SERENA OSTI PORTFOLIO 2015

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Laureen Allison
5 years ago
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2 SELFIE CULTURE A study on contemporary rituals in the digital era. People have been invited to take a group selfie while I was filming the action. The final ouctomes are 18 short videos and 66 selfies (smartphone photographs). People were required to undersign a permission for the use of the visual material and in exchange they would be sent their selfies via . Duration: 4 hours aprox. The action took place at Favara Cultural Farm during {MACERIE} residency 4th edition, Dimora OZ, Palermo /4

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STELLA Ranging from a former local tradition of travelling Christmas carol choirs Stellari, Castel Pergine choir was invited to celebrate 10 special people through a travelling concert.

6 STELLA Ranging from a former local tradition of travelling Christmas carol choirs Stellari, Castel Pergine choir was invited to celebrate 10 special people through a travelling concert. The selected people have less or little access to social life and public spaces given to their poor health condition, disability or age. The choir stopped in front of their housedoors and balconies and dedicated a song to each of them like a serenata. Some people were not able to attend publicly, so they only listened to the music from their living rooms. In other cases the person was deceiced, so a familiar would replace her or him. A group of children from the local school Garbari has been invited to create anthropomorfic structures in the faschion of rural culture - scarecrows. These were given as a symbolic present from side of the community and as a joyful companion for the everyday life. A collective rite with the community of Pergine Valsugana (project in progress). Duration: 60/90 minutes aprox. OPEN // Forever Young, Pergine Spettacolo Aperto, Pergine /4

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10 AUGENDIKTATUR (Dictatorship of the eyes) This is a very simple piece. It s an experiment of an idea. It sums up my feeling about how we are dealing with media today, but sometimes are not much aware of. I have started in the middle of a crowd. While holding firmly my smartphone, I started recording a video. I would then approach occasional members of the public, getting very closed to them (20-10 cm). I slowly recorded their bodies in full length, from head to feet. This body scan was sometimes regarded as someting funny, but later there were moments when it was experienced with fear. By looking at the filmed person, the public would join me in my voyeristic sight, reinforcing my power position. The performance was stopped when a mirrow was put in front of my face and I would finally look at myself. Duration: 20 minutes aprox. In occasion of 39NULL Magazin für Gesellschaft und Kultur Nr. 3 MACHT UND OHNMACHT, Werkbank Lana, 2015; Reperformed during Macerie residency at Spazio OZ, Palermo and The Others Fairs, Werkbank Lana boot, Torino /3

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REPETITA IUVANT (Repetition helps) The project has been specifically conceived for a hairdresser s shop whose magazines I have been collecting for a couple of months (tabloid, scandalistic and women

13 REPETITA IUVANT (Repetition helps) The project has been specifically conceived for a hairdresser s shop whose magazines I have been collecting for a couple of months (tabloid, scandalistic and women s magazines). It is an investigation about the representation of female body in commercial print material targeted to ladies. The outcome of my research is three fake magazines, each of them focusses on a specific element: overly photoshopped mouths from fashion advertisements, banal/common lifestyles of celebrities, letters and photographs of presumed Cuban young women in search for older Italian men to marry. The magazines were handed out to clients during their staying at the hair shop as if they were normal magazines. OnHair exhibition project, curated by Paolo Toffolutti, Malisano by hair studio, Udine /3

NR.1 LA LOCUZIONE LATINA REPETITA IUVANT, TRADOTTA LETTERALMENTE, SIGNIFICA LE COSE RIPETUTE AIUTANO. IL SENSO DELLA FRASE È CHE UNA COSA, A FORZA DI ESSERE RIPETUTA, VIENE APPRESA DA CHI ASCOLTA.

IL SENSO DELLA FRASE È CHE UNA COSA, A FORZA DI ESSERE RIPETUTA, VIENE APPRESA DA CHI ASCOLTA. FONTE: WIKIPEDIA NR.

FONTE: WIKIPEDIA PUÒ INOLTRE ASSUMERE UNA CONNOTAZIONE PEGGIORATIVA, SPECIE NEL LINGUAGGIO GIORNALISTICO, IN UN CONTESTO IN CUI SI VOGLIA SOTTOLINEARE L USO DELLA RIPETIZIONE COME MEZZO DI

14 NR.1 LA LOCUZIONE LATINA REPETITA IUVANT, TRADOTTA LETTERALMENTE, SIGNIFICA LE COSE RIPETUTE AIUTANO. IL SENSO DELLA FRASE È CHE UNA COSA, A FORZA DI ESSERE RIPETUTA, VIENE APPRESA DA CHI ASCOLTA. FONTE: WIKIPEDIA NR.2 LA LOCUZIONE LATINA REPETITA IUVANT, TRADOTTA LETTERALMENTE, SIGNIFICA LE COSE RIPETUTE AIUTANO. IL SENSO DELLA FRASE È CHE UNA COSA, A FORZA DI ESSERE RIPETUTA, VIENE APPRESA DA CHI ASCOLTA. FONTE: WIKIPEDIA NR.3 LA LOCUZIONE LATINA REPETITA IUVANT, TRADOTTA LETTERALMENTE, SIGNIFICA LE COSE RIPETUTE AIUTANO. IL SENSO DELLA FRASE È CHE UNA COSA, A FORZA DI ESSERE RIPETUTA, VIENE APPRESA DA CHI ASCOLTA. FONTE: WIKIPEDIA PUÒ INOLTRE ASSUMERE UNA CONNOTAZIONE PEGGIORATIVA, SPECIE NEL LINGUAGGIO GIORNALISTICO, IN UN CONTESTO IN CUI SI VOGLIA SOTTOLINEARE L USO DELLA RIPETIZIONE COME MEZZO DI PERSUASIONE E DI DIFFUSIONE DI NOTIZIE E AFFERMAZIONI NON NECESSARIAMENTE VERE O FONDATE. HA VALORE NON SOLO IN SENSO PURAMENTE DIDATTICO MA ANCHE IN RAPPORTO ALLE ESPERIENZE DIRETTE (LE COSE RIPETUTE GIOVANO): RIPETERE UN GESTO O UNA AZIONE PUÒ DARE PIACERE O, COMUNQUE, MIGLIORARE L ESECUZIONE DI UNA DETERMINATA AZIONE. PUÒ INOLTRE ASSUMERE UNA CONNOTAZIONE PEGGIORATIVA, SPECIE NEL LINGUAGGIO GIORNALISTICO, IN UN CONTESTO IN CUI SI VOGLIA SOTTOLINEARE L USO DELLA RIPETIZIONE COME MEZZO DI PERSUASIONE E DI DIFFUSIONE DI NOTIZIE E AFFERMAZIONI NON NECESSARIAMENTE VERE O FONDATE. HA VALORE NON SOLO IN SENSO PURAMENTE DIDATTICO MA ANCHE IN RAPPORTO ALLE ESPERIENZE DIRETTE (LE COSE RIPETUTE GIOVANO): RIPETERE UN GESTO O UNA AZIONE PUÒ DARE PIACERE O, COMUNQUE, MIGLIORARE L ESECUZIONE DI UNA DETERMINATA AZIONE. PUÒ INOLTRE ASSUMERE UNA CONNOTAZIONE PEGGIORATIVA, SPECIE NEL LINGUAGGIO GIORNALISTICO, IN UN CONTESTO IN CUI SI VOGLIA SOTTOLINEARE L USO DELLA RIPETIZIONE COME MEZZO DI PERSUASIONE E DI DIFFUSIONE DI NOTIZIE E AFFERMAZIONI NON NECESSARIAMENTE VERE O FONDATE. HA VALORE NON SOLO IN SENSO PURAMENTE DIDATTICO MA ANCHE IN RAPPORTO ALLE ESPERIENZE DIRETTE (LE COSE RIPETUTE GIOVANO): RIPETERE UN GESTO O UNA AZIONE PUÒ DARE PIACERE O, COMUNQUE, MIGLIORARE L ESECUZIONE DI UNA DETERMINATA AZIONE. 2/3

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ZWEIDEUTIGKEITS- HINWEISE (Ambiguity instructions) A masked walk in a fascistic bunker for

At the middle of the tunnel a special card is delivered to each person with the invitation to

Materials: textiles masks, sound, light and photographic equipment, 8 people staff, memory

With Tokonoma collective, Kassel; music by Ahi, Palermo, project management: Fritz Lazslo

16 ZWEIDEUTIGKEITS- HINWEISE (Ambiguity instructions) A masked walk in a fascistic bunker for one person at a time, with CCTV cameras and surveillance team. At the middle of the tunnel a special card is delivered to each person with the invitation to find its twin card within the three following festival days. Materials: textiles masks, sound, light and photographic equipment, 8 people staff, memory cards, CCTV cameras. A special soundtrack has been composed for the passages in the bunker. With Tokonoma collective, Kassel; music by Ahi, Palermo, project management: Fritz Lazslo Weber, photographic documentation: Tetyana Zolotopupova. Sinstruct festival for contemporary music and arts, Passo Palade/Unsere Liebe Frau im Walde (Bolzano), /2

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L EFFETTO JOULE (Joule s effect) The project has been commissioned as an on-site research in the city quarter Europa Novacella, a place with a high percentage of elderly population of Italian mother

18 L EFFETTO JOULE (Joule s effect) The project has been commissioned as an on-site research in the city quarter Europa Novacella, a place with a high percentage of elderly population of Italian mother tongue with migration background and financial hardness in the bilingual city of Bolzano. I have spent two months walking around, taking pictures, observing and talking to people, trying to understand how things go. My interactions were purposeless, I was trying to reach a level of honest communication, and the most stiking memories of these unrecorded confessions I have later jotted down in words. Final installtion with a book (text and pictures), video installation, postcards, tv-advertisements in local bars (see picture on the right). 43 miliardi di miliardi group exhibition, Il Cubo di Rubik project in the urban enrivonment curated by Coop19 for Resistenze Contemporanee Festival, Bolzano /3

Parallely, a series of videos has been realized on

groups otherwise emarginated from society (unemployed

The relationships between hands at play symbolize a

19 Parallely, a series of videos has been realized on game-based situations which provided an escape for social groups otherwise emarginated from society (unemployed migrants, elderly women, nerds). The relationships between hands at play symbolize a necessary communication which wouldn t otherwise be normally prossible. Stills from the videos 2/3

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21 LA LEGGE DI JANTE (Jante s law) Psychological role-play drinking game dealing with taboo issues of life in small towns in Northern Italian Alps. This work has been developed, produced and performed as part of the LiveWorks Performance Art Award during 33rd Drodesera festival in Centrale Fies, Dro Nearly 150 people took part to it within a time span of 5 hours. Short video documentation: extra/video/25.html 1/2

This work deliberately mix several rules from different popoular drinking games. Players are served a glass of water, one player gets a glass of vodka, but he/she is not told to.

22 This work deliberately mix several rules from different popoular drinking games. Players are served a glass of water, one player gets a glass of vodka, but he/she is not told to. Players need to find out who got the vodka but they are not allowed to speak. Only eye contact is allowed. Once the group majority agrees on the one guilty player, they can accuse him by speaking in choir one of the rules of Jante such as: 1 You re not to think you are anything special. 2 You re not to think you are as good as we are. 3 You re not to think you are smarter than we are. etc. The accused player now has to tell the truth and wears a hut (a copy of the typical carnival hut from Trentino region). If found unguilty he can decide about a punishment for the rest of the group (typically a group round of vodka). Before drinking the players have to read out fragments from a sociological research about taboos in their towns (including issues of femal depression and male acloholism). The bartendress clothes are instead a copy of a futuristic costume created adn sustained during Italian fascism in order to reinforce regional identities. 2/2

23 ICH LAD MICH GERNE EIN (M invito, e con piacere) Accidental encounters organized through an anounymous postcard and word of mouth. Inhabitants of the town of Lana are said to be unfriendly to Italian speaking population. I wanted to prove this is wrong. I created a postcard with which I would invite myself to the homes of the inhabitants of Lana for a coffee and a small talk. Nine people replied and invited me to their premises for breakfast, for lunch, for a little break or for dinner. While at their home without a purpose, we started introducing ourselves as persons with no intention and no role, drawing inspiration from personal life experiences, objects surrounding us in the house and facts happening while being there. Some very intense and honest talks arose from this encounters, where also a lot of confessions and secrets were told. The talks have not been recorded, but a picture was shot as a memory of that day. Curated by Hannes Egger, with a critical text by Martina Oberprantacher. For Hospitality, Lana Live International Cultures Festival, Lana /2

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AL LIMITE (The limits of academic research) Enquiry about the degree of real freedom in academic research. How is reasearch supposed to be free in a hierachical context such as university?

25 AL LIMITE (The limits of academic research) Enquiry about the degree of real freedom in academic research. How is reasearch supposed to be free in a hierachical context such as university? In a climate of financial cuttings to research and education, which role does scarsity, imagination and dream play? I have conducted an enquiry among friend researchers and young PhD students to analyse their expectations as children compared to their real life today. They have been complaining the lack of useful projects, the limitations of power and politics. We have investigated together about which kind of projects they would start if they had the freedom to do so and have constructively drafted a first concrete step in this direction. All texts have been kept anonymous for protecting their professional identity. Exhibition and lecture performance at Galleria Artra, Cose cosmiche 3rd Edition, Milano /2

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27 LA MIA VITA DIGITALE (My digital life) Experimental workshop with teenagers on digital technology and everyday life. At the core of the research is the quest for approaching space and human relationships through smartphones and visual media. The project spans from workshop direction, research, production to the exhibition set up and a catalogue with an essay. On the right side: This specific image: Finding a line, a point, a surface. Kids have to find these elements in the surrounding spaces. Once found and photographed with their smart phones, they have to run back and deliver their pickings. The first wins it all. After the group have reunited, smartphones are joined so that a group image of the findings is created. Photografic documentation, various sizes, 2012 Temporary Playroom/Le camere dell Alto Adige, Salorno, 2012 Politiche giovanili - Provincia Autonoma di Bolzano 1/3

28 1, 2, 3...stella! (also known as Statues, Red light, green light, Grandmother s footsteps ), group game in the local playground: at the stop kids had to take a random picture and freeze. This game was meant to support observation of the enviroment distanciating from selfie-culture. 2/3

29 Shared images and texts on the teenagers s Facebook account have been printed out to show their parents. This in order to demistify rumors about Facebook being only seen as a dangerous environment out of the parents control. The average contents shared by kids are innocent, some even witty and highly creative, a very small percentage had sex or racist contents and have not been displayed due to the presence of minors. Adhesive labels on wood panels, with metal linges. Aprox. 1,7 x 1,4 x 0,5 m. 3/3

30 NON T ARRABBIARE! (Frustration, like the game) Experimental game-like situations for children and adults based on the principles of strategy, hazard, unstability, chance, relationship, needs, future-telling. Play 3 Creative Residency winner, Ludiko/La Nuova Faro toy factory, Omegna 2012 On the right: photografic documentation for: Siamo alla frutta!, Kelly discoteque, Omegna. The game is a human fruit-machine, where each player receives a small transparent bag with three fruits. These need to be exchanged with others in order to reach a trio. The more trios, the more one approaches victory. 1/2

31 Experiments in group drawing, blind drawing, drawing after phantasies as well as assemblage. Atfer a group talk with the kids on the topic of the Incredible, stories have been recorded, cut and merged in form of poetries. 2/2

32 OGNI RIFERIMENTO A EVENTI ACCADUTI È PURAMENTE CASUALE (Any resemblance is purely coincidental) 16 autobiographical short stories. Original Italian texts, English translations by Jemma Prior. Workshop with Italo Zuffi Officine dell arte group exhibition, Careof/ DOCVA Milan /2

33 2004, Bolzano Che sfigata quella tipa! Ma che troietta quella! I primi pensieri che io e la mia coinquilina abbiamo avuto quando ci siamo conosciute. Ci siamo ritrovate a vivere insieme e non abbiamo avuto altra scelta che imparare a farlo, comunicando solo quando necessario. In questa maniera ci siamo conosciute lentamente ed è nata una profonda amicizia. Finora non abbiamo mai sentito la necessità di litigare. 2004, Bolzano She s so lame! What a slag! These were the first impressions my flatmate and I had of each other when we first met. We ended up having to live together and not having much choice, we had to learn to get on but we only talked to each other when it was absolutely necessary. Like this, we got to know each other slowly and after a while a good friendship developed. And up til now, we ve never actually had an argument. 2/2

APPUNTI PER 10 AZIONI POSSIBILI (Notes on 10 possible actions) A set of possibile performance propositions. In the image: documentation of performance from proposition nr. 4b.

34 APPUNTI PER 10 AZIONI POSSIBILI (Notes on 10 possible actions) A set of possibile performance propositions. In the image: documentation of performance from proposition nr. 4b. 4b. (proposal for the opening) Going around asking people/guests How are you doing? stressing the importance of their answer, asking even a second time Yes, but how are you really doing?. This is an experiment and I don t know where it will lead to. Workshop with Italo Zuffi Officine dell arte group exhibition, Careof/ DOCVA Milan /2

Documentation of performance from proposition nr. 5. together with Ambra Pittoni. 5. (from poetry slam to spam slam) A challenge/war between two people by saying everything one can recall.

35 Documentation of performance from proposition nr. 5. together with Ambra Pittoni. 5. (from poetry slam to spam slam) A challenge/war between two people by saying everything one can recall. Only rule: it all has to fit within one sentence, nevertheless the turn passes to the other player. The games is over when nothing else can be said. This action comes as reaction to Filippo s comments to my excessive interventions ( My desktop is full ). 2/2

36 C È CRISI! (There is a crisis!) Set of 3 books (newspapers, television, people), a research compendion, illustrations, a set of tarots. A visual investigation into how the economic crisis is perceived in Italy through information and daily routines. There is a crisis! (Newspapers) 16 x 22 cm, digital print on office paper, black and white Final dissertation, Bachelor in industrial design and visual communication, Free University of Bolzano /5

37 There is a crisis! (Newspapers) This book displays 5 months of cover pages from Corriere della Sera (Italy s mainstream newspaper): the presence of crisis-related news has been measured, mapped and indexed. The projects aims to provide a scientifical system of measurement of emotions related to a historical fact while it is happening, providing a critical approach and multiple points of views. 3/5

38 There is a crisis! (Television News) The ambiguity of images become in this case a safe alternative when words are difficult to trust. Visual parameters are considered as a unit of information the same a letter or a number would do for literature or mathematics. 4/5

There is a crisis! (Tarots) Digital print on paper, colour Original ads from Corriere della Sera (the most read Italian newspaper), scanned and reworked as tarot cards.

39 There is a crisis! (Tarots) Digital print on paper, colour Original ads from Corriere della Sera (the most read Italian newspaper), scanned and reworked as tarot cards. The tarots predicts the future as news should do; in this case advertisment becomes the truth, since buying a surface on a magazine is an economic evidence which determines which brands are surviving the crisis. 5/5

40 MMS TESTING Installation of 99 low-res images in common acrylic frames and accompanying publication. The pictures have been stolen from an internet-based community for instant photo-sharing and are all labelled with reference to authors and web links. The choice was met giving mms testing as search entry in the community s browser. 99 acrylic frames, 10 x 15 cm and a give-away magazine with press cuttings on the use of mms in contemporary society Archivio workshop, group show of the Faculty of Design, parallel event to Manifesta 7, Bolzano /2

41 Uploaded on March 11, 2007 BY gogelmogel Uploaded on JanUarY 24, 2005 BY reinisr Uploaded on august 19, 2006 BY BasiBangeT Uploaded on december 1, 2006 BY noah sussman Uploaded on october 18, 2006 BY greckor Uploaded on october 9, 2006 BY ToBiasBaaz Uploaded on april 15, 2007 BY krukan Uploaded on september 18, 2007 BY JkeiThdoTneT Uploaded on february 12, 2008 BY M. newman Uploaded on JUne 29, 2005 BY simiant Uploaded on february 22, 2007 BY antonotron Uploaded on august 25, 2007 BY nocs Uploaded on JUlY 1, 2007 BY poppap Uploaded on JanUarY 19, 2008 BY flickr1md Uploaded on JanUarY 4, 2008 BY shawnrider Uploaded on november 17, 2006 BY atog Uploaded on september 21, 2005 BY suff Uploaded on JanUarY 12, 2007 BY abumblebee TesTing MMs & BUY in a record store TesTing MMs posting MMs TesTing MMs TesT from k750i TesT 3 (MMs) proximus MMs-flickr TesT. we re soon launching a new innovative service for mobile music discovery, called MMS & Buy. I ve done a little test with Roxy Re-Modeled, a great release of Roxy Music s covers. You can read more here -> com/press/newsletter/craze-newsletter-de... Heh, looks like it worked fine. This was a test of posting to flickr using an MMS message from my treo 650. Previously I had always used SnapperMail, but this way involves a lot less clicking. Planning on transforming my lj into mms-reporting blog. Test mms posting to flickr from mobile phone. Random photo for testing purposes ;) Una & norman TesT subject MMs TesT MMs TesT Upload MMs TesT sk8 Just took this photo to show Flickr feature send photo directly to account using MMS Again, testing another MMS upload from my mobile phone. Did this post too? woohoo! my one true love... - Camera phone upload powered by ShoZu MMS to Flickr test photo TesT posting via MMs Xl BeBas TesTing with MY hand skin TesT (MY own aka MMs) BaThrooM QUickies MeTro ride TesT fw: TesT Roy Suryo sedang membaca majalah Free Magazine Tested to MMS via , works like a charm! my own Skin (Minnu) in same Pose. 2cd Version -- brighter (autocontrast now) MMS test. 1, 2, tres... Just testing out the flicker mms upload. Test Uploaded 2 flickr via mms. 2/2

42 JUNK POETRY Recollection of spammers messages with literary quotations in form of poems. In addition, an appendix with some information about history, typologies and creative use of spam. Unique copy, bound with old black silk, 74 x 105 mm, /2

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44 LA NOIA (Boredom) Four looped videos showing people s intimate way of controlling themselves while getting bored. A project for Gli altri group exhibition, 12 minutes loop, Milan 2007 Link to the video:

ANTIBAR Travelling bar for a contemporary arts and music festival. The structure does not allow to see the barkeepers, so that drinks are served from anonymous hands.

45 ANTIBAR Travelling bar for a contemporary arts and music festival. The structure does not allow to see the barkeepers, so that drinks are served from anonymous hands. Customers do not see whom they are giving the money while paying. Technical development with Petra Dolejšová and Martina Sellmeier. Faculty of Design and Art, Free University of Bolzano/Bozen for Transart Festival, /2

46 entry entrata glasses in ritiro bicchieri cocktails out prelievo cocktail passage for wares passaggio per merci glasses in ritiro bicchieri cocktails out prelievo cocktail cash cassa 2/2

Master's Research/Creative Project Four Elective credits 4

FASHION First offered fall 2010 Curriculum Master of Arts (MA) Degree requirements Course title Credits Master's Research/Creative Project Milestone Four Elective credits 4 Course code Course title Credits