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1 BØRRE SÆTHRE

2 ŒUVRES /WORKS BIOGRAPHIE /BIOGRAPHY BIBLIOGRAPHIE /BIBLIOGRAPHY REVUE DE PRESSE /PRESS RELEASE

3 ŒUVRES /WORKS

4 Untitled (Wardenclyffe Tower), 2012 Installation. Techniques mixtes Commande Mudam Luxembourg Vue de l exposition «Børre Sæthre», Mudam, Luxembourg Photo Andrés Lejona Installation. Mixed media Commission Mudam Luxembourg Vue de l exposition «Børre Sæthre», Mudam, Luxembourg Photo Andrés Lejona

5 Untitled (Wardenclyffe Tower), 2012 Installation. Techniques mixtes Commande Mudam Luxembourg Vue de l exposition «Børre Sæthre», Mudam, Luxembourg Photo Andrés Lejona Installation. Mixed media Commission Mudam Luxembourg Vue de l exposition «Børre Sæthre», Mudam, Luxembourg Photo Andrés Lejona

6 Trooper Play #7, 2010 Tirage numérique ; 120 x 80 cm Edition de 3 exemplaires Digital print ; 47 1/4 x 31 1/2 in Edition of 3

7 Doing Horse, 2010 Série de 3 collages (tirage photographique couleur, collage de Mylar) Triptyque. 50 x 50 cm (chaque) Edition de 5 exemplaires Vue de l exposition «Festspillene i Nord-Norge», Harstad, Norvège Serie of 3 collages (Color print, Mylar collage) Triptych. 19 3/4 x 19 3/4 in (each) Edition of 5 View of the exhibition«festspillene i Nord-Norge», Harstad, Norway

8 Untitled (High Velocity Splatter), 2010 Techniques mixtes ; dimensions variables Vue de l exposition «Festspillene i Nord-Norge», Harstad, Norvège Mixed medias ; dimensions variable View of the exhibition«festspillene i Nord-Norge», Harstad, Norway

9 Young Offender, 2010 Techniques mixtes ; dimensions variables Vue de l exposition «Festspillene i Nord-Norge», Harstad, Norvège Mixed medias ; dimensions variable View of the exhibition«festspillene i Nord-Norge», Harstad, Norway

10 The Complete Explicit Recordings ( ), 2010 Techniques mixtes ; dimensions variables Vue de l exposition «Festspillene i Nord-Norge», Harstad, Norvège Mixed medias ; dimensions variable View of the exhibition«festspillene i Nord-Norge», Harstad, Norway

11 Untitled (Moog Suicide), 2009 Techniques mixtes ; dimensions variables Vue de l exposition «Festspillene i Nord-Norge», Harstad, Norvège Mixed medias ; dimensions variable View of the exhibition«festspillene i Nord-Norge», Harstad, Norway

12 The Trust I Never Dared, 2009 Techniques mixtes ; dimensions variables Vue du stand de la galerie Loevenbruck, FIAC 2009, Paris, France Collection Fondation Francès, Senlis, France Photo Fabrice Gousset Mixed medias ; dimensions variable View of the booth galerie Loevenbruck, FIAC 2009, Paris, France Francès Foundation collection, Senlis, France Photo Fabrice Gousset

13 Death and Dark Forests, 2009 Peinture murale, cygne noir, plexiglass, acrylique ; dimensions variables Vue de l exposition «All Passion Spent (Death and Dark Forests)», Galerie Loevenbruck, Paris, France Private collection, Puteaux, France Photo Fabrice Gousset Wall painting, black swan, plexiglass, acrylic ; dimensions variable View of the exhibition «All Passion Spent (Death and Dark Forests)», Galerie Loevenbruck, Paris, France Private collection, Puteaux, France Photo Fabrice Gousset

14 All Passion Spent, plaques de verre, film adhésif, bois peint ; dimensions variables Vue de l exposition «All Passion Spent (Death and Dark Forests)», Galerie Loevenbruck, Paris, France Collection privée, Monaco Photo Fabrice Gousset 2 processed sheets of glass, painted wood ; dimensions variable View of the exhibition «All Passion Spent (Death and Dark Forests)», Galerie Loevenbruck, Paris, France Private collection, Monaco Photo Fabrice Gousset

15 Untitled (Death should be graceful, like a swans dive), 2009 Techniques mixtes ; dimensions variables Vue du stand Galerie Loevenbruck, The Armory Show 2009, New York, USA Collection privée, Louisville, KY, USA Photo Etienne Frossard Mixed medias ; dimensions variable View of the booth Galerie Loevenbruck, The Armory Show, New York, USA Private collection, Louisville, KY, USA Photo Etienne Frossard

16 Stealth Distortion (...must have seen it in some teenage wet dream), 2008 Techniques mixtes ; dimensions variables Vue d installation ; exposition «Børre Sæthre - Greetings to Futures Past», PS1 Contemporary Art Center, New York, USA Photo Matthew Septimus Mixed medias ; dimensions variable Installation view ; exposition «Børre Sæthre - Greetings to Futures Past», PS1 Contemporary Art Center, New York, USA Photo Matthew Septimus

17 Stealth Distortion (...must have seen it in some teenage wet dream), 2008 Techniques mixtes ; dimensions variables Vue d installation ; exposition «Børre Sæthre - Greetings to Futures Past», PS1 Contemporary Art Center, New York, USA Photo Matthew Septimus Mixed medias ; dimensions variable Installation view ; exposition «Børre Sæthre - Greetings to Futures Past», PS1 Contemporary Art Center, New York, USA Photo Matthew Septimus

18 Sans titre, 2007 Techniques mixtes ; dimensions variables Partie de l installation «For Someone Who Nearly Died But Survived», Bergen Kunsthall, Bergen, Norvège, 2007 Photo Thor Brødreskift Mixed medias ; dimensions variable Part of the installation «For Someone Who Nearly Died But Survived», Bergen Kunsthall, Bergen, Norway, 2007 Photo Thor Brødreskift

19 Sans titre, 2007 Techniques mixtes ; dimensions variables Partie de l installation «For Someone Who Nearly Died But Survived», Bergen Kunsthall, Bergen, Norvège, 2007 Photo Thor Brødreskift Mixed medias ; dimensions variable Part of the installation «For Someone Who Nearly Died But Survived», Bergen Kunsthall, Bergen, Norway, 2007 Photo Thor Brødreskift

20 Sans titre, 2007 Techniques mixtes ; dimensions variables Partie de l installation «For Someone Who Nearly Died But Survived», Bergen Kunsthall, Bergen, Norvège, 2007 Photo Thor Brødreskift Mixed medias ; dimensions variable Part of the installation «For Someone Who Nearly Died But Survived», Bergen Kunsthall, Bergen, Norway, 2007 Photo Thor Brødreskift

21 Sans titre, 2007 Techniques mixtes ; dimensions variables Partie de l installation «For Someone Who Nearly Died But Survived», Bergen Kunsthall, Bergen, Norvège, 2007 Photo Thor Brødreskift Mixed medias ; dimensions variable Part of the installation «For Someone Who Nearly Died But Survived», Bergen Kunsthall, Bergen, Norway, 2007 Photo Thor Brødreskift

22 Sans titre, 2007 Techniques mixtes ; dimensions variables Partie de l installation «For Someone Who Nearly Died But Survived», Bergen Kunsthall, Bergen, Norvège, 2007 Photo Thor Brødreskift Mixed medias ; dimensions variable Part of the installation «For Someone Who Nearly Died But Survived», Bergen Kunsthall, Bergen, Norway, 2007 Photo Thor Brødreskift

23 Untitled 1, Powered by Zero (The end of the BAMBI Cycle), 2005 Techniques mixtes Vue d installation ; exposition «Powered by Zero», galerie Loevenbruck, Paris, France, 2005 Photo Marc Domage Mixed medias Installation view ; exhibition «Powered by Zero», galerie Loevenbruck, Paris, France, 2005 Photo Marc Domage

24 Untitled 3, Powered by Zero (The end of the BAMBI Cycle), 2005 Techniques mixtes Vue du stand Galerie Loevenbruck, FIAC 2006, Paris, France Photo Fabrice Gousset Mixed medias View of the booth Galerie Loevenbruck, FIAC 2006, Paris, France Photo Fabrice Gousset

25 Autonomic High (The things I can t control, no matter how I try), 2005 Vues d installation ; exposition Autonomic High, FRAC Basse-Normandie, Caen, France, 2005 Photo Marc Domage Installation views ; exhibition Autonomic High, FRAC Basse-Normandie, Caen, France, 2005 Photo Marc Domage

26 Beauty s Summer Dead, 2005 Techniques mixtes Vue d installation ; exposition «Kissfro-Sken», Forvan Dlingans Kunst, Oslo, Norvège, 2005 Mixed medias Installation view ; exhibition «Kissfro-Sken», Forvan Dlingans Kunst, Oslo, Norway, 2005

27 Beauty s Summer Dead, 2005 Techniques mixtes Vue d installation ; exposition «Kissfro-Sken», Forvan Dlingans Kunst, Oslo, Norvège, 2005 Mixed medias Installation view ; exhibition «Kissfro-Sken», Forvan Dlingans Kunst, Oslo, Norway, 2005

28 Vue de l exposition «In Extremis», Printemps de Septembre, Beaux-Arts de Toulouse, France, 2004 View of the exhibition «In Extremis», Printemps de Septembre, Beaux-Arts de Toulouse, France, 2004

29 Vue de l exposition «In Extremis», Printemps de Septembre, Beaux-Arts de Toulouse, France, 2004 View of the exhibition «In Extremis», Printemps de Septembre, Beaux-Arts de Toulouse, France, 2004

30 Untitled, 2003 Techniques mixtes ; 100 x 200 x 200 cm Collection privée, Cologne, Allemagne Mixed medias ; 39.4 x 78.7 x 78.7 inches Private collection, Köln, Germany

31 Untitled, 2003 Techniques mixtes Mixed medias

32 Catch Me And Let Me Die Wonderful, 2003 Techniques mixtes Vue de l exposition «Catch Me And Let Me Die Wonderful», Quarantine Series, Amsterdam, Pays- Bas, 2003 Mixed medias View of the exhibition «Catch Me And Let Me Die Wonderful», Quarantine Series, Amsterdam, The Netherlands, 2003

33 The Lustlux Years, 2003 Techniques mixtes Exposition «The Lustlux Years», Forvan Dlingans Kunst, Oslo, Norvège, 2005 Mixed medias Exhibition «The Lustlux Years», Forvan Dlingans Kunst, Oslo, Norway, 2005

34 The Lustlux Years, 2003 Techniques mixtes Exposition «The Lustlux Years», Forvan Dlingans Kunst, Oslo, Norvège 2005 Mixed medias Exhibition «The Lustlux Years», Forvan Dlingans Kunst, Oslo, Norway, 2005

35 My Private Sky (Explosion Suite, details), 2001 Vidéos. Détails d installation, Musée Astrup Fearmley pour l Art Moderne, Oslo, Norvège, 2001 Videos. Installation details, Astrup Fearmley Museum for the Modern Art, Oslo, Norway, 2001

36 My Private Sky (Explosion Suite), 2001 Vue d installation au Musée Astrup Fearmley pour l Art Moderne, Oslo, Norvège, 2001 Installation view, Astrup Fearmley Museum for the Modern Art, Oslo, Norway, 2001

37 The Bunny Session, 2001 Tirage lambda ; 70 x 103 cm Edition à 5 exemplaires Lambda print ; 27.3 x 40.1 inches Edition of 5

38 My Private Sky (Trauma White), 2001 Vue d installation au Musée Astrup Fearmley pour l Art Moderne, Oslo, Norvège, 2001 Installation view, Astrup Fearmley Museum for the Modern Art, Oslo, Norway, 2001

39 Double Fantasy, Masturbating with the Gods, 1998 Techniques mixtes Vue d installation au Kunstnermes Hus, Oslo, Norvège Collection Sorlandets Art Museum, Oslo, Norvège Mixed medias Installation view, Kunstnermes Hus, Oslo, Norway Collection Sorlandets Art Museum, Oslo, Norway

40 BIOGRAPHIE /BIOGRAPHY

41

42 BØRRE SÆTHRE Né en1967 à Oslo, Norvège /Born in 1967 in Oslo, Norway Vit et travaille à New-York, Berlin, Oslo /Lives and works in New-York, Berlin, Oslo Artiste représenté par les galeries /Artist represented by the galleries Loevenbruck, Paris, France ; Wang, Oslo, Norvège EXPOSITIONS INDIVIDUELLES /SOLO SHOWS 2012 Børre Sæthre, Galerie Loevenbruck, Paris, France Børre Sæthre, MUDAM, Luxembourg 2011 Trooper Play, Nordnorsk Kunstmuseum, Tromsø, Norvège 2009 All Passion Spent (Death and Dark Forests), galerie Loevenbruck, Paris, France 2008 Greetings to Futures Past, PS1 - Contemporary Art Center, New York, USA 2007 For Someone Who Nearly Died But Survived, Bergen Kunsthall, Bergen, Norvège 2006 I ve been guilty of hanging around, Participant Inc, New York, USA 2005 Autonomic High (The things I can t control, no matter how I try), FRAC Basse Normandie, Caen, France Powered by zero (The end of the BAMBI cycle), galerie Loevenbruck, Paris, France 2003 Untitled 5.0 (Selected memories: fragments, sketches and ideas from the Lustlux-years), Lydmar hotel, Stockholm, Suède The Lustlux Years, galerie Wang, Oslo, Norvège Catch me and let me die wonderful, Quarentine Series, Amsterdam, Pays-Bas 2001 My Private Sky, Astrup Fearnley Museum for Modern Art, Oslo, Norvège 2000 Module for Mood, Theard Waxing Space, New York, USA 1999 A million dreams, a million scars, galerie Wang, Oslo, Norvège 1997 Lustlux, Lustlux Corp, Oslo, Norvège The Steps in Between, Hordaland Kunstnercentrum, Bergen, Norvège Double Fantasy The Pasolini Experience and some Paranormal Activities, Herslebsgt. 10 / Künstlerhaus Bethanien, Berlin, Allemagne EXPOSITIONS COLLECTIVES /GROUP SHOWS 2012 Fantastic 2012, Lille3000, Lille, France 2010 Take me to your leader! The great escape into space, The National Museum of Art, Oslo, Norvège Festspillene i Nord-Norge (Festival Annuel du Nord de la Norvège), Harstad, Norvège 2009 Exposition, Galerie Loevenbruck, Paris, France 2006 Déjà 5 ans seulement, Galerie Loevenbruck, Paris, France 2005 Goda grannar, Norrkopings Konstmuseum, Norrkoping, Norvège Kissfro-sken, Forvandlingens Kunst, Oslo, Norvège 2004 Printemps de Septembre, école des Beaux-Arts, Toulouse, France 2003 Plastik, Plusch und Politik, Stadtische Galerie Nordhorn, Allemagne Scene, Christianssands Kunstforening, Kristiansand, Norvège

43 2002 Art at the turn of the rue de Seine et la rue de l Echaudée, Galerie Loevenbruck, Paris, France Todos somos pecadores (we are all sinners), Museo Rufino Tamayo, Mexico, Mexique Shimmering substance/ View finder, Arnolfini, Bristol, Angleterre 2001 Treff, Bergen Kunstmuseum, Bergen, Norvège 2000 Amateur/ Eldsjal, Goteborg Konstmuseum, Goteborg, Suède Momentum, Nordic Festival of Contemporary Art, Moss, Norvège 1998 Cool Places, Contemporary Art Centre, Vilnius, Lituanie Fellessentralen, Kunsternes Hus, Oslo, Norvège

44 BIBLIOGRAPHIE /BIBLIOGRAPHY

45 «Je veux un intérieur de Børre Sæthre dans les meilleurs délais.» «Je veux un intérieur de Børre Sæthre dans les meilleurs délais.» Cette réflexion, je l ai entendue peu après le vernissage de l exposition de Børre Sæthre présentée au P.S.1 de New York sous le titre Stealth Distortion ( must have seen it in some teenage wet dream) en C est une réaction fréquente, que j ai constatée à maintes reprises. Les espaces méticuleusement construits par Sæthre sont à la fois spectaculaires, retors, subtils et grisants par leur mise en suspens du réel. Le spectateur est attiré dans le domaine arrangé de Sæthre par des explosions répétitives et des alarmes sonores de robot : un bruitage venu du plafond qui engendre l inquiétude. Dès qu il y pénètre, il se retrouve enveloppé dans un environnement familier et pourtant improbable. (...) Son affection (au sens fort du terme) pour les objets désuets se manifeste dans maintes configurations qui entretiennent un double sentiment d intimité et de décalage complet chez le spectateur. Les ampoules électriques vertes à correction de couleur des années 1960, les cloisons japonaises coulissantes, les animaux montés sur socle, les carreaux de miroir et les isolants phoniques en mousse de polyuréthane utilisés dans les stations de radio s insèrent stratégiquement dans une palette monochrome. Beaucoup d objets, dans ces installations hybrides, évoquent le temps qui passe. Naguère ultramodernes, ils sont associés aujourd hui à des technologies périmées. Il y a une dualité inhérente à la plupart de ces objets, dont la valeur esthétique a autant d importance que leur fonction initiale. Sœthre maîtrise parfaitement, avec une conviction totale, chacun des aspects de ses installations. Il sait à quel moment et dans quelles circonstances les différents composants ont vu le jour. Il peut même expliquer pourquoi on ne les trouve plus dans le commerce à présent, et décrire précisément ce qui les a remplacés. Dans une période où la rapidité des progrès techniques incite les ingénieurs, les designers et les industriels, à jouer des coudes dans une éternelle course en avant, bien des matériaux et des procédés se retrouvent abandonnés et enterrés. Dans les œuvres de Sæthre, le regret de la grande époque du design se mélange à la célébration d un avenir mythique. C est un hommage baroque à l ultramoderne, qui symbolise les aspirations vaines d une civilisation et les replace dans un décor où elles sont nécessaires, appréciées et pertinentes.» Kate McNamara (Traduit de l anglais par Jeanne Bouniort) Extrait de «Textes», Editions Loevenbruck, Paris, 2009 TEXTES/TEXTS, EDITIONS LOEVENBRUCK, 2009

46 «I want a room by Børre Sæthre at his earliest convenience.» «I want a room by Børre Sæthre at his earliest convenience.» I overheard this statement not too long after Sæthre s recent 2008 exhibition, Stealth Distortion ( must have seen it in some teenage wet dream) opened at P.S.1 Contemporary Art Center in New York. It is a common reaction and sentiment I have heard repeatedly. Sæthre s meticulously crafted spaces are at once spectacular, perverse, sophisticated, and intoxicating in their suspension of reality. Viewers are seduced into Sæthre s composed terrain by the sound of ticking explosions and robotic beeps hovering audio that creates nervous anticipation. Upon entering, they are enveloped into a familiar, yet improbable environment.(...) His affection and I do mean genuine fondness, for outdated objects, finds itself in many configurations perpetuating a sense of simultaneous intimacy and disjointedness in the viewer. Color corrected green light bulbs from the 1960s, Japanese hydraulic sliding doors, mounted animals, mirrored tiles, and opaque sound-proofing foam used in radio stations are strategically placed within a monochrome palette. Many of the objects used within his hybrid installations hold a temporal resonance they are made up of outmoded technology; objects which were initially advertised as futuristic or modern. There is a duality inherent in many of these materials. The aesthetic value is just as significant as the material s former function. Sæthre s knowledge of each contributing aspect to his installations is both depthful and passionate. Beyond knowing the history and circumstance for which something has come into this world, Sæthre can explain exactly why it has been discontinued or with what technology it has been replaced with. In a time of rapid technological growth, when designers and manufacturers are tripping over one another in an attempt to anticipate the new, many materials and labor are quickly discarded and buried. Sæthre s work becomes more about a lamentation of good design and a celebration of the futuristic and mythical; a baroque homage to the ultramodern, which symbolizes a civilization s useless aspirations and recasts them in a setting in which they are necessary, appreciated, and relevant. Kate McNamara Extract from «Texts», Editions Loevenbruck, Paris, 2009 TEXTES/TEXTS, EDITIONS LOEVENBRUCK, 2009

47 Textes / Texts Editions Loevenbruck, Paris, pages ISBN : X Børre Sæthre Bergen Kunsthall, 2007 Catalogue monographique ISBN: Norwegian Art Photography Arnoldsche 208 pages ISBN : In Extremis Les presses du réel, 2004 Catalogue de l exposition «In Extremis»/volume 1, pages ISBN: Art at the turn of rue de Seine et la rue de l Echaudé Galerie Loevenbruck, 2002 Catalogue de la galerie, 20 x 25 cm 71 pages

48 REVUE DE PRESSE /PRESSE REVIEW

49 ART CHINA, 2009

50 ART CHINA, 2009

51 THE ART NEWSPAPER, 2009

52 KEITH, n 1, 2007

53 SAS BRAATHENS MAGASINET, 2007

54 ART PRESS, n 321, 2006

55 02 MAGAZINE, 2006

56 LES INROCKUPTIBLES, n 523, 2006

57 MIXTE, 2005

58 MIXTE, 2005

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