6, rue Jacques Callot Paris. t f STÉPHANE SAUTOUR
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1 STÉPHANE SAUTOUR
2 ŒUVRES /WORKS BIOGRAPHIE /BIOGRAPHY BIBLIOGRAPHIE /BIBLIOGRAPHY REVUE DE PRESSE /PRESS RELEASE
3 ŒUVRES /WORKS
4 RÄJÄHDYS, 2011 Charbon sur papier marouflé ; 190 x 180 cm Charcoal on mounted paper ; 74.8 x 70.8 in
5 RÄJÄHDYS, 2011 Charbon sur papier marouflé ; 190 x 180 cm Charcoal on mounted paper ; 74.8 x 70.8 in
6 LÄPI, 2010 Charbon sur papier marouflé ; 150 x 150 cm Collection privée, Paris Photo Fabrice Gousset Charcoal on mounted paper ; 59.1 x 59.1 in Private collection, Paris Photo Fabrice Gousset
7 MYRSKY (2), 2010 Charbon sur papier marouflé ; 120 x 175 et 30 x 175 cm Collection privée, Paris, France Photo Fabrice Gousset Charcoal on mounted paper ; 47.2 x 68.9 and 11.8 x 68.9 in Private collection, Paris Photo Fabrice Gousset
8 HÄMÄHÄKINVERKKO, 2010 Charbon sur papier marouflé ; 137 x 150 et 150 x 59 cm Collection privée, Paris, France Photo Fabrice Gousset Charcoal on mounted paper ; 53.9 x 59.1 and 59.1 x 23.2 in Private collection, Paris, France Photo Fabrice Gousset
9 ILTAAURINKO (6), 2009 Charbon sur papier marouflé ; 150 x 150 cm Collection Fondation Francès, France Photo Fabrice Gousset Charcoal on mounted paper ; 59.1 x 59.1 in Photo Fabrice Gousset
10 ILTAAURINKO (3), 2009 Charbon sur papier marouflé ; 150 x 150 cm Collection privée, Paris Photo Fabrice Gousset Charcoal on mounted paper ; 59.1 x 59.1 in Private collection, Paris Photo Fabrice Gousset
11 ILTAAURINKO (1), 2009 Charbon sur papier marouflé ; 150 x 150 cm Collection privée, Paris Photo Marc Domage Charcoal on mounted paper ; 59.1 x 59.1 in Private collection, Paris Photo Marc Domage
12 SUPER-CANNES, 2009 Aquarelle sur papier ; 120 x 113 Watercolor on paper ; 47.2 x 44.5 in
13 SERIE «BLURRED DRAWINGS» (MIES), 2009 Encres blanche et noire sur papier ; 59 x 74 cm Photo Fabrice Gousset White and black inks on paper ; 23.2 x 29.1 in Photo Fabrice Gousset
14 SERIE «BLURRED DRAWINGS» (ROY), 2009 Encre sur papier ; 43 x 46 cm Photo Fabrice Gousset Ink on paper ; 16.9 x 18.1 in Photo Fabrice Gousset
15 SERIE «BLURRED DRAWINGS» (HANS), 2009 Encre sur papier ; 43 x 46 cm Photo Fabrice Gousset Ink on paper ; 18.5 x 25.6 in Photo Fabrice Gousset
16 SERIE «BLURRED DRAWINGS» (ZOOM), 2009 Encre sur papier ; 65 x 50 cm Photo Fabrice Gousset Ink on paper ; 25.6 x 19.7 in Photo Fabrice Gousset
17 SERIE «BLURRED DRAWINGS» (FREDERICK), 2009 Encres blanche et noire sur papier ; 65 x 50 cm White and black inks on paper ; 19.7 x 25.6 in
18 ARCADIA, 2008 Plexiglass noir mat et translucide, découpe numérique ; 40 x 38 cm Edition à 5 exemplaires N 1 à 4/5: collections privées, Allemagne Black mate plexiglass, numeric cut ; 15.7 x 15 in Edition of 5 N 1 to 4/5: private collections, Germany
19 BURNOUT, 2008 Diptyque: encre de Chine sur papier ; 29,7 x 42 cm chaque Collection Fonds Municipal d Art Contemporain, Paris, France Diptych: China ink on paper ; 11 x 16.5 in chaque Public collection Fonds Minicipal d Art Contemporain, Paris, France
20 DISK, 2008 Encre de Chine sur papier ; 80 x 80 cm Collection privée, Milan, Italie China ink on paper ; 31.5 x 31,5 in Private collection, Milano, Italy
21 DISK, 2008 Encre de Chine sur papier ; 80 x 80 cm Collection privée, Paris, France China ink on paper ; 31.5 x 31.5 in Private collection, Paris, France
22 DISK (études /studies), 2008 Encre de Chine sur papier ; 19 x 19 cm (chaque) Collection privée, Zürich, Suisse China ink on paper ; 7.5 x 7.5 in (each) Private collection, Zürich, Switzerland
23 IDORU, 2007 Marqueterie de bois; 165 x 300 x 150 cm Exposition «Terraforming», Ecole municipale des Beaux-Arts / Galerie Edouard Manet, Gennevilliers, 2007 Photo Fabrice Gousset Wood marquettery ; 65 x 118,1 x 56,1 in Exhibition «Terraforming», Ecole municipale des Beaux-Arts / Galerie Edouard Manet, Gennevilliers, 2007 Photo Fabrice Gousset
24 P-I-T-H, 2007 Silicone, suie; appr. 20 x 25 x 30 cm Edition à 3 exemplaires Exposition «Papous in the Head», Galerie Loevenbruck, Paris, 2007 Photo Fabrice Gousset Silicon, sooth; around 7.9 x 9.8 x 11.8 in Edition of 3 Exhibition «Papous in the Head», Galerie Loevenbruck, Paris, 2007 Photo Fabrice Gousset
25 P-I-T-H, 2007 Silicone, suie; appr. 20 x 25 x 30 cm Edition à 3 exemplaires Exposition «Papous in the Head», Galerie Loevenbruck, Paris, 2007 Photo Fabrice Gousset Silicon, sooth; around 7.9 x 9.8 x 11.8 in Edition of 3 Exhibition «Papous in the Head», Galerie Loevenbruck, Paris, 2007 Photo Fabrice Gousset
26 GINNUNGAGAP, 2007 Diptyque. Encre sur papier ; x 70 et x 59.5 cm Diptych. Ink on paper; 46.9 x 27.6 and 64.6 x 23.4 in
27 SERIE «SPIDERS», 2007 Encre de Chine sur papier ; 21 x 29,7 cm (chaque) Collections privées China ink on paper ; 23.6 x 23.6 in (each) Private collections
28 SERIE «COBWEB», 2007 Encre de Chine sur papier ; 21 x 29,7 cm (chaque) Collections privées China ink on paper ; 23.6 x 23.6 in (each) Private collections
29 SERIE «SUCCULENTE», 2007 Aquarelle sur papier ; 21 x 29.7 cm (chaque) Collections privées Watercolor on paper ; 8.3 x 11.8 in (each) Private collections
30 IDORU, Aquarelle sur papier ; 21 x 29.7 cm (chaque) Ensemble de 4 séquences de 12 aquarelles «Idoru» Watercolor on paper ; 8.3 x 11.8 in (each) Whole of the 4 sequences from the 12 watercolors «Idoru»
31 IDORU (VS4), 2007 Séquence de 12 aquarelles sur papier ; 21 x 29.7 cm (chaque) Collection privée Sequence of 12 watercolors on paper ; 8.3 x 11.8 in (each) Private collection
32 IDORU (VS4), - Détail
33 IDORU (VS3), 2007 Séquence de12 aquarelles sur papier ; 21 x 29.7 cm (chaque) Collection privée Sequence of 12 watercolors on paper ; 8.3 x 11.8 in (each) Private collection
34 IDORU (VS3), - Détail
35 IDORU (VS2), 2006 Séquence de 12 aquarelles sur papier ; 21 x 29.7 cm (chaque) Collection privée Sequence of 12 watercolors on paper ; 8.3 x 11.8 in (each) Private collection
36 IDORU (VS2), - Détail
37 IDORU (VS1), 2006 Séquence de 12 aquarelles sur papier ; 21 x 29.7 cm (chaque) Collection privée, Paris, France Sequence of 12 watercolors on paper ; 8.3 x 11.8 in (each) Private collection, Paris, France
38 IDORU (VS1), - Détail
39 WHEN I HAVE A SKULL FULL OF WIND, 2006 Techniques mixtes; 200 x 200 x 245 cm Exposition «BIG», Galerie Loevenbruck, Paris, 2006 Photo Fabrice Gousset Mixed medias; 78,7 x 78,7 x 96,5 in Exhibition «BIG», Galerie Loevenbruck, Paris, 2006 Photo Fabrice Gousset
40 IDÉES NOIRES, 2006 Vue de l exposition «Stardust ou la dernière frontière», MAC/VAL Ivry sur Seine, 2008 View of the exhibition «Stardust ou la dernière frontière», MAC/VAL Ivry sur Seine, 2008
41 IDEES NOIRES, 2006 Encre de Chine sur papier ; 50 x 65 cm Collection privée China ink on paper ; 19.7 x 25.6 in Private collection
42 IDEES NOIRES, 2006 Encre de Chine sur papier ; 50 x 65 cm Collection privée China ink on paper ; 19.7 x 25.6 in Private collection
43 IDEES NOIRES, 2006 Encre de Chine sur papier ; 50 x 65 cm Collection privée China ink on paper ; 19.7 x 25.6 in Private collection
44 IDEES NOIRES, 2006 Encre de Chine sur papier ; 50 x 65 cm Collection privée China ink on paper ; 19.7 x 25.6 in Private collection
45 IDEES NOIRES, 2006 Encre de Chine sur papier ; 50 x 65 cm Collection privée China ink on paper ; 19.7 x 25.6 in Private collection
46 LE MONDE DES BRANES, 2006 Stereolitographie; 15 x 15 x 15 cm Edition à 3 N 1/3 collection privée, Paris Stereolitography; 5,9 x 5,9 x 5,9 in Edition of 3 N 1/3, private collection
47 TECTITE, 2006 Stereolitographie; 15 x 15 x 15 cm Edition à 3 exemplaires N 1/3 collection privée, Paris Stereolitography; 5,9 x 5,9 x 5,9 in Edition of 3 N 1/3, private collection
48 GUNNM, 2004 Séquence de 15 dessins, crayon sur papier ; 8 x 11 cm (chaque) Collection privée, France Sequence of 15 drawings, pencil on paper ; 3.1 x 4.3 in Private collection, France`
49 DUST, 2004 Bois, verre Securit dépoli, néons, SP anti-poussière; 150 x 150 x 27 cm Wood, Securit glass, neons, SP anti-dust; 59,1 x 59,1 x 10,6 in
50 GO, 2004 Meuble en hêtre, 3 ordinateurs PC, 4 écrans 15, 2 caméra HF, Hub; 162 x 106 x 44 cm Beech furniture, 3 computers PC, 4 screens 15, 2 camera HF, Hub; 63,8 x 41,7 x 17,3 in
51 RAM, 2004 Bois laqué, table Habitat, écran LCD, ordinateur portable, images satellites; 297 x 75 x 250 cm Coproduction : DICREAM, Printemps de Septembre, Bureau des hypothèses Enamelled wood, Habitat table, screen LCD, laptop, satellite pictures; 116,9 x 29,5 x 98,4 in Coproduction : DICREAM, Printemps de Septembre, Bureau des hypothèses
52 ÉCRAN TOTAL, 2004 Caisson en plexiglas, néons, pied en inox, variateur; 165 x 165 x hauteur variable (cm) Edition à 3 exemplaires Plexiglass box, neons, stainless foot, variator; 65 x 65 x variable height (in) Edition of 3
53 TANK (VS2), 2004 Sculpture en inox, logiciel; 140 x 70 x 40 cm Inox sculpture, software; 55,1 x 27,6 x 15,7 in
54 FIGHT CLUB, robots AIBOS re-programmés pour se combattre Vue de la performance, exposition «Extra», Swiss Institute Contemporary Art, New York, 2003 Edition à 3 exemplaires N 1/3 collection privée, France 2 Aïbo dogs (by Sony) reprogrammed to have a fight View of the performance, exhibition «Extra», Swiss Institute Contemporary Art, New York, 2003 Edition of 3 N 1/3, private collection, France
55 ROUGE TOTAL, 2002 Dessin animé; 4 minutes Co-relalisation avec Virginie Barré Edition à 8 exemplaires Cartoon; 4 minutes Co-relalisation with Virginie Barré Edition of 8
56 ART AT THE TURN OF..., 2002 Dessin animé; 7 minutes Cartoon; 7 minutes
57 BIOGRAPHIE /BIOGRAPHY
58
59 Né en 1968 en France Born in 1968 in France Vit et travaille à Paris, France Lives and works in Paris, France Artiste representé par la galerie Loevenbruck, Paris Artsite represented by the galerie Loevenbruck, Paris EXPOSITIONS INDIVIDUELLES /SOLO SHOWS 2010 Les Invisibles, Galerie Loevenbruck, Paris 2007 Papous in The Head, Galerie Loevenbruck, Paris Terraforming, Galerie Edouard Manet, Ecole des Beaux Arts de Gennevilliers, France 2004 RAM_2004, curator Nicolas Thély, Bureau d hypothèses, Salle Michel Journiac, Fontenay-aux-Roses & Université Paris 1, Panthéon-Sorbonne, Paris 5 heures 39 minutes & 52 secondes, Abbaye du Ronceray, Angers, France 2002 Super Core, Galerie Loevenbruck, Paris EXPOSITIONS COLLECTIVES /GROUP SHOWS 2011 Géographique du dessin, MRAC, Sérignan, France 2010 FIAC 2010, Cour carrée du Louvre, Paris Arts Le Havre, Biennale d art contemporain, Le Havre The Digital Hand, National Taïwan Museum of Fine Arts, Taichung, Taïwan Ecce Homo Ludens, Musée Régional d Art Contemporain, Sérignan La Main Numérique, Musé National de Taïwan, Taïpeï 2008 La Main Numérique, Ecole d Art de la Communauté d agglomération d Annecy, Annecy 2007 Pas un jour sans une ligne, Collection de St Cyprien, France 2006 Bêtes de style, MUDAC, musée de design et d art appliqué, Lausanne, Suisse 2005 I Still Believe in Miracles, Musée d Art Moderne de la Ville de Paris & ARC, Couvent des Cordeliers, Paris 2004 Printemps de septembre, curator Pascal Picq, Toulouse, France Lux Interieur, curator Magali Daniaux, Tokyo, Japon 2003 Quarentine Series, curator Alain Declercq, Amsterdam, The Netherlands Biennale de Prague curator Laurence Dreyfus, National Gallery, Prague, Czech Republic Extra, curator Marc-Olivier Walher, Swiss Institute-Contemporary Art, New-York, USA 2002 Biennale Villette numérique, production de l installation GO par le DICREAM, La Grande Halle de la Villette, Paris 1999 ZAC 99, avec le collectif Icono, Musée d Art Moderne de la Ville de Paris 4ième Manifestation Internationale (vidéo et arts électroniques), Montréal, Québec COLLECTION PUBLIQUES /PUBLIC COLLECTIONS Fonds National d Art Contemporain, Puteaux, France
60 BIBLIOGRAPHIE /BIBLIOGRAPHY
61 Stéphane Sautour s intéresse aux rapports de l homme à l univers, à son environnement intellectuel, technologique et scientifique. Fortement marqué par une pensée systémique, il bâtît son œuvre sous forme de rhizome. Ses premiers travaux sont des dispositifs design et high-tech dans lesquels il est question d intelligence artificielle, d aller retour entre humanisation et robotisation. En 2001, il réalise Go, jeu de stratégie sur ordinateur dans lequel les spectateurs deviennent des pions, ou encore, Tank, cd-rom produisant des lettres de motivation. Fight club, 2002, est emblématique de cette démarche. Deux chiens robots Aido de Sony, sont programmés pour s affronter. Si l absurdité et le grotesque de la situation sont indéniables, le spectateur ne peut néanmoins s empêcher de projeter interprétations et sentiments anthropomorphistes. Dans ses travaux les plus récents, emprunts d une virtuosité plastique certaine, la relation à l imaginaire se renforce. Idoru, 2007, réplique en marqueterie du Northtrop B2 Spirit, célèbre bombardier furtif américain, s arrache du sol et semble menacer le spectateur à l instar d un animal de proie. Les quarante huit petits formats des quatre séries d aquarelles, également réunies sous le titre Idoru ( ), constituent les séquences parcellaires d un scénario de science fiction à construire. L œuvre critique de Stéphane Sautour croise ainsi une multitude de références culturelles artistiques, cinématographiques, littéraires et scientifiques qui toutes participent à la construction complexe et ambivalente de la perception d une nouvelle réalité technologique et d un environnement en perpétuelle modification. Lionel Balouin Extrait de «Textes», Editions Loevenbruck, Paris, 2009 Stéphane Sautour is interested in man s relation to the universe, in our intellectual, technological and scientific environment. Strongly influenced by systemic thought, he has built his body of work in the form of a rhizome. His first pieces are hi-tech, design pieces about artificial intelligence and the two-way traffic between humanisation and robotisation. In 2001 he made Go, a computerised version of the game of strategy in which the viewers themselves become the pawns, and also Tank, a CD-ROM designed to generate job applications. Fight Club, 2002, in which two Sony AIBO robot dogs were programmed to fight, is emblematic of his approach. The situation is clearly absurd and grotesque, and yet viewers can t help projecting their own interpretations and feelings. In the most recent works, which display undeniable virtuosity, the imaginary dimension is more powerful. Idoru, 2007, a marquetry replica of the Northrop B2 Spirit, the famous American stealth bomber, soars up from the ground, seeming to threaten the viewer like a bird of prey. The same title also covers four series of small watercolours, 48 pieces in all. They constitute the fragmentary sequences from a science fiction scenario waiting to be constructed. Sautour s critical work invokes a multitude of references from culture (art, cinema and literature) and science, all contributing to the complex and ambivalent construction of the perception of a new technological reality and of an environment that is constantly changing. Lionel Balouin Extract from «Texts», Loevenbruck Editions, Paris, 2009 TEXTES/TEXTS, EDITIONS LOEVENBRUCK, 2009
62 La main numérique Editions de l Oeil, 2010 Textes de Dominique Païni Français 44 pages ISBN : Prix : 12 euros Fonds Municipal d Art Contemporain Acquisitions 2008 Mairie de Paris - Direction des Affaires Culturelles Textes / Texts Editions Loevenbruck, Paris, 2009 Français / Anglais 246 pages ISBN : X Drôles de bêtes! Ville de Guyancourt & Université de Versailles, 2007 Commissaire d exposition : Delphine Vermiller Stardust ou la dernière frontière Mac/Val, 2007 Textes de Frank Lamy, Alexia Fabre et Daniel Kunth Français / Anglais ISBN: Prix: 25 Jeux et enjeux de la narrativité dans les pratiques contemporaines Dis voir, pages ISBN:
63 Bêtes de style / Animals with style 5 Continents Editions, 2006 Textes de Chantal Prod Hom et Magali Moulinier Français / Anglais 160 pages ; couleurs ISBN : Nuit Blanche 2004 Paris Musées, 2005 Textes de Valérie Mréjen, Bertrand Delanoë, Christophe Girard, Nicolas Frize, Alix Aramendia, Hou Handru et Vera Tollmann 127 pages ; couleurs Français / Anglais ISBN: Reproduit p.85 I still believe in miracles Musée d art moderne de la ville de Paris/ARC, pages ISBN: Triptype Ville d Angers, 2004 Texte de Vincent Honoré Français / Anglais 59 pages ; couleurs ISBN : Printemps de septembre Presses du réel, pages ISBN:
64 Prague Biennale 1, Giancarlo Politi Editore, 2003 ISBN: pages EXTRA Swiss Institute - contemporary art, x 21 cm 439 pages ISBN: Art digital vidéo AFAA, x 20 cm 159 pages ISBN: Tank Stéphane Sautour / Galerie Loevenbruck, 2003 Co-production Camera Lucida / Galerie Loevenbruck CD - ROM Rouge total Galerie Loevenbruck / Caméra lucida productions, 2002 DVD 4 min, dessin animé Couleur, son Co-réalisation avec Viriginie Barré Co-production Camera Lucida / Galerie Loevenbruck Art at the turn of rue de Seine et la rue de l Echaudé Galerie Loevenbruck, 2002 Catalogue de la galerie, 20 x 25 cm, 71 pages
65 REVUE DE PRESSE /PRESSE REVIEW
66 L ARCHITECTURE D AUJOURD HUI, N 377, 2010
67 L ARCHITECTURE D AUJOURD HUI, (SUITE)
68 LE JOURNAL DES ARTS, N 323, 2010
69
70
71 02 - N 41, 2007
72 TRAM - HOSPITALITÉS, 2007
73 CONTEMPORARY, 2003
74 FLASH ART, 2003
75 Ryoku Tsushin n 512, 2006
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