FALL 2018 FALL _f19_ GT-067_Getty 360_Fall 2018_R2.indd 1 8/28/18 7:56 PM

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1 FALL 2018

2 EXHIBITIONS 1 OPENING AT THE GETTY CENTER The Renaissance Nude Inspired by a renewed interest in classical sculpture and closer study of nature, Renaissance artists made the nude body ever more vibrant, lifelike, and central to their practice. Yet, pious European Renaissance society was troubled by the nude and its new sensuality a conflicted response echoed in the world today, where images of nudity have become ubiquitous. This exhibition, with more than one hundred objects by Da Vinci, Dürer, Michelangelo, Raphael, and others, traces the nude s controversial emergence and its transformative effect on European art and culture. October 30, 2018 January 27, 2019 Museum, Exhibitions Pavilion Sally Mann: A Thousand Crossings This first major international exhibition of the work of American photographer Sally Mann explores themes of family, memory, mortality, and the Southern landscape as repository of personal and collective memory. Experimental, melancholic, and hauntingly beautiful, Mann s photographs many not exhibited before expose how her relationship with the land has shaped her work and how the legacy of the South continues to permeate American identity. Organized by the National Gallery of Art, Washington, and the Peabody Essex Museum, Salem, Massachusetts. November 16, 2018 February 10, 2019 Museum, Center for Photographs, West Pavilion Vanitas, 1485, Hans Memling. Oil on wood. Musée des Beaux- Arts, Strasbourg. Photo: M. Bertola The Ditch, 1987, Sally Mann. Gelatin silver print. The Art Institute of Chicago, Gift of Sally Mann and Edwynn Houk Gallery, Image Sally Mann As markers of history and siphons of memory, monuments can project multiple and sometimes contradictory meanings. Typically erected as symbols of collective memory, monuments might outlast their original purpose, or meet their demise through violent conflict or artistic intervention. This exhibition investigates various paradigms of monumentality, prompting viewers to consider why certain monuments endure and others fall. December 4, 2018 April 21, 2019 Research Institute Galleries Artful Words: Calligraphy in Illuminated Manuscripts The written word was an art form in the premodern world. Calligraphers filled the pages of manuscripts with scrolling vines and delicate pen flourishes, and illuminators depicted captivating narratives within large letterforms. These decorative embellishments reveal the monetary, cultural, and spiritual value placed on handmade books at the time. The alphabetic adornments in this exhibition enliven the content of a range of manuscripts including sacred scripture, romance literature, and history produced from England to Ethiopia over nearly one thousand years. December 18, 2018 April 7, 2019 Museum, North Pavilion Portrait of a Young Woman, about , attributed to Andrea Previtali. Black chalk heightened with white chalk. The J. Paul Getty Museum The Toppling of the Colonne Vendôme, 1871, Bruno Braquehais (French, ). Albumen photographs. Getty Research Institute, 95.R.102 Spectacular Mysteries: Renaissance Drawings Revealed Comprising spectacular drawings from the Getty collection and rarely-seen works from private collections, this exhibition reveals the detective work involved in investigating master drawings. Many Italian Renaissance drawings tell stories of their creation and the purposes they served, yet sometimes even the most seemingly simple question who drew it? is a mystery. Discover what we know and don t know, what we d like to know, and what we may never discover about these intriguing works of art and their world. December 11, 2018 April 28, 2019 Museum, West Pavilion Initial B: The Lord Enthroned (detail), from an Antiphonal, about , made in Northeastern France or Flanders. Tempera colors and ink on parchment. The J. Paul Getty Museum 2

3 EXHIBITIONS 3 ON VIEW AT THE GETTY CENTER Icons of Style: A Century of Fashion Photography, Through October 21, 2018 Museum, Center for Photographs, West Pavilion In Focus: Expressions Through October 28, 2018 Museum, Center for Photographs, West Pavilion Masterful Likeness: Dutch Drawings of the Golden Age Through October 28, 2018 Museum, West Pavilion / Books and Their Artists Through October 28, 2018 Research Institute Galleries Style Profile,Ni ma Ford,December 22,2011, 2011, Scott Schuman. Pigment print.courtesy Danziger Gallery. The Sartorialist, Scott Schuman Portrait of a Woman, 1629, David Bailly.Light and dark brown ink; framing line in dark brown ink; pupils incised by the artist. The J. Paul Getty Museum DOC/UNDOC:Documentado/Undocumented: Ars Shamánica Performática, Guillermo Gómez-Peña and Felicia Rice, Video by Gustavo Vazquez, text by Jennifer A. González, sound by Zachary James Watkins. The Getty Research Institute, 2015-B by Felicia Rice and Moving Parts Press All that Glitters: Life at the Renaissance Court Through December 2, 2018 Museum, North Pavilion A Queen s Treasure from Versailles: Marie Antoinette s Japanese Lacquer Through January 6, 2019 Museum, South Pavilion Flight into Egypt, , Giovanni Battista Tiepolo. Pen and brown ink with brown wash over black chalk. The J. Paul Getty Museum The Flight into Egypt: Drawings in Context Through December 9, 2018 Museum, West Pavilion Dog-shaped Box on a Low Table, late 17th mid-18th century, Japanese. Lacquer. Musée National des Châteaux de Versailles et de Trianon. Photo: Thierry Ollivier. RMN-Grand Palais/Art Resource, NY LA #UNSHUTTERED: Teens Reframing Life in Los Angeles Through January 20, 2019 Museum, Orientation Theater Man s Gauntlet, about , English. Leather, silk and gold metallic thread, silk satin; looped bullion embroidery. Los Angeles County Museum of Art, Gift of Mrs. Margaret Isabel Fairfax MacKnight ( a-b). Image: Art of Three Faiths: A Torah, a Bible, and a Qur an Through February 3, 2019 Museum, North Pavilion Eighteenth-Century Pastel Portraits Through October 13, 2019 Museum, South Pavilion 4

4 EXHIBITIONS TOURS 5 OPENING AT THE GETTY VILLA Underworld: Imagining the Afterlife What did ancient Greeks believe would happen to them after they died? Organized around a monumental funerary vessel on loan from the National Archaeological Museum in Naples and recently conserved at the Getty Villa, this exhibition explores depictions of the underworld in the art of Greece and southern Italy. Beyond tales of famous wrongdoers and rulers of the dead, the works on view highlight the desire for a blessed existence after death and the ways in which individuals sought to achieve a happier afterlife. October 31, 2018 March 18, 2019 Museum, Floor 2 ON VIEW AT THE GETTY VILLA Palmyra: Loss and Remembrance Through May 27, 2019 Museum, Floor 1 Gallery Tours Engaging tours about current exhibitions by J. Paul Getty Museum curators and other Getty staff are offered at both the Getty Center and Getty Villa. GETTY CENTER Eighteenth-Century Pastel Portraits Thursday, October 18, 2:30 p.m. / Books and Their Artists Tuesdays and Thursdays through October 25, 2:00 p.m. Tuesdays and Thursdays, December 4, 2018 April 18, 2019, 2:00 p.m. No tours December 25, December 27, or January 1 Tablet with Instructions for the Deceased, BC, Greek. Gold. The J. Paul Getty Museum. Gift of Lenore Barozzi Aha, AD 149, Palmyran. Limestone and pigment. Ny Carlsberg Glyptotek, Copenhagen For a full list of tours, visit getty.edu/360 PERFORMANCES AND FILM Introduction to Fluxus In a co-presentation with the LA Philharmonic, leading Fluxus scholar Natilee Harren uses the Getty s extensive archives of Fluxus-related ephemera to present the movement in its historical context. Then, Christopher Rountree and members of the LA Philharmonic perform from original Fluxus scores. The program is followed by an outdoor participatory workshop with Rebekah Heller of the International Contemporary Ensemble, designed around the music of Pauline Oliveros. Sunday, October 14, 2:00 p.m. Getty Center: Museum Lecture Hall Premiere Presentation: katabasis This new site-specific outdoor performance, created as a companion piece to the exhibition Underworld: Imagining the Afterlife, conjures the realm of the dead and traces the trail of the heroes who transgress its borders. Part immersive concert, part ritual theater, Four Larks distinctive future-folk score and otherworldly immersive design seduces the audience into the depths of the mythic imagination. Thursdays, Fridays, and Saturdays, November 8, 9, 10, and 15,16, 17, 7:30 p.m. Getty Villa: Auditorium Screening of Craft in America: VISIONARIES The Getty Research Institute presents the world premiere of Craft in America s newest episode from the Peabody Award-winning PBS documentary series. This episode features book artist Felicia Rice, weaver Kay Sekimachi, textile designer and founder of the LongHouse Reserve Jack Lenor Larsen, and collector Forrest L. Merrill as well as the artists of Black Mountain College and art made in the Japanese internment camps. Saturday, October 20, 2:00 p.m. Museum Lecture Hall katabasis. Four Larks. Photo: Vikk Shayen Gordon Getty Concerts: Capella Pratensis What did the royal courts of Renaissance Europe sound like? Music was an important part of the courtly experience, enhancing the art, fashion, and other luxuries made for elite audiences. This performance by renowned vocalists Cappella Pratensis reveals the exquisite inventiveness of Renaissance composers. Starting with the masterpieces of influential 15thcentury composer Josquin des Prez, this program offers a lively glimpse into the popular musical culture of the Renaissance. Tuesday, November 13, 7:00 p.m. Getty Center: Harold M. Williams Auditorium Felicia Rice with her book DOC/UNDOC. Still from VISIONARIES, PBS, 2018 Tickets or free reservations at getty.edu/360 6

5 FAMILY 7 Sculpting and Shaping Clay Ceramic vases made over 2,000 years ago are seen all over the Getty Villa, and particularly in the exhibition Underworld: Imagining the Afterlife. Meet Los Angeles-based vase maker Wayne Perry and learn what his artistic practice has in common with the ancient Greeks and what is uniquely his own. Then sculpt your own clay artwork and try out a ceramic wheel. Saturdays, October 6 and 20, November 3 and 10, December 1 and 8, 11:00 a.m. 12:30 p.m. and 1:30 3:00 p.m. Getty Villa: Education Courtyard Knights in Shining Armor How did knights get their shining armor? Join master blacksmith Tony Swatton, proprietor of local armory Sword & Stone, as he demonstrates how medieval and Renaissance arms and armor were made. Then explore gauntlets, helmets, and more at the interactive touch table. Sunday, October 14, 11:00 a.m. 12:00 p.m. and 1:30 2:30 p.m. Getty Center: Outdoor Classroom See page 22 for ALWAYS AVAILABLE family activities. TALKS Come as You Are: Fashion Photography and the 1990s Ivan Shaw, photography director for Condé Nast, leads a discussion with prominent fashion photography professionals about changes in the industry at the end of the 20th century. Participants to be announced; see getty.edu/360 for details. Tuesday, October 2, 7:00 p.m. Getty Center: Harold M. Williams Auditorium The Body Politic Intimate Bodies Informed by a critical understanding of art history, photographer Paul Sepuya complicates the relationship between artist and subject, challenging conventions in the genres of the nude and self-portraiture. New Yorker critic Hilton Als joins Sepuya to discuss representation, nudity, and intimacy. Saturday, October 13, 7:00 p.m. Getty Center: Harold M. Williams Auditorium Trees, Shadows, Kissing Couples, Heads, and Knees: Reading Edvard Munch s Symbolism Allison Morehead, professor of art history at Queen s University in Canada, addresses the ambiguity in Edvard Munch s symbolist paintings, including Starry Night (1893), in the Getty Museum s collection. By viewing elements of Starry Night in reference to Munch s other paintings, Morehead traces the ways in which the artist s work creates loose networks of associative imagery that are best read as interchangeable links in chains of meaning. Sunday, October 14, 3:00 p.m. Getty Center: Museum Lecture Hall The Nude on the Road to Perdition during the Renaissance (and Today) Renaissance nudes have long been associated with the loftiest achievements of European art. The perfection of an idealized body was equated with virtue. Yet, the sensuality of some depictions of the nude body walked a fine line between abstract notions of pure beauty and in-your-face eroticism. Thomas Kren, curator of The Renaissance Nude, considers the discomfort that many masterpieces aroused during their time, and considers the admiration and outrage that nude depictions provoke today. Sunday, November 4, 3:00 p.m. Getty Center: Harold M. Williams Auditorium Hilton Als. Photo: Ali Smith Starry Night, 1893, Edvard Munch. Oil on canvas. The J. Paul Getty Museum Bathsheba Bathing, , Jean Bourdichon. Tempera and gold on parchment. The J. Paul Getty Museum 8

6 TALKS 9 New News from Old Jerusalem: Resetting the Historical Clock Jerusalem is one of the most excavated sites in the world, yet a reliable chronology has been missing in the search to link and contrast archaeological remains with the dramatic historical and Biblical record. Archaeologist Yuval Gadot of Tel Aviv University, Israel, presents the first results of a new project designed to establish a solid timeline for the City of David. Sunday, November 11, 3:00 p.m. Getty Villa, Auditorium Sally Mann: Hold Still On the opening day of the exhibition Sally Mann: A Thousand Crossings at the Getty Museum, renowned photographer Sally Mann reads from and discusses her book Hold Still: A Memoir with Photographs. A finalist for the National Book Award, and named one of the best books of 2015 by the New York Times, Washington Post, and National Public Radio, Hold Still is a revealing and deftly rendered personal history. Mann s preoccupation with family, mortality, and the landscape of the American South comes through as vividly and intimately in her text as it does in her photographs. Friday, November 16, 7:00 p.m. Getty Center: Harold M. Williams Auditorium Excavation site outside the walls of ancient Jurusalem. Image courtesy of Yuval Gadot Deep South, Untitled (Fontainebleau), 1998, Sally Mann. Gelatin silver print. National Gallery of Art, Washington, Promised Gift of Stephen G. Stein Employee Benefit Trust. Image Sally Mann Free reservations required for all talks: getty.edu/360 TALKS Medieval Armenia s Artistic Beauty Helen Evans, curator of Byzantine art at the Metropolitan Museum, discusses how Armenia used its artistic tradition during the Middle Ages to help it retain its national identity as it became an important center for trade routes uniting East and West. Along the way, Armenia adapted different visual forms and transformed them into a unique pictorial language that incorporated influences as widely spread as Persia, Byzantium, and western Europe. Sunday, November 18, 3:00 p.m. Getty Center: Museum Lecture Hall Signs of Life: Aspects of Global Performance in the 1970s Dr. Kellie Jones, associate professor in art and faculty fellow with the Institute for Research in African American Studies at Columbia University, discusses the global reaches of performance art during the 1970s. Considering specific projects by David Lamelas, Felipe Ehrenberg, Lourdes Grobet, Adrian Piper, and Senga Nengudi, Dr. Jones examines the characteristics that allowed performance to be dispersed effortlessly into the flow of life, as spectacle or political act. Tuesday, December 4, 7:30 p.m. Getty Center: Harold M. Williams Auditorium Photo: Rod McGaha Decorated Incipit Page (detail), from a Bible, , Malnazar and Aghap ir. Tempera colors, gold paint, and gold leaf on parchment. The J. Paul Getty Museum Free reservations required for all talks: getty.edu/360 10

7 COURSES 11 Artist at Work:French Fashion Dressing a live model, costume historian Maxwell Barr demonstrates the extraordinary craftsmanship and virtuosity involved in creating the daily wardrobe required by fashion icon Marie-Antoinette and other elite households of the 18th century in this free, drop-in program. Saturdays, October 13, November 3, and December 8, 1:00 3:00 p.m. Getty Center: Museum Lecture Hall Art Circles Enrich your Saturday nights. Join an open-ended discussion in the galleries to heighten your appreciation and understanding of the visual arts by exploring one masterpiece with an educator. The chosen work of art changes every session, making each visit a new experience. Tickets $25 per session (includes a sandwich voucher). Meet at the Information Desk for course introduction. Complimentary parking. Saturdays, October 13 and November 10, 6:00 8:00 p.m. Getty Center: Museum galleries Drawing from the Masters Enjoy the tradition of sketching from original works of art every first and third Sundays of the month at the Getty Center. Guest artists provide general guidance. Materials are provided and all experience levels are welcome. Sign-up begins at 2:30 p.m. at the information desk. This is a free program. Focus on Fashion Discover how to draw dynamic drapery, rich fabrics, and convincing textures while exploring 18th-century fashion with artist Marissa Magdelena. Sundays, October 7 and 21, 3:30 5:30 p.m. Getty Center: Museum galleries COURSES Drawing from the Masters (cont.) Bodies in Motion Explore how gesture drawing can be used to investigate the pose, movement, and placement of the human figure with artist Kaitlynn Redell. Sundays, November 4 and 18, 3:30 5:30 p.m. Getty Center: Museum galleries Artistic Anatomy Learn to draw the human figure while exploring key elements of human anatomy and proportion with artist Peter Zokosky. Sundays, December 2 and 16, 3:30 5:30 p.m. Getty Center: Museum galleries Drawing from Antiquity Take part in the centuries-old tradition of sketching from ancient works by drawing from the Museum s collection and sights at the Getty Villa. Supplies are provided, and all skill levels are welcome. Sign-up begins 15 minutes before the start of the program at the Tour Meeting Place. This is a free program. Expression Using theater masks and other objects in the Villa collection, practice drawing techniques to make your work striking and dynamic. Learn how to use line drawing to make facial features look expressive. Saturday, October 13, 11:00 a.m. 12:30 p.m. Getty Villa galleries THE BIG DRAW LA is a regional celebration of the act of drawing, held annually in October. Founded in 2010, it creates participatory opportunities for people of all ages to discover that drawing can help us look more closely, think creatively, communicate with others, and have fun in the process. The Unknown Fragments Fragments, though often tiny and broken, can teach us a lot about the past. Discover the beauty of these broken pieces, draw from known and unknown fragments, and learn what makes them so special and informative. Saturday, November 17, 11:00 a.m. 12:30 p.m. Getty Villa galleries Detail and Definition Learn ways of tackling detail in your drawings, inspired by the smallest objects in the Museum s collection: gems. Carving gems was a special skill in antiquity. Many rings and other pieces of jewelry have intricate designs carved onto tiny gem surfaces. In this workshop, look at magnified images and learn about their significance, then design your own detailed drawings. Saturday, December 15, 11:00 a.m. 12:30 p.m. Getty Villa galleries Study of a Nude Boy, Partial Figure Study (detail), 1518,Pontormo (Jacopo Carucci). Red and white chalk. The J.Paul Getty Museum This schedule of events is subject to change. Please check getty.edu/360 for updates. Engraved Gem,1st 2nd century AD, Roman.Rhodolite garnet (Pyrope-almandine intermediate garnet). The J.Paul Getty Museum. Gift of Stanley Ungar 12

8 OCTOBER HIGHLIGHTS SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Fashion Photography Panel Page 8 Sculpting and Shaping Clay Focus on Fashion Introduction to Fluxus Reading Edvard Munch s Symbolism Page 8 Knights in Shining Armor Eighteenth-Century Portraits Eighteenth-Century Pastel Portraits Page 3 French Fashion Art Circles Expression Intimate Bodies Page 8 Sculpting and Shaping Clay Screening of "Visionaries" Icons of Style Page 3 Focus on Fashion Masterful Likeness Page 3 /Books and Their Artists Page 3 In Focus: Expressions Page 3 The Renaissance Nude OPENS Page 1 Underworld OPENS Getty Center Getty Villa Exhibition Tour Family Talk Performance Course Film Food For a complete list of activities, please see the listings by program type. This schedule of events is subject to change. Please check getty.edu/

9 NOVEMBER HIGHLIGHTS SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY French Fashion Sculpting and Shaping Clay Bodies in Motion The Nude on the Road to Perdition Page New News from Old Jerusalem Page 9 Capella Pratensis Premiere Presentation Premiere Presentation Premiere Presentation Premiere Presentation Sally Mann OPENS Page 1 Sally Mann: Hold Still Page 9 Premiere Presentation Art Circles Sculpting and Shaping Clay Premiere Presentation The Unknown Fragments Bodies in Motion Medieval Armenia s Artistic Beauty Page Getty Center Getty Villa Exhibition Tour Family Talk Performance Course Film Food For a complete list of activities, please see the listings by program type. This schedule of events is subject to change. Please check getty.edu/

10 DECEMBER HIGHLIGHTS SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 1 Sculpting and Shaping Clay All that Glitters Page 4 Artistic Anatomy The Flight into Egypt Page 4 OPENS Page 2 Aspects of Global Performance in the 1970s Page 10 Spectacular Mysteries OPENS Page 2 Sculpting and Shaping Clay French Fashion Detail and Definition Artistic Anatomy Artful Words OPENS Page Getty Center Exhibition Getty Villa Tour Performance Film Family Talk Course Food For a complete list of activities, please see the listings by program type. This schedule of events is subject to change. Please check getty.edu/

11 VISITOR INFORMATION 19 GETTY CENTER About The Getty Center is home to the J. Paul Getty Museum, the Getty Research Institute, the Getty Conservation Institute, and the Getty Foundation. The Getty serves both the general public and a wide range of professional communities in Los Angeles and throughout the world. At the Museum, visitors will find exhibitions featuring the J. Paul Getty Museum s collection of European art from the Middle Ages to the present, along with special exhibitions and public programming. At the Getty Research Institute, visitors can explore exhibitions that help advance the understanding of the visual arts. These include objects from the Research Institute s special collections, which contain modern and contemporary collections, art historical archives and manuscripts, rare books, architecture and design collections, prints, drawings, photographs, and optical devices. At the Getty Conservation Institute and Getty Foundation, visitors can explore the local, national, and international work of these two institutions that fund, research, and address issues related to the conservation of museum collections, archaeological sites, and historic architecture. Admission and Parking Admission to the Getty Center is always free. On-site parking (subject to availability) is $15 and is $10 after 3:00 p.m.; no reservations required. Please visit getty.edu or call (310) for more information. Pay Once, Park Twice Get same-day parking at both the Getty Center and Getty Villa for one $15 fee. Visit the Museum Information Desk at either location for a coupon good for same-day complimentary parking at the other site. Hours Tuesday through Friday, and Sunday, 10:00 a.m. 5:30 p.m. Saturday, 10:00 a.m. 9:00 p.m. Getty Center Events Seating reservations required except as noted; visit getty.edu or call (310) Notice of cancellation is appreciated. Reservations are held until 15 minutes before the start of the program and doors open 30 minutes prior. The Getty Center is set against a backdrop of dramatic architecture, tranquil gardens, and breathtaking views. We invite you to explore! VISITOR INFORMATION GETTY VILLA About The Getty Villa is the original location of the J. Paul Getty Museum. It is an educational center and museum dedicated to the study of the arts and cultures of ancient Greece, Rome, and Etruria. Throughout the year, enjoy a wide-ranging program of performances, talks, and symposia in the indoor Auditorium. In the summer, experience classical drama outdoors in the Barbara and Lawrence Fleischman Theater. Hours Wednesday through Monday, 10:00 a.m. 5:00 p.m. Getty Villa Events Event tickets are required to attend all programs presented in the Auditorium, and for other events except as noted. Admission and event tickets must be obtained in advance at getty.edu or by phone at (310) and must be presented upon arrival. The site also hosts the UCLA/Getty Master s Program, the only graduate-level program in the United States that focuses solely on archaeological and ethnographic materials. Admission and Parking Admission to the Getty Villa is always free; advance, timed tickets are required for each adult individual and can be obtained online at getty.edu or by calling (310) Parking is $15 and is $10 after 3:00 p.m. No walk-ins permitted except by showing a bus receipt or transfer, along with a Villa ticket. Pay Once, Park Twice Get same-day parking at both the Getty Center and Getty Villa for one $15 fee. Visit the Museum Information Desk at either location for a coupon good for same-day complimentary parking at the other site. 20

12 FOOD 21 GETTY CENTER The Restaurant Located in the Restaurant/Cafe building, the Restaurant offers full service in an elegant setting with views of the Santa Monica Mountains. Menus change seasonally. Reservations are recommended. Call (310) Lunch Hours Tuesday Saturday: 11:30 a.m. 2:30 p.m. Sunday: 11:30 a.m. 3:00 p.m. Dinner Hours Saturday: 5:00 9:00 p.m. Cafe The self-service Cafe is located on the lower level of the Restaurant/Cafe building and has indoor and outdoor dining areas. The extensive menu includes sandwiches, soups, salad, pizza, tacos and burritos, and grilled items. Wine and beer are also available. Garden Terrace Cafe This smaller cafe offers coffee, lunch, and snacks in an outdoor setting overlooking the Central Garden. Coffee Carts Two coffee carts one in the Museum Courtyard and one on the Plaza outside the Restaurant offer coffee, hot tea, espresso drinks, and bottled beverages, as well as hot and cold food options. GETTY VILLA Cafe The Cafe serves casual Mediterranean fare and has indoor and outdoor seating. Menu choices include soup, salads, panini, pizzas, pastas, and desserts. Wine and beer are also available. Menu items feature organic, locally grown produce whenever possible. No reservations are required for the Cafe. Coffee Kiosk The Coffee Kiosk near the Cafe entrance offers coffee, hot tea, espresso drinks, and bottled beverages, as well as grab-andgo items including hot and cold sandwiches, salads, and a selection of baked goods, desserts, and ice cream. Tea by the Sea Enjoy a special dining experience inspired by the Mediterranean herbs, vegetables, and fruits that grow at the Villa. Feast on sweet and savory sandwiches and pastries along with fruits, cheeses, and a selection of teas. Afterward, tour the Villa s authentically re-created first-century Roman gardens with knowledgeable docents and spend the rest of the afternoon savoring the Villa s exhibitions and permanent collection. $42 per person. Reservation recommended. Call (800) or BonAppetitReservations@getty.edu Offered Thursdays and Saturdays, 1:00 p.m. ALWAYS AVAILABLE GETTY CENTER GettyGuide GettyGuide interactive multimedia content features audio recordings, videos, and information about the works of art on display at the Getty Museum. Pick up a multimedia player free of charge in the Museum Entrance Hall. Architecture Tour Discover more about Richard Meier s architecture and the design of the Getty Center site in this 45-minute tour. Garden Tour The Central Garden, designed by Robert Irwin, is the focus of this 45-minute tour. JOIN THE GETTY PATRON PROGRAM When we combine our efforts with your support, the result is extraordinary. As a Patron, you ll receive special benefits that will bring you closer than ever to the Getty. Learn more at getty.edu/support-us Orientation Film A 10-minute film shows continuously in two theaters in the Museum Entrance Hall. Family Room This innovative space encourages families to collaborate on creative, hands-on activities designed to help them explore the Museum s collection. Art Detective Cards Find the art and solve the mystery with these cards designed for your family to enjoy while exploring the galleries, gardens, and architecture. Available outside the Family Room and at the Family Cart in the Entrance Hall. También ofrecida en español. GETTY VILLA GettyGuide GettyGuide interactive multimedia content features audio recordings, videos, and information about the works of art on display at the Getty Museum. Pick up a multimedia player free of charge in the Museum Atrium. Orientation Film A 12-minute film shows continuously in the Museum Theater. Family Forum Ancient art comes alive in this hands-on space for families that encourages shared learning and discovery. Research Library A resource for scholars, college and university faculty, graduate students, curators, and other researchers. Open Monday through Friday, 9:30 a.m. 5:00 p.m. Located in the Getty Research Institute building. Call (310) for more information. Architecture Tour Explore the architecture of the Getty Villa and learn about daily life in the ancient world in this 40-minute tour. Garden Tour Discover the rich mythological and cultural connections of ancient flora in this 40-minute tour of the Getty Villa s gardens Irises (detail), 1889, Vincent van Gogh. Oil on canvas. The J. Paul Getty Museum 22

13 ON VIEW 1200 Getty Center Drive, Suite 403 Los Angeles, CA USA Sally Mann: A Thousand Crossings Non-Profit Organization US Postage PAID Los Angeles, CA Permit No ELECTRONIC SERVICE REQUESTED Bean s Bottom, 1991, Sally Mann. Silver dye bleach print. Private collection. Image Sally Mann Cover: Allegory of Fortune (detail), about 1530, Dosso Dossi. Oil on canvas. The J. Paul Getty Museum 2018 J. Paul Getty Trust