.: Theatre, theory, postmodernism. Indiana University Press, Bloomington, Ind (1993). 60. Fortier, M.: Theory, theatre: an introduction. Routledge, London (2002). 61. De Wend Fenton, Rose, Neal, Lucy, Calouste Gulbenkian Foundation: The turning world: stories from the London International Festival of Theatre. Calouste Gulbenkian Foundation, London (2005). 62. McBurney, Simon, Complicite: Who you hear it from. Complicite, London (2012). 63. Quick, A., Arts & Humanities Research Council (Great Britain): The Wooster Group work book. Routledge, London (2007). 9/9