2018 McKnight Information Session

Transcription

1 X2MCAD 2018 McKnight Information Session Monday, February 5 MCAD, Auditorium 150 (with 2017 fellow Bruce Tapola) Tuesday, February 13 Springboard for the Arts (with 2017 fellow Terry Gydesen) MINNEAPOLIS COLLEGE OF ART AND DESIGN

2 About the McKnight Artist Fellowships The McKnight Artist Fellowships were established in 1981 to help artists set aside time for study, reflection, experimentation, and exploration; take advantage of opportunities; and work on new projects. McKnight contributes nearly $1 million per year to individual artists through ten fellowship programs. The Foundation delegates management of the fellowships to arts organizations that tailor programs to the unique challenges of different creative disciplines.

3 Purpose of the McKnight Fellowships for Visual Artists This program, made possible by a generous grant from The McKnight Foundation, seeks to identify and reward eight outstanding Minnesota visual artists who have an established record of artistic success. The program supports such mid-career artists by providing financial assistance, professional criticism from visiting critics, publicity, and the opportunity for other professional development.

4 McKnight Visual Arts Fellowship Components $25,000 cash award that can be used however recipient chooses. Studio visits from six visiting critics (can be curators, artists, other arts professionals) selected by the fellows. Opportunity to invite four of the visiting critics back to participate in a McKnight Discussion Series where two fellows work with a selected critic to develop a discussion on the topic of their choosing. Opportunity to use additional funding towards individually-focused professional development, such as travel, exhibition expenses, website creation, etc.

5 This program pairs a visiting critic with two McKnight Visual Artist Fellows and offers attendees an opportunity to learn more about the fellowship recipients as well as how their work intersects with broader contemporary art ideas and concerns. McKnight Discussion Series Schedule at Minneapolis Institute of Arts (Mia) February 16, 2018 Christian Viveros-Fauné in conversation with Leah Edelman- Brier and Monica Haller March 23, 2018 Andria Hickey in conversation with Pao Houa Her and Caroline Kent April 6, 2018 Jamillah James in conversation with Tia-Simone Gardner and Jay Heikes June 1, 2018 Hrag Vartanian in conversation with Erik Benson and Julie Buffalohead

6 Eligibility Visual artists (primary means of expression cannot be solely video, film, or theatre-based performance since there are other McKnight artist fellowships in those areas) Must be a resident of Minnesota, and have lived in the state at minimum the 12 months prior to the application deadline Okay to reside outside of the Twin Cities, though most studio visits will happen here Beyond emerging status (minimum of eight years of professional exhibition experience, such as inclusion in regional or national gallery and museum exhibitions, and evidence of having received other awards, grants, and fellowships) Non-students only Collaborative groups okay

7 Application Process Deadline: Friday, March 30, noon (12:00 p.m.) CT Online Application only: Visit to apply Application materials: Ten images (longest dimension must be 1920 pixels, smaller than 1.8MB, preferably 72 ppi) Video (optional, 2 videos uploaded to YouTube, 3 min. ea.) Résumé Artist statement (please include a brief description of what you hope to accomplish during your fellowship year) Additional PDF (optional for artists work that involves text, book arts, didactics, or texts that are unreadable in the images submitted. Five page max.)

8 Selection Criteria High quality work, as evidenced in submitted materials, most importantly work samples. Evidence of serious commitment to artistic practice, i.e., accomplishments to date as well as promise for continued development. Impact the fellowship will have on the artist. Panel will be asked to consider breadth of artistic practice among Minnesota artists, which include a wide range of media, aesthetics and traditions that might be influenced by ethnicity, gender, and geography.

9 Sampling of Jurors Selection Criteria Looking for aesthetic and conceptual depth and substance. Responded AGAINST formula, something that didn't seem like 10 different examples of the same theme. Working with materials in interesting way while maintaining consistency. Looking for work that was innovative and pushed boundaries. Particularly conscious about making sure the art work presented was recent, that the artist had an active practice, not just showing older work. Seemed to be a mid-career level. Looking for work that read as contemporary. Looking for surprise or something unexpected. Looking for robustness in the practice; a liveliness; variations of work samples yet a cohesiveness; needed to be immediately struck by the work visually; diversity of practices and background important.

10 Review Process: Important Dates Application Deadline: Friday, March 30, noon (12 p.m.) CT First Round: Jury of three arts professionals reviews all submissions in the form of digital images viewed on a monitor. Scores applicant 1 to 5, decisions are tabulated, top 25 to 30 move onto second, semi-final round. Second Round: Jurors review top 25 to 30, review artist statement and resume, make comments in jurying interface. During conference call jurors have to narrow down applicants to 16 for studio visits. Studio Visit/ Notification: Friday, May 11 Jury Studio Visits: Friday, May 25 or Saturday, May 26 Jurors convene in Twin Cities to do studio visits. Only 20 minutes per applicant. Alternative arrangements made for finalists not living in Twin Cities metro area. Fellowship Announcement: Monday, June 11

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14 Image List as it appears on screen:

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16 Bruce Tapola, 2017 McKnight Fellow

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28 Importance of High Image Quality

29 2017 McKnight Visual Arts Fellows Harriet Bart, Autobiography (detail), 2011 Andy DuCett, Mom Booth, 2014

30 2017 McKnight Visual Arts Fellows David Goldes, Snake in the Garden Series #7, 2016 Terry Gydesen, My parents moved to assisted living, 2014

31 2017 McKnight Visual Arts Fellows Jeremy Lundquist, Confidence to Sing, 2017 Tamsie Ringler, River of Iron, 2016

32 2017 McKnight Visual Arts Fellows Piotr Szyhalski, Three Litanies of Labor, 2015 Bruce Tapola, Sunshine Came in Softly, 2016

33 2016 McKnight Visual Arts Fellows Julie Buffalohead, The Trail, 2015 Erik Benson, Golden Tower, 2016

34 2016 McKnight Visual Arts Fellows Leah Edelman-Brier, The Kiss, 2012 Tia-Simone Gardner, Fault Line, 2009

35 2016 McKnight Visual Arts Fellows Monica Haller, Silt House, Plaquemines Parish, 2014 Jay Heikes, Inanimate Life, 2010

36 2016 McKnight Visual Arts Fellows Pao Houa Her, Valentine couple, 2016 Caroline Kent, Procession, 2015

37 2015 McKnight Visual Arts Fellows Gregory Euclide, Meaning I learned my false floating from propped up modes, 2013 Kristina Estell, if you can t see, 2015

38 2015 McKnight Visual Arts Fellows Scott Nedrelow, Untitled (Afterlight) 6 and Untitled (Afterlight) 7, 2014 Kelly O Brien, Residue, 2012

39 2015 McKnight Visual Arts Fellows Alexandros Lindsay, Highway, 2014 Selma Fernandez Richter, Kamilo Mohamud Noor, Minneapolis, MN, (from the series The Ache for Home), 2011

40 2015 McKnight Visual Arts Fellows Luis Fitch, Blind, part of a street art project called Welcome to the Border, 2010 Tracy Krumm, Pinched (Squares), 2014

41 Poor Image Quality

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44 Online Application Process Technical Aspects

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60 Formatting Images

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75 Questions?