DEPARTMENT OF CLOTHING AND TEXTILES SEMESTER IV CLOTHING AND TEXTILES 4(4+0) 16(9+8)

Transcription

1 DEPARTMENT OF CLOTHING AND TEXTILES SEMESTER IV CLOTHING AND TEXTILES Semester IV Elective Generic 4(1+3) 4(1+3) Foundatio n Allied 4(4+0) 4(0+4) 8(4+4) 04(1+3) Core Compulsory 4(1+3) 4(4+0) 8(5+3) 16(9+8) Course Title Apparel Making I Apparel design & illustration Apparel & Textile Merchandising Indian Textiles and costumes Product Development-II Total Total (20) Course No. CTX1401 CTX1405 CTX1402 CTX1403 CTX1404

2 B.Sc.(F.C.Sc.) YEAR I Core Compulsory APPAREL MAKING I CTX 1401 CREDIT 4 (1+3) Semester IV HOURS OBJECTIVES 1. To introduce flat pattern making principles, techniques and skills required. 2. To apply the techniques to develop new patterns. COURSE CONTENT/SYLLABUS UNIT-I UNIT-II UNIT-III Practical UNIT-IV Introduction to pattern making 1. Introduction to pattern making 2. Pattern making tools 3. Pattern making terms and techniques 4. Fabric terms 5. Dart and grain line Basic upper and lower slopers 1. Introduction to basic lower and upper slopers 2. Principles in pattern making fora. Upper garment b. Lower garment c. Sleeves d. Collars e. Dresses Pattern making principles 1. Darts and their manipulation 2. Contouring 3. Added fullness principles Skirts/Sleeves/collars/dresses Skirt/circles Flared, gathered, pegged, gored, dirndle, wrap, circular skirts-godets 1. Sleeves- Puff, cap, petal, lantern, bell, leg-o-mutton, kimono, raglan,

3 dolman 2. Collars 3. Dresses with waistline seam, without seam, gather or pleats, princess line UNIT-V Project/ assignment/design process Move from design to final product including making paper pattern, sourcing of fabric, cutting, constructing final pattern, costing. REFERENCES 1. Ernestine Kopp, Vittorina Rolf, Beatrice, Zelin Designing Apparel through the Flat Pattern Art production 2. Erwin Mable D., Practical Dress Design, Principles of fitting and Pattern making, The Macmillan co. New York, Helen Joseph Armstrong Pattern making for Fashion Designing, Pearson Education, Inc, Harper Collins Publishers, copyright Norma R Hollen & Carolyn J Kundell Pattern Making by Flat pattern method- Burgess Publishing Co. Minnesota, Pepin, Modern Pattern Drafting, Modern Pattern Design, Funk and Wagnalls Co. New York, London, 1992.

4 B.Sc.(F.C.Sc.) YEAR I Elective APPAREL DESIGN AND ILLUSTRATION CTX 1405 CREDIT 4 (1+3) Semester IV HOURS OBJECTIVES 1. To understand fashion illustration process and its importance. 2. To gain awareness of national and international designers. 3. To build the ability in the art of sketching and designing new clothing pattern based on present and future trends. 4. To create theme based designs with suitable fabric, colour and prints, garment details COURSE CONTENT/SYLLABUS UNIT-I UNIT-II Practical UNIT-III UNIT-IV Introduction to fashion sketching and illustration 1. Definition, importance and its role in today's competitive world of fashion. a. Fashion vocabulary b. Maintenance of scrap book 2. Drawing Equipment and Tools 3. Body balance and proportions rules in sketching 4. Knowledge of International and Indian designers. Human Anatomy Drawing 1. Basic figure drawing using the specific proportions of an average and fashion figure in a grid (female, male and/or children croquis) 2. Sketch varying postures of model figures Use of Colour Medias and Techniques 1. Exploring medias and techniques to create textures 2. Creating fabric textures such as silk, satin, fur, knits, corduroy, denim etc. Sketching Garment types and features 1. Sketching garment trims and details - necklines, sleeves, collars, pockets, pleats, seams etc. 2. Sketching garments silhouettes a. Skirts-lengths and types b. Pant-lengths and variations

5 UNIT-V Designing and illustrating garments 1. Designing apparel for Men / Women / Children with any of the suggested design ideas rendered in suitable textures a. Using geometric forms and lines, design an outfit suitable for a specific figure type (Optical Illusion). b. Using a historical costume as an inspiration, design a garment that would be worn today. c. Design a costume for a specific event or profession e.g. drama, skating, dancing, or gymnastics performance etc. REFERENCES 1. Barnes Colin, Fashion Illustration, Macdonald Bina Abling, Fashion Rendering with colour, Illustrated edition, Prentice and Hall, Charlotte Mankey Calasibetta, Phyllis G. Tortora, Illustrations by Bina Abling, The Fairchild Dictionary of Fashion, 3rd Edition, Fairchild Publications, New York, Helen Brockman "The Theory of Fashion Design" New York, John Willey & Sons., Kathryn Mekelively and Jainine Munstow,Illustrating Fashion, Blockwell Science Ltd., Patrick John Ireland, Fashion Design Illustration - men, B.T. Batsford London, Patrick John Ireland, Introduction to Fashion Design, B.T. Batsford London, Sharon Lee Tate & Bill glazer The Snap Fashion Sketchbook Prentice Hall, New Jersey, Stecker, Pamela, The Fashion Design Manual, Macmillan, South Yarra, Steven Stipelman, Illustrating Fashion: Concept to Creation, 2nd Edition, Fairchild Publications, New York, Tate, S.L, Edwards, M.S., The complete book of Fashion Illustration, Harper and Row Publication, 2 nd edition, 1987.

6 B.Sc.(F.C.Sc.) YEAR I Core Compulsory APPAREL AND TEXTILE MERCHANDISING CTX 1402 CREDIT 4 (4+0) Semester IV HOURS OBJECTIVES 1. To gain an insight and an understanding of the fundamentals of the Apparel industry. 2. To impart knowledge regarding nature& forms of business organizations. 3. The students will enrich themselves on merchandising and marketing principles. 4. To develop awareness regarding national and international trade & economic. COURSE CONTENT/SYLLABUS UNIT-I UNIT-II UNIT-III UNIT-IV Fundamentals of Apparel Industry 1. Definitions of key terms 2. Brief history and development of Apparel Industry Business System 1. Nature and type of business 2. Organizational set-up of an enterprise 3. Business ownership 4. Supply chain in an Apparel Industry ( fiber, textile, apparel) Finance Function 1. Sources of finance (owned/ borrowed capital) 2. Understanding merchandise costing and pricing ( direct and indirect cost) 3. Product specification and costing sheet 4. Global competitiveness in costing 5. G.M.R.O.I Merchandise and Merchandising 1. Merchandising an overview 2. Types of merchandising 3. Sourcing, sales and marketing (status of current styles in market, quality control) 4. Impact of merchandising on domestic and overseas market

7 UNIT-V Logistics Planning 1. Organized commodity market 2. Insurance and transportation 3. National and international trade policies Global trade REFERENCES Apparel, published by clothing manufacturers association of India, Bombay. 2. Clothes line, published by media and marketing associates, Bombay. 3. Economic and political Weekly published by Sameeksha Trust publication, Bombay. 4. International Apparel published by Apparel publishers Ltd. England. 5 KPM Sundaram and Rudradutt, Indian Economy, Sultan Chand & Sons, M.Troxell, J. Beatrice, Fashion Merchandising 7 Michael Levy, Barton Weitz, Ajay Pandit, Retailing Management, Tata Mc Graw Publishing Company, 6 th edition. 8 R.K. Lele, J.P. Mahajan, Business Organization, Oitambwer publishing Company. 9 Y.K. Bhushan, Fundamentals of Business Organization and management, Sultan Chand & Sons

8 B.Sc.(F.C.Sc.) YEAR I Core Allied INDIAN TEXTILES AND COSTUMES CTX1403 CREDIT 4 (4+0) Semester IV HOURS OBJECTIVES 1. To understand the influence of historical, economical, political and socio culture aspects on the evolution of Indian textiles and costumes over the years. 2. To appreciate the traditional textiles and costumes of India with respect to material, form, color, textile, design and decoration. 3. To understand the development of techniques/ technology used over the years. 4. To be able create traditional textile designs of each region to contemporary form over the period COURSE CONTENT/SYLLABUS UNIT-I UNIT-II Northern textiles and costumes 1. Jammu and Kashmir 2. Punjab 3. Haryana Western textiles and costumes 1. Rajasthan 2. Gujarat 3. Maharashtra UNIT-III UNIT-IV Southern textiles and costumes 1. Andhra Pradesh 2. Tamil Nadu 3. Kerala 4. Karnataka Eastern textiles and costumes 1. Orissa 2. Bengal 3. North Eastern States

9 UNIT-V Central textiles and costumes 1. Uttar Pradesh 2. Madhya Pradesh 3. Bihar REFERENCES Brij Bhushan, J. Costumes and Textiles of India, Taraporevala, Chandra, M. "Costumes Through the Ages." In Treasures of Indian Textiles" Marg Publications, Mumbai, Ghurye, G.S Indian Costume, Reprint of second edition published in Bombay, Frater, J Threads of Identity, Mapin Publishing, Ahmedabad Morrell, A. Indian Embroidery Techniques at the Calico Museum of Textiles Ahmedabad, Paine, S Embroidered Textiles (Study of the Source of many patterns in religions, cults and belief) London, New York and Bern, 1990/1995/ Irwin,J and Hall, M. Indian Painted and Printed Fabrics Vol.1,Calico Museum, Ahmedabad, Jayakar, P Gaiety in Colour and Form: Painted and Printed Cloths Marg, XXXI, 4, pp.23-34, Mohanty, B.C, and Mohanty, J.P, Study of Contemporary Textile Crafts of India Block Printing and Dyeing of Bagru, Rajasthan, Dhamija, J and Jain, J. eds. Handwoven Fabrics of India, Mapin Publications, Ahmedabad, Gillow, J, and Barnard, N, Traditional Indian Textiles,London, Gittinger, M. Master Dyers to The World, exhibition catalogue,textile Museum, Washington, D.C., Crill, R.Indian Ikat Textiles,Victorian and Albert Museum, Indian Art Series, Weatherhill, New York, Murphy, V & Crill, R.Tie-dyed Textiles of India: Tradition and Trade, London and Ahmedabad, Morrell, A. Indian Embroidery Techniques at the Calico Museum of Textiles Ahmedabad, Paine.S. Embroderied Textiles (Study of the Source of many patterns in religions cuts and brief) London, New York and Bern, 1990/1995/ Irwin. J. and Hall M. Indian Paited and Printed Fabrics Vol.1 Calico Museum, Ahmedabad, 1971

10 B.Sc.(F.C.Sc.) YEAR I Core Allied PRODUCT DEVELOPMENT II CTX1404 CREDIT 4 (0+4) Semester IV HOURS OBJECTIVES 1. To search new product idea/inspiration through attending relevant trade shows, exhibitions, fairs etc. 2. To produce a range of product design which reflects sales opportunities and represent value for customers. 3. To understand constraints to creativity imposed by budgets and historical trends. 4. To develop specification sheets for all product designs. COURSE CONTENT/SYLLABUS UNIT-I UNIT-II Concept Development 1. Meaning and its importance 2. Key elements in product designing a. Fashion trend b. Product function c. Added value Design instigation 1. Developing creative idea based on concept (gifts and souvenirs) 2. Making flat sketches of the developed idea UNIT-III UNIT-IV Analysis & Selection 1. Reviewing the designs for their individual strengths, relation to the concept and their estimated cost. 2. Finalizing the ideas/blueprint of the final article/object/product Development process 1. Conceptualization of the details of the products (final fabric, accessories, seams, size, cost etc.) 2. Prepare/develop specification sheets for selected designs

11 UNIT-V Fabrication 1. Construction of the Final product 2. Display of the article REFERENCES Gini Stephers Frings "Fashion from concept to consumer". Prentice Hall, New Jersey, Gordon L.J, Economics for Consumer, New York, American Book Company Hotchkiss G.B, An Outline on Advertising, New York, The MacMillian Company, KPM Sundhram and Rudradutt, Indian Economy, Sultan Chand & Sons., Troxell Nary & Jndelle Beatrice Fashion Merchandising 6 Wingate Isabel B., Know your Merchandise for Retailers & Consumer, by I.B. Wingate & others, Wingate John W., Retail Merchandise Management, Y.K. Bhushan Fundamentals of Business organization and management, Sultan Chand & Sons, Journals i. Clothesline, published by media and marketing associates Bombay. ii. Apparel, published by clothing manufacturers association of India Bombay iii. International Apparel published by apparel publishers Ltd. England. Economic and political Weekly published by Sameeksha Trust publication, Bombay