CHECKLIST May 4, The Spectacular of Vernacular

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1 CHECKLIST May 4, Marina Abramovic Balkan Erotic Epic: Exterior Part I (B) 2005 single-channel video (color, sound) transferred to DVD; edition 2/5, 1 AP 15:22 minutes loop x in. Courtesy Sean Kelly Gallery, New York see a/v equipment list 2. Siah Armajani Closet under Dormer wood, paint, shellac, mirror 107-1/2 x 48 x 29-1/4 in. Collection Walker Art Center, Minneapolis T.B. Walker Acquisition Fund, 1986 work is in 2 pieces, 2 crates 3. Louise Bourgeois Untitled 2002 tapestry, aluminum head; stainless steel, glass, wood vitrine 12 x 12 x 12 in. head 70 x 24 x 24 in. vitrine Private collection Courtesy Cheim & Read, New York see installation instructions from artist's studio William Christenberry Palmist Building 1979 bass and balsa woods, paper, metal, paint, red soil 14 x 25-1/4 x 17 in. overall Collection The Taubman Museum of Art, Roanoke, Virginia Acquired with funds provided by the Cherry Hill Endowment, with assistance from the National Endowment for the Arts crates must be stored on site work must be handled only by professional art handlers, not interns displayed on pedestal measuring approx. 36 x 35 x 58 in., Perspex bonnet measurements tbd below 10 footcandles

2 CHECKLIST May 4, Shannon Ebner Landscape Incarceration 2003 chromogenic print 32 x 40-1/2 in. framed Courtesy the artist, Los Angeles, and Wallspace, New York 6. Shannon Ebner Ampersand chromogenic print 40-1/2 x 32 in. framed Collection Andrew Kreps, New York 7. Shannon Ebner Blank Field chromogenic print 40-1/2 x 32 in. framed Courtesy the artist, Los Angeles, and Wallspace, New York 8. Shannon Ebner The Sun as Error chromogenic print 40-1/2 x 32 in. framed Courtesy the artist, Los Angeles, and Wallspace, New York

3 CHECKLIST May 4, William Eggleston Untitled c gelatin silver print 5 x 7 in. unframed 13-13/16 x 16-13/16 x 1-3/8 in. framed Eggleston Artistic Trust Courtesy Cheim & Read, New York 10. William Eggleston Untitled (Back of Black Car in Green Vines) from the Los Alamos Project, dye transfer print 16 x 20 in. unframed 18-3/4 x 24-3/4 x 1-3/8 in. framed Eggleston Artistic Trust Courtesy Cheim & Read, New York 11. William Eggleston Untitled c gelatin silver print 10 x 8 in. unframed 16-7/8 x 13-3/4 x 1-3/8 in. framed Eggleston Artistic Trust Courtesy Cheim & Read, New York 12. William Eggleston Untitled (Steak Billboard) Memphis, TN 1973 dye transfer print 16 x 20 in. unframed 18-3/4 x 24-3/4 x 1-6/16 in. framed Eggleston Artistic Trust Courtesy Cheim & Read, New York

4 CHECKLIST May 4, Walker Evans A Miner's Home, West Virginia 1935 gelatin silver print 9-15/16 x 8 in. unframed 18-1/4 x 14-1/4 x 15/16 in. framed Collection Minneapolis Institute of Arts The William Hood Dunwoody Fund at or below 5 footcandles 14. Walker Evans Church Interior, Alabama 1936 gelatin silver print 9-15/16 x 7-13/16 in. unframed 14-1/4 x 18-1/4 x 15/16 in. framed Collection Minneapolis Institute of Arts Gift of Arnold H. Crane at or below 5 footcandles 15. Walker Evans Negroes' Church, South Carolina 1936 gelatin silver print 9-15/16 x 7-15/16 in. unframed 18-1/4 x 14-1/4 x 15/16 in. framed Collection Minneapolis Institute of Art The William Hood Dunwoody Fund at or below 5 footcandles 16. Walker Evans Roadside Stand, Vicinity Birmingham, Alabama 1936 gelatin silver print 8 x 9-15/16 in. unframed 14-1/4 x 18-1/4 x 15/16 in. framed Collection Minneapolis Institute of Arts The William Hood Dunwoody Fund at or below 5 footcandles

5 CHECKLIST May 4, Walker Evans Tin Building, Moundville, Alabama 1936 gelatin silver print 8 x 9-15/16 in. unframed 14-1/4 x 18-1/4 x 15/16 in. framed Collection Minneapolis Institute of Arts The William Hood Dunwoody Fund at or below 5 footcandles Rachel Harrison From Voyage of the Beagle, Three 2010 fifty-one pigmented inkjet prints (27 borrowed) 18-7/16 x 13-3/8 x 1-3/16 in. each, framed Courtesy the artist and Greene Naftali Gallery, New York the photographs should be captioned together as a single work and listed as 57 prints per artist's instructions hang one inch apart at or below 12 footcandles 19. Matthew Day Jackson November 18, /2010 yarn, wood, Formica on wood 60 x 73 x 2 in. unframed Courtesy the artist, Brooklyn at or below 12 footcandles 20. Butt Johnson Untitled Floral Pastiche (Snapdragon) ballpoint pen ink on paper 9-1/2 x 10 in. framed Courtesy the artist and CRG Gallery, New York at or below 12 footcandles

6 CHECKLIST May 4, Butt Johnson Untitled Floral Pastiche (Waterlily) ballpoint pen ink on paper 10 x 9-1/2 in. framed Collection of Christina Petra at or below 12 footcandles 22. William E. Jones Killed sequence of digital files transferred to DVD (black and white, silent) exhibition copy 1:44 minutes x in. dimensions variable Source images from the Farm Security Administration Collection, Library of Congress Courtesy the artist and David Kordansky Gallery, Los Angeles see a/v equipment list 23. Mike Kelley Work is TBD 24. Chris Larson Deep North 2008 video (color, sound) transferred to DVD 8:16 minutes Courtesy the artist, St. Paul, Minnesota, and Magnus Müller, Berlin see a/v equipment list

7 CHECKLIST May 4, Kerry James Marshall Gulf Stream 2003 acrylic, glitter on canvas 108 x 156 in. Collection Walker Art Center T. B. Walker Acquisition Fund, 2004 The crate when built will measure approximately 115 x 163 x 12 in. and the work remains on a handling frame until the installation has been configured - the canvas hangs by grommets around the perimeter. You will need to ensure there is room for the work to lay flat on the floor in front just prior to hanging, if that makes sense 26. Ree Morton Terminal Clusters 1974 Celastic, lightbulbs and paint on wood 48-1/16 x 48-1/16 x 8 in. work requires electricity, extra bulbs are packed with work 27. Ree Morton Of Previous Dissipations 1974 oil on wood with Celastic 41 x 72-7/8 x 6-1/2 in. The Museum of Modern Art, New York Gift of Ree Morton Estate, 1988 unpacking, handling and installation/de-installation must be supervised by Walker technician/registrar loan must be visible to guard at all times toe strip in front of work footcandles

8 CHECKLIST May 4, Laura Owens Untitled 2006 oil, acrylic, collage on linen 18 x 12 in. Collection Joan and David Genser, Palm Beach, Florida 10 footcandles 29. Jack Pierson Beauty 1995 metal, plastic, neon tubing, wood, paint 20 x 133 x 5-1/4 in. Collection Walker Art Center, Minneapolis Clinton and Della Walker Acquisition Fund and Justin Smith Purchase Fund, Lari Pittman A Decorated Chronology of Insistence and Resignation # acrylic, enamel, glitter on 2 wood panels 83 x 160 in. Private collection work is in 2 parts, 2 crates 12 footcandles 31. Faith Ringgold Change 2: Faith Ringgold's Over 100 Pound Weight Loss Performance Story Quilt 1988 acrylic on canvas; photo lithography on silk and cotton pieced fabric 62 x 62 in. Courtesy ACA Galleries, New York hangs with metal grommets

9 CHECKLIST May 4, Dario Robleto Demonstrations of Sailor's Valentines cut paper, various seashells, colored wax, cartes-de-visite, silk, ribbon, foam core, glue 59 x 52 x 6 in. Des Moines Art Center Permanent Collections Purchased with funds from Ellen Pray Maytag Madsen Sculpture Acquisition Fund,.75 at or below 10 foot candles 33.1 Jim Shaw (man with beard and hand in sky) from Paintings Found in Oist Thrift Store (Fantasy Oism) x 24 in. unframed 33.2 Jim Shaw (multi colored monsters) from Paintings Found in Oist Thrift Store (Fantasy Oism) x 24 in. unframed 33.3 Jim Shaw (nude man walks thru town) from Paintings Found in Oist Thrift Store (Fantasy Oism) x 24 in. unframed

10 CHECKLIST May 4, Jim Shaw (octopus attacks bridge and buildings) from Paintings Found in Oist Thrift Store (Fantasy Oism) x 30 in. unframed 33.5 Jim Shaw (octopus attacks buildings) from Paintings Found in Oist Thrift Store (Fantasy Oism) x 16 in. unframed 33.6 Jim Shaw (octopus grabs man in blue suit) from Paintings Found in Oist Thrift Store (Fantasy Oism) x 16 in. unframed 33.7 Jim Shaw (two girls in pink dresses) from Paintings Found in Oist Thrift Store (Fantasy Oism) x 14 in. unframed

11 CHECKLIST May 4, Jim Shaw (boy with open mouth) from Paintings Found in Oist Thrift Store (Present) x 18 in. unframed 34.2 Jim Shaw (car in forest) from Paintings Found in Oist Thrift Store (Present) x 18 in. unframed 34.3 Jim Shaw (car, trees, woman) from Paintings Found in Oist Thrift Store (Present) x 20 in. unframed 34.4 Jim Shaw (crowd and buildings) from Paintings Found in Oist Thrift Store (Present) /4 x 24 in. unframed

12 CHECKLIST May 4, Jim Shaw (useless eaters club) from Paintings Found in Oist Thrift Store (Present) x 18 in. unframed Lorna Simpson Interior #1 gelatin silver prints; edition 1/2, 1 AP 7 x 7 in. each of 15, framed Collection Walker Art Center, Minneapolis T.B. Walker Acquisition Fund, Lorna Simpson LA '57-NY '09 gelatin silver prints; edition 1/2, 1 AP 7 x 7 in. each of 25, framed Collection Walker Art Center, Minneapolis T.B. Walker Acquisition Fund, Aaron Spangler Government Whore carved and painted basswood, graphite on welded steel base 93 x 42 x 16 in. Courtesy Horton Gallery, collection of Robert Crabb sculpture screws into base for added stability

13 CHECKLIST May 4, Aaron Spangler I Owe My Soul To The Company Store carved and painted basswood, graphite on welded steel base 77 x 44 x 16 in. Collection Walker Art Center, Minneapolis Butler Family Fund, Aaron Spangler To The Valley Below carved and painted basswood, graphite on welded steel base 77 x 44 x 16 in. Courtesy the artist, Brooklyn, and Horton Gallery, New York 40. Marc Swanson Untitled (Looking Back Buck) 2004 crystals, polyurethane foam, adhesive; AP 1/2 from edition of 5 36 x 18 x 18 in. Courtesy the artist and Richard Gray Gallery, Chicago 41. Marc Swanson Untitled (Antler Pile) 2010 antlers, crystals, adhesive 31 x 29 x 29 in. Private Collection, Paris displayed on pedestal measuring 3 x 48 x 48 in.

14 CHECKLIST May 4, Jeffrey Vallance Blinky Bone 2006 mixed media 23 x 13-3/4 x 5-1/2 in. Courtesy the artist and Tanya Bonakdar Gallery, New York travels with display shelf Perspex piece at back for security 43. Jeffrey Vallance Bloody Blanket (Performance Relic) 2006 mixed media 16-1/8 x 10-1/4 x 4-5/8 in. Courtesy the artist and Tanya Bonakdar Gallery, New York travels with display shelf 44. Jeffrey Vallance Vladimir Lenin: Relics of the USSR 2006 mixed media 17-1/2 x 14-3/8 x 8-1/4 in. Courtesy the artist and Tanya Bonakdar Gallery, New York travels with display shelf 45.1 Kara Walker Cotton Hoards in Southern Swamp from Harper's Pictorial History of the Civil War (Annotated) 2005 offset lithograph, screenprint on paper 39 x 53 in. unframed 44 x 58 x 2-1/2 in. framed Collection Walker Art Center, Minneapolis T.B. Walker Acquisition Fund, 2005

15 CHECKLIST May 4, Kara Walker Foote's Gun-boats Ascending to Attack Fort Henry from Harper's Pictorial History of the Civil War (Annotated) 2005 offset lithograph, screenprint on paper 39 x 53 in. unframed 44 x 58 x 2-1/2 in. framed Collection Walker Art Center, Minneapolis T.B. Walker Acquisition Fund, 2005

16 Spectacular Vernacular a/v equipment MARINA ABRAMOVIC Panasonic TH-50PH10U 50 (diag.) screen dims.: 47½ (l) x 28 ½ (h) x 3.7 (d) Wall mount. Wall plate: 8 7/8 x 32 Arms: 19 3/4 x 1 1/8 Pioneer DVD-V7400 player dims.: 8 ½ (w) x 16 ½ (d) x 45 (h) Rolls headphone amp 4 x 3 x 1 RCA stereo audio cable 1/8 stereo Y adapter (2) headphone extension cables long SVideo cable (4) headphones (2 spares) WILLIAM E JONES Sony VPL-PX35 17 (w) x 5(h) x 12 ½ (d) mount (2 main parts) pipe shelf Pioneer DVD-V7400 player dims.: 8 ½ (w) x 16 ½ (d) x 45 (h) CHRIS LARSON 32 Sony Bravia flat screen model (KDL 32SL130) with wall mount dims.: 29 3/4 x 19 x 1 11/16 in. DVD player (Pioneer DVD-V7400) dims.: 8 ½ (w) x 16 ½ (d) x 45 (h) RCA stereo audio cable SVideo cable

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