Magdalena Kreinecker

Transcription

1 Magdalena Kreinecker

2

3 Bitte trag mich bis nach Hause (Carry me home please) Installation, different material at PFERD Medwedweg Vienna flickering allure athmospheric space The body of work Bitte trag mich bis nach Hause is split in four layers or chapters that are named after colours. We begin with chapter one, which is about water - water as a resting source - followed by the green layer, that deals with relation and contact. It describes that objects imply direction and response. The third, orange chapter constitutes itself in a more gaseous state where one has already begun to think within the surrounding space. It is a dense and short chapter ending with the word sensitivity. This leads to the assumption that every piece inside the show is changing its state of aggregation constantly. Suprafluid. The last and purple chapter is about resolution: Pictures travel quickly, air is fighting and we face constant transformation and insecurity. Bitte trag mich bis nach Hause is installed in a semipublic space scenario, a dormitory, that is very obviously controlled by certain rules to ensure good cohabitation. The area in the building that I used to install my work is separated in four levels. Each is linked by one big step which is further devided by smaller ones. The architecture at Base11 was the initial trigger to work on the installation consisting of prints, painting and sculpture. Poor images are thus popular images images that can be made and seen by the many. They express all the contradictions of the contemporary crowd: its opportunism, narcissism, desire for autonomy and creation, its inability to focus or make up its mind, its constant readiness for transgression and simultaneous submission. (^2) (2) Steyerl, Hito: In defense of the poor image, in: The Wretched of the Screen, Sternberg Press 2012, p.42.

4 FIRST PICTURE Bild 5 Etching, oil on hand-made paper, 60 x 80 cm RIGHT Bild 1 Oil on canvas, 150 x 150 cm RIGHT Bild 2 Screenprint and linocut Oil, Aquacell on Washipaper, 400 x 100 cm Steelframe, 200 x 110 x 74 cm LEFT TOP Bild 3 PVC adhesive film on HDF, 100 x 100 cm Linolcut, Oil on Washi, 60 x 80 cm Ayrclic paint on steel, cabel reel, paraffin wax on steel LEFT Installation view, first level

5 LEFT Bild 6 Oil on canvas, 135 x 135 cm LEFT TOP Object 5 Kimono, digitalprint on silk, 140 x 120 cm jarn, wire, parrafin wax Steelframe, 200 x 130 x 75 cm RIGHT Installation view, 4th level

6 Object 3 Acrylic paint on HDF, 135 x 135 cm Linden wood, porcelaine, polyester, glasfibre, glas, plastic film, construction foil, steel, kopper, acrylic piant, magic tree Bild 2 Screenprint and linocut Oil, Aquacell on Washipaper, 400 x 100 cm Steelframe, 200 x 110 x 74 cm Bild 2 Screenprint and linocut Oil, Aquacell on Washipaper, 400 x 100 cm Steelframe, 200 x 110 x 74 cm Installation detail acrylic paint on steel, Handschmeichler, porcelaine

7 Bitte trag mich bis nach Hause RIGHT Zine: Risographie, 14,5 x 20 cm Poster: Risographie, 29,7 x 42 cm Audiobook Voice: Marie Samrotzki Text: Magdalena Kreinecker LEFT BOTTOM Object 2 Leather, polyestercord, drawing, 44 x 27 x 18,5 cm Handschmeichler, porcelaine 100g

8 Prints LEFT Print010, 2018 Edition of 4 Linocut, oil on washipaper 60 x 80 cm Print09, 2018 Edition of 4 Screenprint, 2 colours, oil on paper 60 x 70 cm RIGHT Bitmapdrawing, 2018 Screenprint, oil on paper 75 x 70 cm

9 Ö1 Grafik des Monats Juli orange, 2018 Screenprint, oil on paper cm Print010, 2018 Edition of 4 Linocut, oil on washipaper 60 x 80 cm

10 material 16,17 artist printed publication 17, edition of 3 p 49 silkscreen, digitalprint Material 16,17 ist eine Sammlung aus Versuchen, Annäherungen, tatsächlichen Realisierungen und möglichen Umsetzungen mit Zitaten aus einem Notizordner, der sich am digitalen Schreibtisch wie es wirklich war nennt. Schleichbewegungen - als Arbeitstitel und Zusatz, zu der sich wiederholenden Quadratgeschichte. Handlauf, schleichende Bewegung Installation, different material at Alte Post 2016 exhibition view, group exhibtion: the essence 17 Alte Post, Vienna Installation: dimensions variable Silkscreen on washi paper 80 x 400 cm Digitalprint 100 x 400 cm, handrail steel 170 x 50 x 04 cm Steelframes 40 x 70 x 02 cm, 20 x 35 x 02 cm Flirt, annähern, schleichen, herumreden und nicht ganz auf den Punkt kommen. wie es wirklich war and my ever changing moods.

11 schleichende Bewegung 2017 Detailscan of an etching 60 x 70 cm Installation: dimensions variable Digitalprint 80 x 400 cm, steelframe, plastic foil

12 Handschmeichler 2018 Edition of g porcelain ca. 05 x 03 cm The Argo s parts may get replaced over time but the boat is still called the Argo. We may become more used to jumping into flight, but that doesn t mean we have done with all perches. We ought to say a feeling of and, a feeling of if a feeling of but, and a feeling of by, quite as readily as we say a feeling of blue or a feeling of cold. (^1) (1) The Argonauts, Maggie Nelson, 2015, Hanser Verlag, Berlin, p. 72 William James

13 Dringt vor in helle Höhlen Publicationproject with Anna Sophia Rußmann 2018 p 58 silkscreen, digitalprint, thread stitching 21,5 x 26 x 02 cm Text: Anna Sophia Rußmann Grafphics: Magdalena Kreinecker

14 WIEDERHOLUNG EINES QUADRATS 2 Installation, different material at Galerie die Schöne 1160 Wien 2016 exhibition view, group exhibtion Installation: dimensions variable Silkscreen on washi paper 100 x 800 cm Silkscreen on glasfibre 120 x 300 cm, plastic foil 100 x200 cm, Wallpaper 80 x 150 cm, mdf 40 x 40 cm, steelframe 80 x100 x 02cm

15 die Schaukel Curated show series by krnckr Brick5, 1150 Vienna 8 shows 16 artists October october 2017 Grafikdesign, concept and organisation, Project monitoring Instagram: dieschaukel

16 MAGDALENA KREINECKER Exhibtions (selection) b 1993 Linz, Upper Austria based in Vienna 2018 Projectshowroom Kunstfabrik (solo), Gross Siegharts, AT Diplomashow, Bitte trag mich bis nach Hause, PFERD, 1110 Vienna 21er Haus Sommerfest, with: Dringt vor in helle Höhlen, 1030 Vienna 365 Festival at the Dessous, with: Dringt vor in helle Höhlen, 1120 Vienna Quite a stretch - Closer than they appear, Justice, 1110 Vienna 2018 Diploma Fine Arts, Mag.art., University of applied Arts Vienna Fine Arts, University of applied Arts Vienna, Univ. Prof. Jan Svenungsson 2016 ArtEZ, hogeschool voor de kunste, NL 2012 Political Sience, University of Vienna Study Assitance Screenprint, Institute of Fine Arts, University of applied Arts Vienna dieschaukel, interdisciplinary exhibtion series in cooperation with 16 artist, eight exhibitions porject managment, brick5, 1150 Vienna 2017 Galerie Cecilia Hillström, Vienna Contemporary Fair Dokumentation, Gelinaz! does Upper Austria, Mühltalhof Neufelden 2016 Exhibitor Relations, Vienna Contemporary Fair 2017 die Schaukel, regularly exhibition series, brick5, Vienna transpot, documenta14, Athens the essence 17, Alte Post, Vienna pageworks, publishing performance curated by Franz Thalmair, Vienna 2016 Einlauf, Argentinierstraße 40, 1040 Vienna fac artem forma futura, bmwfw, 1030 Vienna no tricks, soloshow, hogeschool voor de kunste, Enschede, NL the essence, alte post Artists as independent publishers in Bremen, Stockholm, London, Vienna Galerie die Schöne, group show, 1160 Vienna 2015 KRINCKRGISZLR SHOW 2 persons 1 show, SWDZ, 1030 Vienna Zureta at Heiligenkreuzerhof, 1010 Vienna the essence15, Künstlerhaus 1010 Vienna Touch Wood, Austrian Embassy Japan, Tokyo 8 hours, Kunstfabrik Gross Siegharts, AT Publications (selection) Residencies, Scholarships, Talks 2018 nominated for Ö1 Talentebörsestipend 2018 Das Triest Heiliger Christophorus für das Hotel Das Triest 2017 Artist in Residence, Urkult, Ritten, South Tyrol Artist talk: two croissants collaboration with Tha J Geiszler mumok bibliothek, Vienna 2016 Scholarship University of applied Arts Vienna performative publishing project with Anna Sophia Rußmann 2018 Ö1 Talentebörse graphic of the month July, Screenprint Edition of 100 highlights 2, publication by Anya Triestram Dringt vor in helle Höhlen, artistbook in cooperation with Anna Sophia Rußmann, Edition of melange, publication by Anya Triestram pageworks, die kopie curated by Franz Thalmair, Vienna 150 Jahre Universität für angewandte Kunst 2016 two croissants, artistbook in collaboration with Tha J Geiszler 2015 tools for thoughts and traces, graphics and printmaking University for applied Arts Vienna

17 Kontakt: Magdalena Kreinecker Studio: Kröllgasse Vienna magdalenakreinecker.com instagram: krnckr Fotos: Digitale Fotowerkstatt Anna Sophia Rußmann Simon Lehner