Training DNSEP, École supérieure d art de Grenoble. Prizes. Solo exhibitions Le jeu idéal, Showcase Gallery, Grenoble.

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1 Julien Prévieux Rojen leta Živi in ustvarja v Parizu. Zastopata ga galeriji Jousse Entreprise (Pariz) in West (Haag). Delo, upravljanje, ekonomija, politika, nadzorni sistemi in visoko izpopolnjena tehnologija so»svetovi«, ki jih s svojo umetnostjo raziskuje Julien Prévieux. Najsi Julien piše»ne-spremna/nemotivacijska«pisma prošnjam, se spoprijema z urbanimi ovirami ali ustvarja posebne učinke hollywoodskega filma, vedno si prizadeva za razvozlanje uganke sveta, zaznamovanega s temeljitimi ideološkimi spremembami, ter obenem snuje načine bivanja v njem. V nizu geometrijskih slik, filmov in diagramov, ki mu omogočajo vnovično branje velikih besedil politične ekonomije, Julien sledi svoji raziskavi pojma dela in vrednostne produkcije v dobi kognitivnega kapitalizma. La Seine, podiplomski študij, École nationale supérieure des Beaux-Arts/Akademija za lepe umetnosti, Pariz 2001 Collège invisible, podiplomski študij, École supérieure d'art et de design Marseille-Méditerranée/Akademija za umetnost in oblikovanje 2000 diploma iz upodabljajočih umetnosti kiparstva, Akademija za umetnost, Grenoble 1999 magisterij iz celularne biologije in fiziologije, Univerza Josepha Fourierja, Grenoble Nagradi nagrada Marcela Duchampa, Pariz nagrada Science PO za sodobno umetnost po izboru občinstva, Pariz Le jeu idéal, Galerija Showcase, Grenoble 10 puissance 120, FRAC Spodnja Normandija, Caen Stratagèmes et espaces clos, Galerija Akademije za lepe umetnosti v Rouenu, Rouen Lettres de non-motivation, Maison Populaire, Montreuil Dimenzije sodobnega menedžmenta, Galerija Jousse Entreprise, Pariz Le Choc du futur, Médiathèque de Tarnos, Tarnos Anomalies construites, Galerija Edouarda Maneta, Gennevilliers Lettres de non-motivation, Le Théâtre, Scène conventionnée de Laval, Laval Lettres de non-motivation, Knjižnica Simone de Beauvoir, Rouen Le Dilemme du prisonnier, Le Château des Adhémar, Center sodobne umetnosti, Montélimar Brezbarvne zelene ideje spijo divje, Galerija West, Haag Pripravlja monografsko razstavo v Centru Pompidou, Pariz Le fil des possibles, Prostor konkretne umetnosti, Mouans-Sartoux W, Center likovnih umetnosti, Lille Le commerce de la parole, Muzej sodobne umetnosti, Rochechouart Disnovation, Festival Accès(s), Pau nagrada Marcela Duchampa, FIAC, Pariz Toutes directions, Muzej Wilhelma Hacka, Ludwigshafen Le cercle parfait de la lune ne dure qu une nuit, Château Guiraud Frac Aquitaine, Sauternes nagrada Marcela Duchampa, Muzej lepih umetnosti, Abbatiale Saint-Ouen, Rouen The Crime Was Almost Perfect, PAC Paviljon sodobne umetnosti, Milano L embarras, Toves, København Média Médiums, Galerija Ygrec, Pariz Side Effects, Stari muzej slikarstva, Grenoble Transfert de fonds, Galerija NaMiMa Ensa Nancy, Nancy Boîte en valise#1, Muzej Alex Mylonas, Atene The Crime Was Almost Perfect, Witte de With Center sodobne umetnosti, Rotterdam Lumière noire, Frac Aquitaine, Bordeaux La République, Villa du Parc Center sodobne umetnosti, Annemasse Oracular Vernacular, MAMO Center umetnosti Cité Radieuse, Marseille Fiac, Galerija Jousse Entreprise, Pariz Par les temps qui courent, LiFE base des sous-marins, Saint-Nazaire Quand l art prend la ville, Galerija Defacto, Pariz La sentinelle, CAPC Muzej sodobne umetnosti, Bordeaux Histoires et geographies, Frac Bretagne, Rennes And So On and So Forth vol. 2, EKKM Estonski muzej sodobne umetnosti, Talin Fluxus Contre-emploi, Galerija L œil Histrion, Hermanville-sur-Mer Apartés, Muzej sodobne umetnosti mesta Pariz Rêver le quotidian, La Brasserie, Foncquevillers Travaïe!?, Galerija Lillebonne, Espace Culturel d Art Contemporain, Nancy Side Effects, EKKM Estonski muzej sodobne umetnosti, Talin La distance juste, Galerija Vallois, Pariz Mémoires vives, razstavišče Pôle d archives de Bayonne et du Pays basque, Bayonne Et demain? After Office, Espace Modem, Pariz La dernière vague, La Friche Belle de Mai, Marseille Mandrake a disparu, Espace Khiasma, Les Lilas Chessroom, Atelje Rouart, Paris Quel travail?! Manières de faire, manières de voir, CPIF, Pontault-Combault Zbirka Joseph Kouli, Mains d œuvre, Saint-Ouen Le voyage dans la lune, Center umetnosti Albert Chanot, Clamart Revue Initials / G. M. (George Maciunas), 8, rue Saint-Bon, Pariz Courtesy / Los Angeles, For Your Art, Los Angeles Abstraction manifeste, Le Quartier Center sodobne umetnosti, Quimper Florence Doléac, Matthew Darbyshire, Martin Le Chevallier in Julien Prévieux, Galerija Jousse Entreprise, Pariz Capitale(s), Galerija Gouvernnec Ogor, Marseille Izgubljen v L.A., LAMAG, Barnsdall Park, Los Angeles In tako in tako dalje, KIM? Center sodobne umetnosti, Riga État de Veille, Galerija Jousse Entreprise, Pariz 10. izdaja, Sejem LOOP, Barcelona Le bruit de dehors, Bienale Le Havre, Pomorski in pristaniški muzej, Le Havre L Amour du risque, Muzej sodobne umetnosti v Zagrebu Pozor na sistem, najdi vrzel, Z33, Hasselt Transakcije, Kulturni center, Ciudad de Gutemala Čudeži, Kulturni dom Krems, Krems L Institut des archives sauvages, Villa Arson, Nica Ce matin, Le Quartier, umetnostni center Quimper, Quimper Artissima 18, Torino Monodrome, 3. bienale v Atenah, Atene Abstrakcija & pripovedništvo I, Galerija Marz, Lizbona Transakcije, Galerija Horrach Moya, Palma de Mallorca Wunder, Deichtorhallen Hamburg, Hamburg Katalog, Muzej sodobne umetnosti v Saint-Étiennu Ni na zalogi, Timmerfabriek, Maastricht Bolje biti virus kot nalesti se prehlada, Stúdió Galéria, Budimpešta Bienale sodobne umetnosti, Anglet Da, nismo, IAC, Villeurbanne Art Brussels, Bruselj Center sodobne umetnosti Zona Mexico, Mehika L Art est un sport de combat, Muzej lepih umetnosti v Calaisu, Calais Guliver ali gledanje iz daljave, Nova saška galerija, Chemnitz FIAC, Pariz Prehajanje fantazije, Cube Project Space, Tajpej, Tajvan Ce qui vient, Les ateliers de Rennes, Rennes Ljubezen na prvi pogled, Muzej lepih umetnosti Kaohsiung Collège Robinson, Les Arques Art Brussels, solo projekt, Bruselj Skupinska razstava, Galerija Y3K, Melbourne Armory Show, New York Argent, dela iz zbirke FRAC Bretanja, Lycée Chateaubriand, Rennes Korporativno vse, Fri Art, Center sodobne umetnosti, Fribourg Mots en turbulence, Mestna knjižnica v Pantinu, Pantin Možnost(i), Maison des syndicats, Montpellier Projekt: Muzej napak stopnja 1: Videoigrice, Kot pri vseh igrah je tudi pri videoigricah napaka poglavitni dejavnik: napaka igralca, seveda, napaka, ki se je mora za vsako ceno izogibati, če želi doseči cilj, in do katere skuša pripraviti svojega nasprotnika. Vendar je napaka tudi in predvsem tista specifična hiba v svetu računalniškega programiranja, poimenovana hrošč ali spregled. Namen prenosnega Muzeja napak je prikazati videoigrice prek njihovih napak. Napake so idealni filter, s katerim dobimo vpogled v širok razpon delovanja videoigric in njihovih igralcev. Zaznamuje jih edinstvena lastnost, da sočasno razkrijejo tehnološke omejitve, igrico, odigrano po pravilih, ter množico igrivih igralčevih strategij za reševanje iz zagat in ustvarjalnih izhodov. Born in Lives and works in Paris. Represented by the galleries Jousse Entreprise (Paris) and West (The Hague). Work, management, economy, politics, control systems and cutting edge technologies are the worlds in which Julien Prévieux immerses himself in his work. Whether writing letters in non-support of application, negotiating an obstacle course through the city or redoing the special effects of a Hollywood movie, he strives to decipher a world marked by profound ideological changes but also proposes ways to live in it. In series of geometric paintings, films and diagrams enabling him to reread the great texts of political economy, he is pursuing his exploration of the notion of work and the production of value in the age of cognitive capitalism. La Seine, post-graduate, École nationale supérieure des Beaux-Arts, Paris 2001 Collège invisible, post-graduate, École supérieure d art et de design Marseille-Méditerranée 2000 DNSEP, École supérieure d art de Grenoble 1999 Diploma in Cellular Biology and Physiology, Université Joseph Fourier, Grenoble Prizes Prize Marcel Duchamp, Paris Prize Science PO for contemporary art by public s choice, Paris Le jeu idéal, Showcase Gallery, Grenoble 10 puissance 120, FRAC Basse-Normandie, Caen Stratagèmes et espaces clos, Gallery of École des Beaux-Arts de Rouen, Rouen Lettres de non-motivation, Maison Populaire, Montreuil Dimensions in Modern Management, Jousse Entreprise Gallery, Paris Le Choc du futur, Mediatheque de Tarnos, Tarnos Anomalies construites, Edouard ManetGallery, Gennevilliers Lettres de non-motivation, Le Théâtre, Scène conventionnée de Laval, Laval Lettres de non-motivation, Simone-de-Beauvoir Library, Rouen Le Dilemme du prisonnier, Le Château des Adhémar, Center of Contemporary Art, Montélimar Colorless Green Ideas Sleep Furiously, West Gallery, The Hague Preparing a monograph exhibition in Pompidou Center, Paris Le fil des possibles, Espace de l art concret, Mouans-Sartoux W, Center of Visual Arts, Lille Le commerce de la parole, Museum of Contemporary Art, Rochechouart Disnovation, Festival Accès(s), Pau Prize Marcel Duchamp, FIAC, Paris Toutes directions, Wilhelm Hack Museum, Ludwigshafen Le cercle parfait de la lune ne dure qu une nuit, Château Guiraud Frac Aquitaine, Sauternes Prix Marcel Duchamp, Museum of Fine Arts / Abbatiale Saint-Ouen, Rouen The Crime Was Almost Perfect, PAC Pavilion of Contemporary Art, Milan L embarras, Toves, Copenhagen Média Médiums, Ygrec Gallery, Paris Side Effects, Ancient Museum of Painting, Grenoble Transfert de fonds, NaMiMa Gallery Ensa Nancy, Nancy The Crime Was Almost Perfect, Witte de With Center of Contemporary Art, Rotterdam Lumière noire, Frac Aquitaine, Bordeaux La République, Villa du Parc Center of Contemporary Art, Annemasse Boîte-en-valise #3, Encho Pironkov s House, Plovdiv Boîte-en-valise #1, Museum Mylanos, Athens Oracular Vernacular, MAMO Art Center of Cité Radieuse, Marseille Fiac, Jousse Entreprise Gallery, Paris Par les temps qui courent, LiFE base des sous-marins, Saint-Nazaire Quand l art prend la ville, Defacto Gallery, Paris La sentinelle, CAPC Museum of Contemporary Art, Bordeaux Histoires et geographies, Frac Bretagne, Rennes And So On and So Forth vol. 2, EKKM Contemporary Art Museum of Estonia, Tallinn Fluxus Contre-emploi, L œil Histrion Gallery, Hermanville-sur-Mer Apartés, Museum of Modern Art of the City of Paris Rêver le quotidian, La Brasserie, Foncquevillers Travaïe!?, Lillebonne Gallery, Espace Culturel d Art Contemporain, Nancy Side Effects, EKKM Contemporary Art Museum of Estonia, Tallinn La distance juste, Vallois Gallery, Paris Mémoires vives, Pôle d archives de Bayonne et du Pays basque, Bayonne Et demain? After Office, Space Modem, Paris La dernière vague, La Friche Belle de Mai, Marseille Mandrake a disparu, Space Khiasma, Les Lilas Chessroom, Studio Rouart, Paris Quel travail?! Manières de faire, manières de voir, CPIF, Pontault-Combault Collection Joseph Kouli, Mains d œuvre, Saint-Ouen Le voyage dans la lune, Center of Art Albert Chanot, Clamart Revue Initials / G. M. (George Maciunas), 8, rue Saint-Bon, Paris Courtesy / Los Angeles, For Your Art, Los Angeles Abstraction manifeste, Le Quartier Center of Contemporary Art, Quimper Florence Doléac, Matthew Darbyshire, Martin Le Chevallier et Julien Prévieux, Jousse Entreprise Gallery, Paris Capitale(s), Gouvernnec Ogor Gallery, Marseille Lost in L.A., LAMAG, Barnsdall Park, Los Angeles, USA And So On and So Forth, KIM? Contemporary Art Center, Riga État de Veille, Jousse Entreprise Gallery, Paris 10th edition, LOOP Fair, Barcelone Le bruit de dehors, Biennial of Havre, Naval Museum, Le Havre L Amour du risque, Museum of Contemporary Art, Zagreb Mind the System, Find the Gap, Z33, Hasselt Transactions, Cultural Center, Guatemala City Miracles, Kunsthalle Krems, Krems L Institut des archives sauvages, Villa Arson, Nice Ce matin, Le Quartier, Art Center of Quimper, Quimper Artissima 18, Turin Monodrome, 3rd Biennial, Athens Abstraction & Storytelling I, Marz Gallery, Lisbon Transactions, Horrach Moya Gallery, Palma de Mallorca Wunder, Deichtorhallen Hamburg, Hambourg Catalogue, Musée d Art Moderne de Saint-Étienne Out of Storage, Timmerfabriek, Maastricht Better Being a Virus Than Catching a Cold, Stúdió Galéria, Budapest Biennial of Contemporary Art, Anglet Yes We Don t, IAC, Villeurbanne Art Brussels, Bruxelles, Belgique Zona Mexico arte contemporaneo, Mexico L Art est un sport de combat, Museum of Fine Arts, Calais Gulliver or Looking From a Distance, Neue Sächsische Gallery, Chemnitz FIAC, Paris Traversing The Fantasy, The Cube Project Space, Taipei, Taiwan Ce qui vient, Studios of Rennes, Rennes Love at First Sight, Kaohsiung Museum of Fine Arts Collège Robinson, Les Arques Art Brussels, project solo, Brussels Group Show, Y3K Gallery, Melbourne Armory Show, New York Argent, work from the collection of FRAC Bretagne, Lycée Chateaubriand, Rennes Corporate Everything, Fri Art, Center of Contemporary Art, Fribourg Mots en turbulence, Municipal Library of Pantin, Pantin Possible(s), House of the Syndicates, Montpellier The Project: Bug Museum - Level 1: Video Games, In video games, as in all games, error is a fundamental factor: the error of the player of course, the error to be avoided at all costs to reach one s goal, and the error one pushes one s opponent to commit. But the error is also and above all those faults specific to the computer programming world, the bug or glitch. The aim of this portable Bug Museum is to show video games by means of their errors. Bugs are the ideal filter through which to understand the wide-ranging activities that video games and gamers generate. They have the unique quality of simultaneously revealing technological limits, the game played with the rules, and a host of gamers playful recovery strategies and creative ways out.

2 Škatla v kovčku Boîte en valise Hommage à Marcel Duchamp Namen potujoče razstave je v mednarodnem okolju izpostaviti ustvarjalnost skupine obetajočih mladih umetnikov, diplomantov francoskih likovnih akademij. Projekt se neposredno sklicuje na delo Boîte en valise ali Škatla v kovčku, ki ga je Marcel Duchamp ustvaril ob izselitvi v ZDA, ter ponuja refleksijo o kroženju umetnin in promociji umetnikov. V tem kontekstu se petnajst umetnikov loteva vprašanja predstavitve svoje umetnosti v neprestano spreminjajočem se svetu. Vsak je bil povabljen k sodelovanju z izrecnim navodilom, naj ustvari delo»v kovčku«, ali sliko, instalacijo, video ali performans. Razstava bo na ogled v različnih mednarodnih ustanovah (galerijah, muzejih in razstavnih prostorih). Vsi zaboji bodo potovali skupaj, vendar na vsakem prizorišču ne bodo sistematično razstavljena vsa dela. Vsako razstavno prizorišče opravi izbor umetnin ter se odloči za način njihove predstavitve in tehnične postavitve (določene artefakte pa so umetniki opremili z izrecnimi navodili za postavitev). Farah Atassi, Laëtitia Badaut-Hausmann, Jonathan Binet, Gaëlle Boucand, Louise Hervé & Chloé Maillet, Renaud Jerez, Pierre Labat, Christophe Lemaître, Emilie Pitoiset, Elisa Pône, Julien Prévieux, Florian Pugnaire & David Raffini, Clément Rodzielski, Benjamin Seror, Shingo Yoshida The aim of this travelling exhibition is to highlight the work of a group of emerging artists, all graduates of French art schools, in an international context. The project refers directly to the Boîte en valise or Box in a Suitcase that Marcel Duchamp made when he immigrated to the United States, and proposes a reflection on the circulation of artworks and the promotion of artists. With this in mind, some fifteen artists were invited to pose the question of presenting themselves and their work in a constantly changing context. Each was asked to create a work with the specific brief of putting a work in a suitcase, whether it be a painting, installation, video or performance. The project will be shown in a variety of international institutions (galleries, museums and exhibition spaces). All the crates will travel together, but not all the works will be systematically displayed at each venue. Each place where the project is shown is responsible for the choice of works displayed and their technical installation and presentation (where necessary following instructions provided by the artist in the crate). Producent razstave: Francoski inštitut, Pariz Production of the exhibition: French Institute, Paris Komisarja razstave: Adeline Blanchard, Vincent Gonzalvez Exhibition commissioners: Adeline Blanchard, Vincent Gonzalvez Kustosinji ljubljanske postavitve: Nina Pirnat Spahić, Katarina Štok Ljubljana exhibition curated by: Nina Pirnat Spahić, Katarina Štok Grafično oblikovanje: Brane Žalar Graphic Design: Brane Žalar V sodelovanju s Francoskim inštitutom v Sloveniji In collaboration with the French Institute in Slovenia.

3 Benjamin Seror Rojen v Lyonu leta Živi in ustvarja v Bruslju. Dela Benjamina Serora zaznamuje refleksija o predstavljanju zgodb z različnimi uprizoritvami našega dejanskega in fiktivnega spomina. Modeli, skulpture in dogodki, ki jih uprizarja Benjamin Seror, z enako močjo dekonstruirajo in dinamizirajo pripovedna orodja. So loci soli, v katerih so prvine vsakega dela obenem avtonomne in soodvisne. V performansih je glasba odprto polje refleksije, umetnik pa obenem avtor, igralec in glasbenik, prehajajoč med modeli predavanja, trubadurskega muziciranja in operne pripovedne zgradbe. ameriški rezidenčni program, REDCAT, Los Angeles Francoski inštitut produkcijska rezidenca, Le Plateau Fracîle de France, Pariz podiplomski študij, École nationale supérieure des Beaux-Arts/Akademija za lepe umetnosti, Lyon diploma iz upodabljajočih umetnosti kiparstva, École nationale supérieure des Beaux-Arts/Akademija za lepe umetnosti, Lyon Performansi The Marsyas Hour, I., II. in III. del, REDCAT, Los Angeles Radio pantomime, The Ambitions Final Chapter, Stedelijk Museum, Amsterdam Radio pantomime, Poglavja X do XII, Kunstverein, Amsterdam Le Principe Totochabo, Le Plateau-Frac Île-de-France, Pariz Zazzuzhâ, Laboratoires d Aubervilliers, Pariz Radio pantomime, Poglavji VIII in IX, Crac Alsace, Altkirch Radio pantomime, Poglavje VII, Dexter Sinister, New York Radio pantomime, Poglavje VI, Witte de With, Rotterdam Koncert, Marres, Maastricht Radio pantomime, Poglavje IV, Lace, Los Angeles Radio pantomime, Poglavje V, Galerija Walterja Phillipsa, Banff Radio pantomime, Poglavji II in III, Fabra i Coats, Barcelona Preobremenite Bernharda, Bienale v Bellevillu, Pariz Benjamin Seror predstavlja Benjamina Serrora, Baltiški trienale, Vilna Masyas, pauvre Marsyas, L (Entre) Ouverture, Tokijska palača, Pariz Pesniški klub Eifflovega stolpa predstavlja, Narodno gledališče Chaillot, Pariz 12 Nouveaux Chapitres, FRAC Alzacija, Sélestat Servilna knjižnica, Objektivne razstave, Antwerpen Koncert, FRAC Île-de-France, Le Plateau, Pariz La Fortune critique de Nicolas Poussin, Le Printemps de Septembre, Toulouse 5 tednov, Bétonsalon, Pariz Une Ville à l oblique, Galerija Arko, Parc Saint Léger, Nevers Une Sono, une veste à fleur et autres vanités, Fundacija Ricard, Pariz Le Vase Brisé I & II, MUDAC Festival Les Urbaines, Lozana 5 Chansons de Pulsar Noir, Fri-Art Kuntshalle au Nouveau Monde, Fribourg Resteront-ils pendus encore longtemps?, Akademija za lepe umetnosti, Lyon RER + Tram + Métro. Qu il est long Jeanne le chemin pour arriver jusqu à toi, Muzej sodobne umetnosti Val-de-Marne, Vitry-sur-Seine Précisions sur l homme de demain, Live in Your Head, Ženeva Un Cridans la nuit noire, Château des Adhémar, Montélimar Paroles / Formes, Akademija za lepe umetnosti, Pariz L'interprète, kustos Xavier Franceschi, Le Plateau-Frac Île-de-France, Pariz Susan Vérité, Des Méthodes, kustos Elfi Turpin, Crac Alsace, Altkirch Pride Goes Before a Fall / Beware of a Holy Whore An Exhibition in Two Acts, kustos Richard Birkett, Artists Space, New York Nenehno spreminjajoči se pomen, kustos François Aubart, CNEAI, Chatou Eno po eno, kustos Heman Chong, Witte de With, Rotterdam Zavetišče, Walden Affairs, projekt Marka Geffriauda, Haag A Spoken Word Exhibition, kustos Mathieu Copland, Jeu de Paume, Pariz Nenehno spreminjajoči se pomen, kustos François Aubart, Walter Phillips Gallery, Banff L.A. Existential, kustosinja Marie de Brugerolle, L.A.C.E., Los Angeles Deep Cuts, kustosinja Lisette Smith, Marres, Maastricht Mindaugas: 11. baltiški trienale, kustosi Defne Ayas, Benjamin Cook, Ieva Miseviciute in Michael Portnoy, Center sodobne umetnosti, Vilna To tudi ni umetnostna razstava, kustos David G. Torres, Fabra i Coats, Barcelona Fantovščina: rojstni dan Marcela Duchampa z Willom Holderjem, kustos Will Holder, Inštitut sodobne umetnosti, Philadelphia Baltic Triennial, Center sodobne umetnosti, Vilna L Entre-deux des savoir bouleversés, kustos Vincent Honoré, Kunsthalle, Mulhouse Teci, tovariš, stari svet ti je za petami, kustos Will Bradley, Kunsthalle Oslo Vzniknila je grozljiva lepota, kustosinja Victoria Noorthoorn, 11. lyonski bienale Košara, ne košara, kustosinja Elfi Turpin, Galerija Jousse Entreprise, Pariz Kaj pa to?, kustos Raimundas Malasauskas, Galerija Andreasa Huberja, Dunaj Razstava Clifforda Irvinga, kustos Raimundas Malasauskas, Objectif Exhibitions, Antwerpen Sogovorniki, kustosinja Mathilde Villeneuve, Printemps de Septembre, Toulouse Otok repeticije, kustos Raimundas Malasauskas, Center Pompidou, Pariz La Moitiée deschoses, kustosa Mélanie Bouteloup in Nicolas Fourgeaud, Bétonsalon, Pariz Četudi beseda avto ni omenjena, gre očitno za glavno temo, OUI, Grenoble Playtime, kustosa Mélanie Bouteloup in Grégory Castéra, Bétonsalon, Pariz Razstava Clifforda Irvinga, kustos Raimundas Malasauskas, Fondation Kadist/Ciné 13, Pariz 25% Melancholy, kustosa Solenn Morel in Elfi Turpin, La Box, Bourges Retournez la chaussette! ou la chaussette retournée, kustosa Kristina Solomoukha in Elfi Turpin, Live in Your HEAD, Ženeva Material zvočnega časa, kustos Bernhard Ru diger, Château des Adhémar, Montélimar 15% junaštvo, kustosinji Solenn Morel in Elfi Turpin, La Box, Bourges Projekt: Spomin zelo sodobnega človeka Noč v baru Tiki, Benjamin Seror proučuje zametek, podajanje in tok pripovedi: kako deluje spomin, kako se razvija, kako dejstvo preseže lasten okvir in postane fikcija. V tem postopku pripoved deluje kot vmesna ploskev spomina. Najsi zavzame obliko instalacije, odrske predstave ali glasbenega dogodka, vedno predstavlja stvari, ki se nam nikoli niso zgodile, izpostavljajoč duhove literature, filma ali umetnostne zgodovine, in način, s katerim naše pripovedi slikajo spektre teh spominov v sedanjosti. Benjamin Seror se dejansko pogosto znajde pred občinstvom, pripoveduje zgodbe o pogubnih srečanjih na vratih pekla, vročičnem plesu na skladbo The Perfect Kiss zasedbe New Order ali dolgih večerih v barih dvomljivega slovesa, prežetih s cigaretnim dimom. Ko ne gre za javne pripovedi, zgodbe prevzamejo obliko modela ali instalacije v poustvaritvi možnih okoliščin za vznik podobe in spomina, ki si ga delimo. Noč v baru Tiki obuja spomin na večer v ženevskem baru, kamor se je umetnik po predavanju odločil oditi v kostumu Oskarja Schlemmerja iz dvajsetih let prejšnjega stoletja in izvesti»ples z letvami«. Kostum iz podolgovatih lesenih palic, pritrjenih na plesalčeve okončine, ustvarja silhueto trikrat povečanega telesa. Večkrat se porodi vprašanje, ali je kostum metafora ali orodje, ki bi lahko bilo uporabno tudi v resničnosti. Born in Lyon in Lives and works in Brussels. Benjamin Seror shows the fruit of a reflection on the transmission of a story by questioning the possible staging of our real and fictive memory. The models, sculptures and events that Benjamin Seror stages deconstruct narrative tools as much as they dynamise them. They are loci soli in which the elements of each work are both autonomous and interdependent. Music is an open field of reflection in performances in which the artist simultaneously plays the role of author, actor and musician, between the lecture model, the role of troubadour and the narrative structure of an opera. American Residency programme at REDCAT, Los Angeles / Institut Français Production residence, Le Plateau Fracîle de France, Paris Post-graduate diploma, École nationale superieure des Beaux-Arts, Lyon Superior national diploma of plastic arts, École Nationale Superieure des Beaux-arts, Lyon Performances The Marsyas Hour, Part I, II and III, REDCAT, Los Angeles Mime Radio, The Ambitions Final Chapter, Stedelijk Museum, Amsterdam Mime Radio, Chapter X to Chapter XII, Kunstverein, Amsterdam Le Principe Totochabo, Le Plateau-Frac Île-de-France, Paris Zazzuzhâ, Laboratoires d Aubervilliers, Paris Mime Radio, Chapters VIII and IX, Crac Alsace, Altkirch Mime Radio, Chapter VII, Dexter Sinister, New York Mime Radio, Chapter VI, Witte de With, Rotterdam Concert, Marres, Maastricht Mime Radio, Chapter IV, LACE, Los Angeles Mime Radio, Chapter V, Walter Phillips Gallery, Banff Mime Radio, Chapters II & III, Fabrai Coats, Barcelona Preoccupy Bernhard, Biennial of Belleville, Paris Benjamin Seror presents Benjamin Serror, Baltic Triennial, Vilnius Masyas, pauvre Marsyas, L (Entre) Ouverture, Palais de Tokyo, Paris The Tour Eiffel Poetry Club Presents, Théâtre national de Chaillot, Paris 12 Nouveaux Chapitres, FRAC Alsace, Sélestat The Serving Library, Objectif Exhibitions, Antwerp Concert, FRAC Île-de-France, Le Plateau, Paris La Fortune critique de Nicolas Poussin, Le Printemps de Septembre, Toulouse 5 Weeks, Bétonsalon, Paris Une Ville à l oblique, Gallery Arko, Parc Saint Léger, Nevers Une Sono, une veste à fleur et autres vanités, Fondation d entreprise Ricard, Paris Le Vase Brisé I & II, MUDAC Festival Les Urbaines, Lausanne 5 Chansons de Pulsar Noir, Fri-Art Kuntshalle au Nouveau Monde, Fribourg Resteront-ils pendus encore longtemps? École nationale supérieure des Beaux-Arts, Lyon RER + Tram + Métro. Qu ilest long Jeanne le chemin pour arriver jusqu àtoi, Museum of Contemporary Art, Val-de-Marne, Vitry-sur-Seine Précisions sur l homme de demain, Live in Your Head, Geneva Un Cri dans la nuit noire, Château des Adhémar, Montélimar Paroles / Formes, École des beaux arts de Paris L interprète, Le Plateau-Frac Île-de-France, curated by Xavier Franceschi, Paris Susan Vérité, Des Méthodes, curated by Elfi Turpin, Crac Alsace, Altkirch Pride Goes Before a Fall / Beware of a Holy Whore An Exhibition in Two Acts, curated by Richard Birkett, Artists Space, New York An Ever Changing Meaning, curator François Aubart, CNEAI, Chatou A Thing at a Time, curator Heman Chong, Witte de With, Rotterdam Shelter, Walden Affairs, project by Mark Geffriaud, The Hague A Spoken Word Exhibition, curated by Mathieu Copland, Jeu de Paume, Paris An Ever Changing Meaning, curator François Aubart, Walter Phillips Gallery, Banff L.A. Existential, curator Marie de Brugerolle, L.A.C.E., Los Angeles Deep Cuts, curated by Lisette Smith, Marres, Maastricht Mindaugas: 11th Baltic Triennial, curators Defne Ayas, Benjamin Cook, Ieva Miseviciute and Michael Portnoy, Contemporary Art Center, Vilnius This is Not an Art Show, Either, curator David G. Torres, Fabra i coats, Barcelona Bachelor Party: Marcel Duchamp s Birthday with Will Holder, curator Will Holder, Institute of Contemporary Art, Philadelphia Baltic Triennial, Contemporary Art Center, Vilnius L Entre-deux des savoir bouleversés, curator Vincent Honoré, Kunsthalle, Mulhouse Run Comrade, the Old World is Behind You, curator Will Bradley, Kunsthalle Oslo A Terrible Beauty is Born, curator Victoria Noorthoorn, 11th Lyon Biennial Basket not Basket, curator Elfi Turpin, Jousse Entreprise Gallery, Paris What About This?, curator Raimundas Malasauskas, Andreas Huber Gallery, Vienna The Clifford Irving Show, curator Raimundas Malasauskas, Objectif Exhibitions, Antwerp Les Interlocuteurs, curator Mathilde Villeneuve, Printemps de Septembre, Toulouse Repetition Island, curator Raimundas Malasauskas, Centre Pompidou, Paris La Moitiée des choses, curators Mélanie Bouteloup and Nicolas Fourgeaud, Bétonsalon, Paris Even if the Word Car is Not Mentioned, It s Obviously the Main Subject, OUI, Grenoble Playtime, curators Mélanie Bouteloup and Grégory Castéra, Bétonsalon, Paris The Clifford Irving Show, curator Raimundas Malasauskas, Fondation Kadist/Ciné 13, Paris 25% Melancholy, curators Solenn Morel and Elfi Turpin, La Box, Bourges Retournez la chaussette! ou la chaussette retournée, curators Kristina Solomoukha and Elfi Turpin, Live in Your HEAD, Geneva Sound Time Material, curator Bernhard Ru diger, Château des Adhémar, Montélimar 15% Heroism, curators Solenn Morel and Elfi Turpin, La Box, Bourges The project: Memory of a Very Modern Man A Night at the Tiki Bar, Benjamin Seror studies the conception, transmission and drift of a story: how a memory acts, how it evolves, how fact migrates and becomes fiction. In this process, the narrative acts as the interface of this memory. Whether it takes the form of an installation, a performance or sometimes music, it always links together things which never happened to us, ghosts of literature, cinema or art history, and the way in which our narratives paint the spectres of these memories in reality. De facto, Benjamin Seror often finds himself in front of an audience to tell stories about bad encounters at the Gates of Hell, furious dances to New Order s The Perfect Kiss or long evenings spent in dubious smoke-filled bars. When these narratives don t take place in public, they take the form of a model or installation recreating the possible conditions for the emergence of an image and the sharing of a memory. A Night at the Tiki Bar evokes the memory of an evening spent in a bar in Geneva where, after a lecture, the artist decided to go dressed in a costume designed that Oskar Schlemmer designed in the 1920 s to perform the Slat Dance. Consisting of wooden extensions attached to the dancer s limbs, it creates the silhouette of a body three times larger than normal. The question of whether this costume was a metaphor or a tool that could be used in reality was evoked several times.

4 Christophe Lemaître Rojen leta Živi in ustvarja v Parizu. Od diplome na Akademiji za lepe umetnosti v Parizu leta Christophe Lemaitre deluje kot neodvisni kustos, izpostaviti je treba predvsem razstavo Super, hkrati pa se posveča umetniškemu raziskovanju tematik ustvarjanja in ponarejanja podob ter scenarijev izginotja. V letih je kot kustos zasnoval razstave Repeticija v epilogu (Galerija Lucile Corty), Bords (Maison flottante, Nacionalni center izdaj in tiska) in Albers Lewitt Cointet (Cneai). Svoje delo razstavlja tudi na prizoriščih, kot so Center sodobne umetnosti Parc Saint Léger (Hors-les-murs), Zoo galerie (Nantes) in Shanaynay (Pariz). Christophe Lemaitre je avtor publikacije Frrfrr, la Mode et son destindans l œuvre de Marcel Duchamp, in sourednik (z Aurélien Mole in Rémi Parcollet) revije Postdocument, periodične publikacije o fotografiji umetniških del v razstavnem kontekstu. Od januarja do decembra je na Akademiji Jana van Eycka (Nizozemska) razvil in situ projekt Jan van Eyck Go Club, klub estetike, ki si je prizadeval za lastno dematerializacijo. rezidenca, Oddelek za lepe umetnosti, Akademija Jana van Eycka, Maastricht Born in Lives and works in Paris. Since he graduated from the École nationale supérieure des Beaux-Arts in Paris in, Christophe Lemaitre has divided his time between his activity as an independent exhibition curator, notably with the exhibition Super team, and his slow development of works questioning image fabrication and disappearance scenarios. In and, he curated the Repetition in the Epilogue exhibition (Galerie Lucile Corty), the Bords disperses exhibition (Maison flottante, Centre national de l édition et de l art imprimé) and the Albers Lewitt Cointet exhibition (Cneai). His work has also been shown by the Centre d art contemporain du Parc Saint Léger (Hors-les-murs), Zoo galerie (Nantes) and Shanaynay (Paris). Christophe Lemaitre is also the author of Frrfrr, la Mode et son destin dans l œuvre de Marcel Duchamp, and co-editor with Aurélien Mole and Rémi Parcollet of the review Postdocument, a periodical publication focussing on the photography of artworks in exhibition situations. From January to December, at the Jan van Eyck Academy (The Netherlands) he developed an in situ project, The Jan van Eyck Go Club, an aesthetics club working on its own dematerialisation. Residency, Fine Art Department, Jan van Eyck Academie, Maastricht Maison flottante, Nacionalni center izdaj in tiska (Cneai), Chatou drugo rezidenčno ustvarjanje, Center sodobne umetnosti Parc Saint Léger, Pougues-les-Eaux Maison flottante, Centre national de l éditionet de l art imprimé (Cneai), Chatou Secondary residency, Centre d art contemporain du Parc Saint Léger, Pougues-les-Eaux diploma iz upodabljočih umetnosti kiparstva, École nationale supérieure des Beaux-Arts/Akademija za lepe umetnosti, Pariz Superior national diploma of plastic arts, École nationale supérieure des Beaux-Arts, Paris 2002 diploma iz uporabnih umetnosti, École supérieure d arts appliqués Duperré/Akademija za uporabne umetnosti Duperré, Pariz La Connaissance des formes, Nacionalni center izdaj in tiska (Cneai), Chatou De l Importance des chaises dans une exposition, Shanaynay, Pariz Jan van Eyck Go Club, Akademija Jana van Eycka, Maastricht 2002 Superior national diploma of applied arts, École supérieure d arts appliqués Duperré, Paris La Connaissance des formes, Centre national de l édition et de l art imprimé (Cneai), Chatou De l Importance des chaises dans une exposition, Shanaynay, Paris The Jan van Eyck Go Club, Jan van Eyck Academie, Maastricht Là où va l eau de mer à marée basse, kustos Étienne Bernard, Galerija Zoo, Nantes La Forme de l épée, Center sodobne umetnosti Parc Saint Léger (Hors-les-murs), Cosne-sur-Loire La Perspective du congrès, Center sodobne umetnosti Parc Saint Léger (Hors-les-murs), Cosne-sur-Loire Là où val eau de mer à mare basse, curateur Étienne Bernard, Zoo Gallery, Nantes La Forme de l épée, Art Center of Parc Saint Léger, (Hors-les-murs), Cosne-sur-Loire La Perspective du congrès, Art Center of Parc Saint Léger (Hors-les-murs), Cosne-sur-Loire Gledališče misli, Muzej Bonnefanten, Maastricht Décollages no. 2, kustosinja Solenn Morel, Galerija Florence Loewy, Pariz Le Doubleetson modèle, kustosa Catherine Guiral in Brice Domingues (Office abc), Galerija Arko, Nevers Theatre of Thoughts, Bonnefanten Museum, Maastricht Décollages no. 2, curator Solenn Morel, Florence Loewy Gallery, Paris Le Double et son modèle, curator Office ABC (Catherine Guiral and Brice Domingues), Arko Gallery, Nevers Le Bal des débutantes, kustos Le Bureau, Klemm s, Berlin Kakšna risba, kustos Hans-Christian Dany, Wild West Active Space, Maastricht Razstava prvega tedna, Akademija Jana van Eycka, Maastricht Le Bal des débutantes, curator Le Bureau, Klemm s, Berlin What a Drawing, curator Hans-Christian Dany, Wild West Active Space, Maastricht Opening week exhibition, Jan van Eyck Academy, Maastricht 55. salon v Montrougeu, kustosa Stéphane Corréard in Daria de Beauvais, La Fabrique, Montrouge Codex, kustosinji Charlotte Cheetham in Béatrice Méline, Voltex, Toulouse Projekt: Repeticija v epilogu, Delo je ponovitev razstave Repeticija v epilogu, dvakrat prepognjenih in nato razrezanih tiskanih del, nameščenih na štirih ploščah dvostranskega oltarja. Med transportom se oltar zloži kot španska stena, postavimo pa ga lahko kamor koli v razstavni prostor, glede na lege in sorazmerja, ki jih želimo vzpostaviti. Z vsako postavitvijo se tako ustvarja novo poigravanje s presevanjem drugačne kompleksne podobe. Repeticija v epilogu je razstava tiskovin iz leta, organizirana v Galeriji Lucile Corty (Pariz). Vsebovala je 211 izvirnih tiskanih izdaj umetnikov Juliena Audeberta, Stuarta Baileyja, Érica Baudelaira, Ryana Gandera, Marka Geffriauda, Mauricia Guilléna, Auréliena Moleja in Bernarda Piffarettija. Projekt je zasnovan tako, da naj bi razstavljene eksponate obiskovalci odnesli, s čimer razstava počasi izgineva, dokler na koncu ne ostanejo samo še naslovi del in imena umetnikov, izpisani na zadnji strani galeristove mize. 55th Salon de Montrouge, curators Stéphane Corréard and Daria de Beauvais, La Fabrique, Montrouge Codex, curators Charlotte Cheetham and Béatrice Méline, Voltex, Toulouse The Project: Repetition in the Epilogue, The project proposed here is a repeat of the printed Repetition in the Epilogue exhibition, folded twice then cut up to constitute a four-panel recto-verso altarpiece. Folded like a fan when it is transported, the object can be positioned anywhere in the exhibition space, according to different orientations and balances, each time creating new interplays of transparency in a new complex image. Repetition in the Epilogue is a printed exhibition created in and shown at Galerie Lucile Corty (Paris). Produced in 211 different editions, the exhibition contained original proposals by Julien Audebert, Stuart Bailey, Éric Baudelaire, Ryan Gander, Mark Geffriaud, Mauricio Guillén, Aurélien Mole and Bernard Piffaretti. Intended to be taken away by visitors, the exhibition disappears and only the works titles and the artists names remain, inscribed on the back of the gallery owner s desk.

5 Farah Atassi Rojena leta 1981 v Bruslju. Živi in dela v Parizu. Od leta se ukvarja s poslikavanjem interjerjev, navadno javnih prostorov (menze, tovarne, pisarne, študentski domovi, tržne stojnice itd.), da bi obudila industrijski svet med tridesetimi in zgodnjimi sedemdesetimi leti prejšnjega stoletja. Umetničine interjerje naseljujejo objekti z dvoumnim statusom, z umetniškimi referencami na življenje delovnega ljudstva. Lahko gre za instalacije ali pa samo za kupe opuščenih pripomočkov, ki ne izpolnjujejo več svojega namena. diploma iz upodabljajočih umetnosti kiparstva, École nationale supérieure des Beaux-Arts/Akademija za lepe umetnosti, Pariz Extra City Kunsthal, Antwerpen Galerija Michela Reina, Bruselj Born in 1981 in Brussels. Lives and works in Paris. Since, I have painted interiors, usually communal spaces (canteens, factories, offices, dormitory towns, stalls, etc.) evoking the industrial world from the 1930 s until the early 1970 s. My interiors are inhabited by objects whose status is equivocal, between artistic references and evocations of working-class life. They can be installations, like displays, or merely heaps or abandoned implements, no longer fulfilling their use. Superior national diploma of plastic arts, École nationale supérieure des Beaux-Arts, Paris Extra City Kunsthal, Antwerp Michel Rein Gallery, Brussels Le Portique, Center sodobne umetnosti, Le Havre Le Grand Café, Center sodobne umetnosti, Saint-Nazaire Le Portique, Center of Contemporary Art, Le Havre Le Grand Café, Center of Contemporary Art, Saint-Nazaire Galerija Xippas, Pariz Xippas Gallery, Paris Farah Atassi & Stéphanie Cherpin, Galerija Édouarda Maneta, Gennevilliers Farah Atassi & StéphanieCherpin, Édouard Manet Gallery, Gennevilliers Galerija Xippas, Pariz Farah Atassi & Élodie Lesourd, Les Églises, Center sodobne umetnosti, Chelles Xippas Gallery, Paris Farah Atassi & Élodie Lesourd, Les Églises, Center of Contemporary Art, Chelles La Vitrine, Galerija Jeana Brollyja, Pariz It Rained Again, New York La Vitrine, Jean Brolly Gallery, Paris It Rained Again, New York Avec et sans peinture, dela iz zbirke, MAC/VAL Muzej sodobne umetnosti, Val-de-Marne /15 Avec et sans peinture, works from the collection, MAC/VAL Museum of Contemporary Art, Val-de-Marne Beyond the Grid, Galerija Michela Reina, Bruselj Fruits de la passion: zbirka Nacionalnega muzeja sodobne umetnosti, Centra Pompidou, Pariz, Hyogo, Umetnostni muzej, Kobe Beyond the Grid, Michel Rein Gallery, Brussels Fruits de la passion: collection from the National Museum of Modern Art, Center Pompidou, Paris, Hyogo, Prefecturam Museum of Art, Kobe After, Galerija JGM, Pariz nagrada Marcel Duchamp, Umetnostni muzej, Libourne Entredeux, Pokrajinski muzej sodobne umetnosti Languedoc-Roussillon, Sérignan After, JGM Gallery, Paris, France Prize Marcel Duchamp, Museum of Fine Arts, Libourne Entre deux, Regional Museum of Contemporary Art Languedoc-Roussillon, Sérignan Fruits de la passion, Nacionalni muzej sodobne umetnosti, Center Pompidou, Pariz Fruits de la passion, National Museum of Modern Art, Centre Pompidou, Paris L Art contemporain s invite à Saint-Germain, 10. Parcours Saint-Germain, Pariz L Art contemporain s invite à Saint-Germain, 10th edition of Parcours Saint-Germain, Paris 2001 : Soudain, déjà, Akademija za lepe umetnosti, Pariz Biseri severa, Palais d Iéna, Pariz Onkraj krize, Bienale v Curitibi, Curitiba Pogled, inavguralna razstava, Xippas art contemporain, Ženeva Medalja ima dve plati, prav tako tvoj obraz, Galerija Xippas, Pariz Si l espace n était qu une dimension intérieure, Abbaye Sanit-André, Meymac 2000 : Soudain, déjà, École nationale supérieure des Beaux-Arts, Paris Pearls of the North, Palais d Iéna, Paris Beyond the Crisis, Biennial de Curitiba, Curitiba Look, inaugural exhibition, Xippas Contemporary Arts, Geneva There Are Two Sides to Every Coin, and Two Sides to Your Face, Xippas Gallery, Paris Si l espace n était qu une dimension intérieure, Abbaye Sanit-André, Meymac Festival, Novi festival Centra Pompidou, Muzej Ermitaž, Sankt Peterburg Dinastija, Muzej moderne umetnosti mesta Pariz, Tokijska palača, Pariz 55. salon v Montrougeu, Montrouge Projekt: Slika, olje na platnu, Za projekt Škatla v kovčku je umetnica izbrala olje na platnu malega formata (40 50 cm). Slika prikazuje modele tovarniških dimnikov iz tridesetih let, nameščenih neposredno na s ploščicami prekrita tla industrijskega objekta. Te modele, kot tudi tiste na umetničinih predhodnih slikah Delavnica I, II in III, je oblikoval Ladislav Sutnar. Modele industrijskih pokrajin izpostavlja, ker so povezani z modernistično utopijo in utelešajo čaščenje funkcionalnosti in novega, značilnega za začetek množične proizvodnje in modernistično ideologijo. Festival, New Festival of the Pompidou Center, Hermitage Museum, Saint Petersburg Dynasty, Musée d art moderne de la Ville de Paris, Palais de Tokyo, Paris 55th Salon de Montrouge, Montrouge The Project: Painting, oil on canvas, For the Boîte en valise project the artist chose a small format (40 50 cm) oil on canvas. The picture shows models of factory chimneys from the 1930 s, placed directly on the tiled floor of an industrial space. They were designed by Ladislav Sutnar, as were the models in her previous pictures, Workshop I, II and III. The artist works on these models of industrial landscapes because they refer to a modernist Utopia and embody the worship of functionality and the new, characteristic of the beginning of mass-production and celebrating modernist ideology.

6 Élisa Pône Rojena leta Živi in ustvarja v Parizu. Élisa Pône v svojih delih uporablja pirotehniko, filmske posnetke, podobe, risbe in instalacije za preizpraševanje koncepta trajanja. To je namerno raztegnjeno ali mimobežno, iskanje kristaliziranega, včasih upadlega trenutka, ki prikliče časovne razmike in izklope naše sedanjosti. Med njenimi zadnjimi deli je V enaki razdalji od sedanjosti, instalacija prekrivajočih se steklenih plošč različnih formatov, nameščenih na zid in prepletenih s črnimi vžigalnimi vrvicami. Vrvice pogorijo le do polovice, zaradi česar pride do soobstoja surovega in uporabljenega materiala. Tako preoblikovana instalacija izraža neizrečeno, a zaznavno gesto, nadomestek njene aktivacije, in izpostavlja krhkost prekinjenega trenutka. Diptih Strontium se dotika izginevanja barve. Z izgorevanjem rdečega bengalskega smodnika se izrišejo navzkrižne prečnice, razmejene z mrežnim vzorcem eksperimenta. À la fuite, niz filmskih posnetkov v treh delih, vzbuja občutek omahovanja. Njegove tematike so izrisane v minimalističnih pripovedih in obarvane z nenavadnim vzdušjem samote. Glasbena kulisa se dozdevno razteza in kot kinematografski paralelogram vektorjev krepi filmske podobe. Dela Élise Pône se poglabljajo v človeški odnos do časa in minljivo naravo dogodkov. Umetnica od hipnega srčnega utripa do izkušnje dolgotrajnosti zakriva svoje sledi in izpostavlja izražanje umetniškega dela z večkratnimi ponovitvami. (Guillaume Hervier-Lanot) diploma iz upodabljajočih umetnosti kiparstva, umetnostna akademija, École nationale supérieure d arts Paris-Cergy 2003 diploma iz upodabljajočih umetnosti kiparstva, ENSAPC 1999 diploma iz umetnostne zgodovine in arheologije, Univerza X, Nanterre, Pariz Rocking Spectrum, 12Mail Red Bull Space, Pariz Obliques Ashes, Galerija Michela Reina, Bruselj L'aplomb de sombres, Espace Vortex, Dijon Le Goût du mercure, Galerija Michela Reina, Pariz Mauvaise fièvre, Umetnostni center Bastille, Grenoble Fermer les yeux. Sauver sa peau, Galerija Michela Reina, Pariz FOMO, Sextant et plus Véronique Collard Bovy in Léo Guy Denarcy, Friche Belle de Mai, Marseille Les rituels du dessin, kustosi J. Carrier, J. Neves, M. Pagès and D. Pimentao, Regionalni muzej sodobne umetnosti, Languedoc-Roussillon, Sérignan Hors Pistes, Center Pompidou, Pariz Le corps invisible, Galerija Edouarda Maneta, Gennevilliers Boîte-en-valise #3, kustos Lučezar Bojadžijev, Galerija sodobne umetnosti Enča Pironkova, Plovdiv Made by Brazilians, kustos Marc Pottier, Sao Paulo Boîte-en-valise #2, kustos Denis Zahaopulos, Benaki Museum, Solun Nuit blanche, 11. okrožje, Pariz Supervues, Vaison-la-Romaine Autres, être sauvage de Rousseau à nos jours, kustos Stéphane Sauzede, muzej Gradu v Annecyju Papirni zamašek št. 2, kustosa Charlotte Seidel in Émile Ouroumov, potujoča razstava Oči duše, zbirka Lemaître, kustosinja Nathalie Viot, Fundacija Godia, Barcelona Cœur de silex, kustosinja Pauline Curnier Jardin, La Galerie, Center sodobne umetnosti, Noisy-le-Sec 10 ans de Mains d Œuvres, razstava dražba, Mains d Œuvres, Saint-Ouen Infiltration, le privilège des chemins, kustos M. Derrien, Platforma Revolver, Lizbona, Festival City Sonics št. 8, Mons Lotosova semena si pozabil na avtobusu, kustosinji Julia Trotta in Glynnis McDarris, Galerija Blackston, New York Flash Bang, skupaj s Katie Davis, kustos Bruce Abestos, Galerija Trade, Nottingham Musique plastique, kustos J.-F. Sanz, Galerija Agnès B., Pariz Effervescences, un état de la scène française, kustos Michel Nuridsany, Francoski inštitut, Hanoj Ils chantent et ils jouent, les gens entrent, kustosa J. Bena in S. Nicaise, MDA Grand-Quevilly Panorama, Galerija Michela Reina, Pariz Zaplešiva!, MAC/VAL, Vitry-sur-Seine Dekadenca in razkroj, kustosi K. Orkisz, M. Branchflower in P. Monier, Mol s Place, London Nalagam, kustosinja Judith Lavagna, Galerija PM, Berlin Berlin-Pariz, Galerija Michela Reina in Carlier/Gebauer, Galerija Michela Reina, Pariz Vsa velika in mala bitja, Narodna galerija Zacheta, Varšava Privlačnost, FRAC Poitou, Linazay Animiran, Umetnostni center Bastille, Grenoble Kit Invit, Pariz Opération Tonnerre, Mains d Œuvres, Saint-Ouen Zahvaljujemo se kustosom, ki želijo ostati anonimni, Galerija Seventeen, London Milo za drago, 13Bis, Clermont-Ferrand L Amorce ou la partition des possibles, Umetnostni center Bastille, Grenoble Mulhouse, Mulhouse Nuit Blanche, Mayenne Temps 0 + 4, la position du tireur couché, kustosinja Émilie Renard, La Vitrine, Pariz Premier jour, IrmaVepLab, kustosa Laurent Montaron in Claire Jacquet, Châtillon-sur-Marne Performansi in filmski posnetki Alliance Caustique, l'écho des spectres, v sodelovanju z Ericom Arllettijem, La Friche Belle de Mai, Marseille & Center Pompidou, Pariz Hors Pistes, filmski posnetek, Center Pompidou, Pariz Summer Rising Festival, (kustos V. Claffey) Irish Musem of Modern Art, Dublin Dumm, z Alexis Cailleton, kustos Vincent Verlé, Centre d'art Bastille, Grenoble Promessa, Teatro Valle, Rim Agora não/not yet, kustosa Antonio Contador in Filipa Ramos, The Barber Shop, Lizbona Ping pong video št. 20, Chapelle des réparatrices, Pau Playtime, Nuit Blanche, Metz 13. bostonski festival francoskega filma, projekcija na Muzej lepih umetnosti v Bostonu Point de fuite, Module Fondation Pierre Bergé-Yves Saint Laurent, kustosa Julien Fransacq in Marc Bembekoff, Pariz Zasebna poslovilna zabava za Jean-Conrada in Isabelle Lemaître, Artprojx, Umetniški filmski klub, London Gracelands, Dromahair, Irska Almost Cinema, Vooruit, Gand, Belgija Le Lac, le mensonge, ne spominjam se hitrosti udarca, skupaj z Davidom Balulo, Le Confort Moderne, Poitiers Projekt: Kaj je novega, potniki?, Za projekt Škatla v kovčku je Élisa Pône ustvarila akustično delo. Škatla je sistem ozvočenja in vsebuje ojačevalec, zvočnike s tremi izenačevalniki zvoka (bas, medium, treble) in mp3-predvajalnik. Ima odprtine za zvočnike in ohlajanje sistema. Potrebuje eno samo električno vtičnico. Tematika umetniškega dela osvetljuje zakonodajo, ki ureja transport blaga. Škatla je dostavljena brez zvočnega gradiva, ta se doda na vsakem razstavnem prostoru. Ob transportu bo naslovnikom škatle poslano tudi zvočno gradivo, ki ga galerist vnese v mp3-predvajalnik. Delo si s spojem vznemirljive glasbe in pravnih besedil posameznih držav v njihovih jezikih prizadeva ponuditi jedek komentar in presunljiv umetniški premislek. (Guillaume Hervier-Lanot) Born in Lives and works in Paris. In her work, Élisa Pône uses pyrotechnics, films, images, drawings and installations to question the notion of duration. This is intentionally stretched or fleeting, a quest for a crystallised, sometimes fallen instant evoking the temporal disjunctions of our contemporaneity. Her most recent productions include At an Equal Distance from the Present, an installation composed of superimposed glass plaques of different formats fixed to the wall and entangled with black fuses. The artist only partly burns the fuses, enabling the raw and consumed material to coexist. Thus transformed, the installation delivers the furtive, perceptible gesture, substitute of its activation, and traces the fragility of the suspended instant. The Strontium diptych questions the evanescence of colour. Conflicting trajectories are drawn by the combustion of red Bengal light powder and are divided up by a grid sampling the experiment. À la fuite, the series of films in three parts, induces a sense of hesitation. Its subjects are set in minimal narratives and tinged with a strange feeling of solitude. The soundtracks of these films seem to extend and reinforce the image like cinematic vectors. Élisa s works confront us with our attitude to time and the fleeting nature of the event. From the instant of the heartbeat to the experience of duration, the artist covers her tracks and proposes the gestures of a work with multiple occurrences. (Guillaume Hervier-Lanot) Superior national diploma of plastic arts, École nationale supérieure d arts de Paris-Cergy 2003 National diploma of plastic arts, ENSAPC 1999 DEUG in Art History and Archeology, Paris X, Nanterre Rocking Spectrum, 12Mail Red Bull Space, Paris Obliques Ashes, Michel Rein Gallery, Brussels L'aplomb de sombres, EspaceVortex, Dijon Le goût du mercure, Michel Rein Gallery, Paris Mauvaise fièvre, Center of Art Bastille, Grenoble Fermer les yeux. Sauver sa peau, Michel Rein Gallery, Paris FOMO, Sextant et plus Véronique Collard Bovy and Léo Guy Denarcy, Friche Belle de Mai, Marseille Les rituels du dessin, curators: J. Carrier, J. Neves, M. Pagès and D. Pimentao, Museum of Contemporary Art Languedoc-Roussillon, Sérignan Hors Pistes, Centre Pompidou, Paris Le corps invisible, Galerie Edouard Manet, Gennevilliers Made by Brazilians, curator Marc Pottier, Sao Paulo Boîte-en-valise #2, curator Denys Zachaopoulos, Benaki Museum, Thessaloniki Nuit blanche, 11th arrondissement, Paris Supervues, Vaison-la-Romaine Autres, être sauvage de Rousseau à nos jours, curator Stéphane Sauzede, Chateau-Musée d Annecy Paper Jam No. 2, curators Charlotte Seidel and Émile Ouroumov, itinerant event The Eyes of the Soul, collection Lemaître, curator Nathalie Viot, Fondacion Godia, Barcelone Cœur de silex, curator Pauline Curnier Jardin, La Galerie, Center of Contemporary Art, Noisy-le-Sec 10 ans de Mains d Œuvres, exhibition-auction, Mains d Œuvres, Saint-Ouen Infiltration, le privilège des chemins, curator M. Derrien, Festival City Sonics no. 8, Mons, Lisbon You Have Left Your Lotus Pods on the Bus, curators Julia Trotta and Glynnis McDarris, Blackston Gallery, New York Flash Bang, avec Katie Davis, curator Bruce Abestos, Trade Gallery, Nottingham Musique plastique, curator J.-F.Sanz, Galerie du jour Agnès B., Paris Effervescences, unétat de la scène française, curator Michel Nuridsany, French Institute of Hanoï, Hanoï Ils chantent et ils jouent, les gens entrent, curators J. Bena and S. Nicaise, MDA Grand-Quevilly Panorama, Michel Rein Gallery, Paris Let s dance, MAC/VAL, Vitry-sur-Seine Decadance and Decay, curators K. Orkisz, M. Branchflower and P. Monier, Mol s Place, London Loading, curator Judith Lavagna, PM Gallery, Berlin Berlin-Paris, Gallery Michel Rein & Carlier/Gebauer, Michel Rein Gallery, Paris All Creatures Great and Small, Zacheta National Gallery of Art, Warsaw Attraction, FRAC Poitou, Linazay Animated, Centre d art Bastille, Grenoble Kit Invit, Paris Opération Tonnerre, Mains d Œuvres, Saint-Ouen We Would Like to Thank the Curators Who Would Like to Remain Anonymous, Seventeen Gallery, London Tit for Tat, 13Bis, Clermont-Ferrand L Amorce ou la partition des possibles, Centre d art Bastille, Grenoble Mulhouse, Mulhouse Nuit Blanche, Mayenne Temps 0 + 4, la position du tireur couché, curator Émilie Renard, La Vitrine, Paris Premier jour, IrmaVepLab, curators Laurent Montaron and Claire Jacquet, Châtillon-sur-Marne Performances and film shows Alliance Caustique, l'écho des spectres, in collaboration with Eric Arletti, La Friche Belle de Mai, Marseille & Center Pompidou, Paris Hors Pistes, screening, Center Pompidou, Paris Summer Rising Festival, (curator V. Claffey) Irish Musem of Modern Art, Dublin Dumm, with Alexis Cailleton, curator Vincent Verlé, Centre d'art Bastille, Grenoble Promessa, curator TAMM COAT Teatro Valle, Rome Agora não/not Yet, curators Antonio Contador and Filipa Ramos, The Barber Shop, Lisbon Ping pong vidéo no. 20, Chapelle des réparatrices, Pau Playtime, Nuit Blanche, Metz 13th edition of Boston French Film Festival, projection at the Museum of Fine Arts of Boston Point de fuite, Module Fondation Pierre Bergé-Yves Saint Laurent, curators Julien Fransacq and Marc Bembekoff, programmatic on vidéo du Palais de Tokyo, Paris A Private Screening Farewell Party for Jean-Conrad and Isabelle Lemaître, Artprojx, Artists Film Club, London Gracelands, Dromahair Almost Cinema, Vooruit, Gand Le Lac, le mensonge, Can t Remember the Speed of the Blast, avec Davide Balula, Le Confort Moderne, Poitiers The Project: What s Up Boarders?, For the Boîte en valise project, Elisa decided to produce an acoustic piece. The box itself is a sound system, containing an amplifier, three-channel loudspeakers (bass, medium, treble) and an mp3 player. It has openings for the loudspeakers and to allow heat to escape. The system requires only one electrical socket. The subject of this piece is the legislation regulating the transport of goods. The box is initially delivered without a soundtrack, which is added at each of the exhibition s destinations. Every time the work is transported, the persons to whom the box is sent will also be sent a soundtrack to be added to the mp3 player s listening list. A mix of virulent music and legal texts from the countries concerned and in the language of each country, the work seeks to be both incisive and unusual. (Guillaume Hervier-Lanot)