ITS CREATIVE ARCHIVE INTERNATIONAL TALENT SUPPORT
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1 ITS CREATIVE ARCHIVE
2 ITS is a global network including fashion insiders and opinion leaders, a point of reference for more than 1,500 schools in over 80 countries. For 16 years thousands of young talents have been sharing with us their creativity. Since the beginning we deeply understood we weren t just dealing with projects, we were holding in our hands seeds. Seeds of pure creativity. We decided to plant and protect them in our Archive, where they have grown into a unique collection, developing year after year all around the world of fashion and art. The Archive is the past, the present and the future of ITS.
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4 International Talent Support was conceived as a creative platform intended to find these seeds, support their germination and allow them to blossom. The Cultural Association EVE - Creativity Research Lab created the Archive as the real land where potential creativity blossomed, where it could be set in motion, connecting what has been created to what will be created, endlessly.
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6 Looking at a portfolio is like stepping into someone s dreams and that deserves profound respect. Each seed describes the struggle to translate thoughts and emotions into something tangible. They trace the evolution of creativity. 17,000 portfolios of which 30,000 images have been digitalised and classified, over 220 outfits, 120 accessories, 80 jewelry pieces and more than 700 digital photography projects.
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10 The ITS Creative Archive is a unique and valuable resource, because it contains looks from a range of international designers at the beginning of their careers. Works from a designer s earliest collections is incredibly rare, and of great interest both historically and in terms of providing inspiration to today s fashion students. The Archive deserves financial support from the fashion industry, in order to preserve and showcase a valuable resource. VALERIE STEELE Director and Chief Curator of the Museum at the Fashion Institute of Technology September 14th, 2016
11 Valerie Steele Fashion Institute of Technology, Director and Chief Curator
12 The ITS archive is unique in that it holds work from multiple designers at the very start of their careers. These early pieces are fuelled by an unfettered creativity, not yet honed to the rigorous demands of a professional career, yet already, showing clear evidence of each designer s unique signature. To collect work at this stage in a designer s career is a brave decision, will the designer succeed in their chosen career, will they become a celebrated talent or will they disappear from the world of design? The ITS archive is not particularly concerned with these speculative questions because it recognises the value of capturing and recording a moment in fashion regardless of what the future may bring. As such this archive has become a valuable record and barometer of young fashion talent in the 21 st century. Happily, through the aptitude of the ITS team and their juries in identifying skilled participants, the archive is indeed full of early work by designers who have gone on to make great careers. Browsing through the rails of the archive one comes across so many familiar names. It is intriguing to see these early pieces, most often painstakingly made by the hand of the designer themselves and to recognise the continued development and progression of certain themes or techniques in the designer s later work. These are the pieces that in retrospect are so hard to find. Graduate and early collections rarely survive intact, as young designers often lack the resources to house and store the items at this transitional and tumultuous point in their lives. For these reasons the ITS archive is a unique and intriguing collection which holds much value for current and future researchers interested in the disciplines of design education and the world of fashion. ORIOLE CULLEN Acting Senior Curator of Contemporary Fashion, Victoria & Albert Museum November 16 th, 2015
13 Oriole Cullen Victoria & Albert Museum, Fashion Curator Aitor Throup Designer, Winner at ITS FIVE
14 I have been deeply impressed by the museum quality of this collection and by its numeral importance. One might think the archives of the several contestants ITS has been welcoming for years now are only the seeds of their creations to come or would only forecast the talent they will develop in the future. They would be wrong considering the maturity and achieved creativity of the pieces ITS is keeping there. It gives a unique panorama, over more than 13 years, of fashion creation in freedom - or pure Fashion creation - from contestants from every place and every cultural background throughout the world. Besides the clothes, I am also very attracted by the portfolios illustrating, each time a different way and with an almost infinite range of media, the genesis of each contestant s collection. Many times I wanted to have them in my Graphic Arts Department at Galliera. Once again, the ITS archives are absolutely unique in the world and my only regret is they don t have an exhibition hall to show them to a larger audience as they deserve! LAURENT COTTA Head of Graphic Arts Department, Musée Galliera November 12th, 2015
15 Laurent Cotta Musée Galliera, Head of Graphic Arts Department
16 The ITS Creative Archive holds a history of the recent past with fashion treasures for the future. Documenting the creative process of thousands of the most promising students in fashion, accessories, and jewelry design (15,000 at last count) from initial submissions portfolios to the finished designs of the winners, together with hundreds of digital photographic projects, the Archive is not only an encapsulation of the most prestigious jury competition of emerging designers, it is a documentation of the evolution of the most cutting-edge thinking and creation of the best new talents globally. Because it houses the work derived from an international canvassing of the most influential design programs and institutions, the ITS Archive captures in its modest space the most directional and inventive individuals poised at the beginning of their careers. There is no other archive that does this. Only the ITS Archive crosses all institutional and international boundaries through the most rigorous editing process by a jury of the most established and recognized talents in business, arts and design. HAROLD KODA Curator in Charge of The Costume Institute at The Metropolitan Museum of Art December 4 th, 2015
17 Harold Koda The Metropolitan Museum of Art, Former Curator of The Costume Institute
18 OVER 220 FASHION OUTFITS
19 AITOR THROUP AT ITS 2006
20 YANG DU AT ITS 2008
21 YUIMA NAKATZAO AT ITS 2008
22 MASON YUNG AT ITS 2009
23 MICHEAL VAN DER HAM AT ITS 2009
24 SIDERAL(ES) AT ITS 2010
25 KEVIN KRAMP AT ITS 2011
26 TAKASHI NISHIYAMA AT ITS 2011
27 ICHIRO SUZUKI AT ITS 2012
28 XIAO LI AT ITS 2013
29 NELLY HOFFMANN AT ITS 2013
30 POLINA YAKOBSON AT ITS 2013
31 HAN CHUL LEE AT ITS 2013
32 KATHERINE ROBERTS-WOOD AT ITS 2014
33 LEONIE BARTH AT ITS 2014
34 KIM SHUI AT ITS 2015
35 JENIFER THÉVENAZ-BURDET AT ITS 2015
36 PAULA KNORR AT ITS 2015
37 FLORA MIRANDA AT ITS 2016
38 OLESYA SERCHENKO AT ITS 2016
39 TOLU COKER AT ITS 2018
40 SEIRAN TSUNO AT ITS 2018
41 120 ACCESSORIES
42 72 73 TOMASZ DONOCIK AT ITS 2008
43 BENJAMIN SHUN LAI NG AT ITS 2008
44 UNA BURKE AT ITS 2009
45 CHAU HAR LEE AT ITS 2009
46 ROB GOODWIN AT ITS 2010
47 SARAH WILLIAMS AT ITS 2010
48 LARISZA PASZTIRCSAK AND ORSOLYA POPPRE AT ITS 2011
49 OLIVER RUUGER AT ITS 2011
50 ANA RAJCEVIC AT ITS 2012
51 BENJAMIN JOHN HALL AT ITS 2012
52 PERCY LAU AT ITS 2013
53 ANUK YOSEBASHVILI AT ITS 2014
54 MAIKO TAKEDA AT ITS 2014
55 ISABEL HELF AT ITS 2015
56 BIANCA CHONG AT ITS 2015
57 MELANIE LEWISTON AT ITS 2016
58 LE RONI SACHELARIDI AT ITS 2016
59 WUJIC JO AT ITS 2018
60 JIL JANDER AT ITS 2018
61 80 JEWELRY PIECES
62 HANWEN SHEN AT ITS 2011
63 SHARON VAIZER AT ITS 2011
64 RALUCA GRADA AND SARAH VEDEL HURTIGKARL AT ITS 2011
65 XIAO ZI YANG AT ITS 2012
66 KASUMI ASHIZAWA AT ITS 2012
67 MERAV ROTH AT ITS 2012
68 MARIE CABIROU AT ITS 2013
69 RAYYA VALERIE MORCOS AT ITS 2013
70 LIOR SHULAK AT ITS 2014
71 NORIKO NAKAZATO AT ITS 2014
72 ADI LEV DORI AT ITS 2015
73 IN WAI KWOK AT ITS 2015
74 YUN SUN YANG AT ITS 2015
75 SARI RATHEL AT ITS 2016
76 TATIANA LOBANOVA AT ITS 2016
77 RUI ZENG AT ITS 2018
78 79 PRINTED PHOTO PROJECTS (695 PHOTOS). MORE THAN 700 DIGITAL PHOTO PROJECTS.
79 REMIGIUSZ PYRDOL AT ITS 2006
80 LEVI VAN VELUW AT ITS 2007
81 JING QUEK AT ITS 2007
82 KAZUTAKA NAGASHIMA AT ITS 2008
83 SAANA WANG AT ITS 2009
84 MAGDALENA KMIECIK AT ITS 2011
85 NIKA KUPYROVA AT ITS 2011
86 NIKITA PIROGOV AT ITS 2011
87 THOMAS ROUSSET AND RAPHAËL VERONA AT ITS 2011
88 I WAS HERE
89 Marina Abramović Performance Artist
90 Valerie Steele Fashion Institute of Technology, Director and Chief Curator Barbara Franchin ITS Founder & Director
91 Floriane de Saint Pierre Floriane de Saint Pierre & Associés, Eyes On Talents, Headhunter
92 Demna Gvasalia Vetements and Balenciaga, Artistic Director, Winner at ITS THREE
93 Silvia Venturini Fendi AltaRoma, President Marie-Claire Daveu Kering Group, Chief Sustainability Officer Barbara Franchin ITS Founder & Director Riccardo Vannetti Pitti Immagine, Tutorship Director
94 An attraction for fashion insiders and aficionados, visited by journalists, head hunters, local visitors and tourists. An invaluable source for both schools and students, who can browse thousands of projects spanning 5 continents and 18 years, discovering applicants, finalists and winners from their own college. Visits to the ITS Archive become part of the education pathway.
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100 The ITS Archive collaborates with some of the most important international museums: Victoria and Albert, MET Costume Institute, Fashion Museum FIT, Musée Galliera, New Orleans Museum of Art. Pieces are requested and featured in important fashion exhibitions worldwide.
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